Évasion 2: Le Labyrinthe d'Hadès

Whereas the first "Escape Plan" movie was no stroke of brilliance it actually might just have been in comparison to the rubbish that is "Escape Plan 2: Hades".

Wow, talk about a ridiculous storyline if there ever was one! This is the sort of sequel that should never have seen the light of day and it is unfathomable of how something as abysmal such as this came into existence.

Poorly written storyline and script, and the acting performances in the movie, despite there being some well enough action stars here, was just questionable. It was as if the actors themselves didn't even buy into the storyline. This was definitely not one of the brightest moments in Sylvester Stallone's acting career.

There is a lot of action and fighting in the movie which is the one and only thing the movie has working for it.

If you are going to watch an "Escape Plan" movie, stick with the first one and give the sequel a wide berth...

Escape Plan 2: Hades fails to capture the magic of the original film, leaving much to be desired. While I was excited to see a continuation of the story, the film ultimately falls flat due to its lack of focus on the beloved character of Ray Breslin, played by Sylvester Stallone. With Stallone's role significantly diminished, he feels more like a background character than the formidable lead we came to appreciate in the first installment.

The film shifts its focus to a new group of characters and their struggles within the titular Hades, a high-tech prison that feels less compelling than the previous setting. While there are moments of action, the narrative lacks the intricate plotting and tension that made the first Escape Plan so engaging. Instead of the clever heists and psychological maneuvers that defined the original, this sequel relies more on generic action tropes that fail to hold the audience's attention.

The absence of Stallone as a central figure detracts from the overall experience, and the character dynamics feel underdeveloped as a result. The film does not capitalize on the chemistry and camaraderie that made the first film memorable, leading to a disjointed viewing experience.

In summary, Escape Plan 2: Hades is a disappointing sequel that lacks the heart and intrigue of its predecessor. For fans of the original, it may be hard to overlook these shortcomings, making it a less-than-satisfying addition to the franchise.

I was a little bit worried when I learned that it will skip a theatrical release, but still looked forward to it. I really liked the first one and thought that the cast in this one was decent. Sadly, almost nothing about it works.

The script is disastrously bad. The plot and pace are all over the place, making an 85 minute movie feel long. The cinematography is horrendous. The movie is filled with neon lights that are almost headache inducing. The fight scenes are banal and are there just for the sake of it. There are Sci-Fi elements that serve little purpose and don't really fit. Oh, and Stallone and Batista are secondary characters. This would not be a problem if the main characters were interesting, charismatic or well written, but they unfortunately are none of those things.

I enjoy B movies. For me, everything can be forgiven if the movie is fun. But this is just boring.

The acting is mediocre at best. The cinematography is just terrible. most of the movie is filmed with a handheld camera and the cameraman has parkinsons. Imdb has not listed any budget for this movie and that is because there is no budget. CGI is awful, explosions and gunfire is so fake that there are no words to describe how bad it is. There is one cool scene and that is the barfight. Other than that there is nothing good about this movie. One of the worst sequels in history.

SPOILER: I really enjoyed Escape Plan. It was fun and although a little silly it was well put together well directed. Now I was surprised to see Stallone doing back to back sequels in Escape Plan 2 + 3, but if 2 is anything to go by then Stallone has slipped horribly into Straight-to-Video Hell! Which is quite apt as that's what Hades means (it was the Greek name for the underworld).

So why is it so bad? - Well, firstly we start the film with characters (and actors) we've never seen before: A team on some kind of rescue mission from terrorists. Wait, what?! We don't see Stallone until 10 mins into the film. It's his team. He's the boss of a security firm in Atlanta now. But he's not the main character. Oh.

The main character is Chinese actor Xiaoming Huang. No, I've never heard of him before either. Don't get me wrong, I have no doubt this actor is a big star in China. His martial arts are really good, and he has a certain presence about him. But his character here is so underwritten that you never engage with him as a character. So instead of being invested in him, you become a mere spectator of what happens to him. I'm sure Chinese money & market has a major part in his casting, but this isn't how to do it. Also featured is Cheng Tang, who (I'm sorry), is almost unintelligible in around half his scenes. But I think it's partly the director's fault. We frequently can't see him speaking as the camera is doing something strange. So you get a difficult to understand accent from a disembodied voice.

So, Huang finds himself inside a new mega high-tech prison, where to achieve privileges you have to to win fights in a gladiatorial fight - for no apparent reason. Oh. This is such an old B-Movie cliché that I can't believe they went there, but I suppose they wanted to make use of Huang's martial arts and this is how they do it. It's a bit desperate though. Meanwhile, on the outside Stallone recruits Bautista to help find Huang and another team member who's gone missing. At this point you think this might pick up, but you'd be wrong.

The problem is that none of this is joined up well. You frequently are barely comprehending what is supposed to be going on. There's no real focus to the film as we cut back and forth between outside and inside the prison - which nobody knows the location of. Dialogue is frequently missed or mumbled, especially by 50 Cent, who is so bad I think they could have employed a cardboard cut-out with a robot voice and it would have been a) more intelligible and b) a better performance. Seriously, why do people keep employing him? Bautista is underused, and is just a man mountain who terms up and does things. There's no character. He's just a thing that does stuff.

Stallone, obviously is trying to spin-off successful films in which he was the action hero. Now older, he can't do that stuff anymore, however, when he does a little bit of action you can't help but be impressed. Here there's a good action scene in which he and Bautista waste numerous assassins, but I really don't know what that scene was about. It just seemed to be stuffed in there for a bit of action. Another scene is a bit silly really, where he faces a man at least 30 years younger than him in fisticuffs. Dude! You're in your 70's! Stop it! It's getting embarrassing now.

The special effects in the film are grossly overdone but so low grade that you wonder how they managed to use 90's technology and make them look 80's, and the prison never feels like anything but a rather bad film set. The whole film looks rather B-Movie cheap.

Although the script doesn't work for all the reasons I've given above, I reserve special mention for the director, Stephen C Miller, who seems to think that erratic and inappropriate camera movements is what directing means. This film could have been watchable if Miller was not at the helm. He's dire! It's like an 8-year-old was given a camera kit and tracks. This isn't style, it's mess. Nothing about his direction works. Nothing. No thing. In all seriousness, Miller has killed what might have been just a bad film and made it a very bad film indeed. Producers! Stop employing him! He has no idea what he's doing! Nothing he does works!

Please, Stallone, you are better than this. You can write really good characters and you are actually a good actor. Do some thrillers. Act your age, dude. As for Escape Plan 3: Devil's Station, at least it won't have Miller directing. John Herzfeld at least knows how to use a camera.