McQueen

Closest to docufiction, consisting of mainly documentary material combined with certain scripted narratives, dividing title character's life in well-defined chapters, fictionally captured on "tapes", British production "McQueen" (2018), directed by Ian Bonhôte and Peter Ettedgui, gives an all-inclusive, many personal perspective (from a wide-range of people interviewed) look at the life and extraordinary talent, propelling sometimes controversial, ultimately, artistically and business-wise unprecedented career of the enfant terrible of fashion, Lee Alexander McQueen. From among those who were lucky enough to have spent time with him, and close enough to have had their lives touched by his clearly inspirational and motivating presence, many have contributed a word and shared their memories here: from his family members (mother, sister, nephew), partners, teachers, employers and employees, sponsors and promoters, fashion reviewers, colleagues and models. All comments together, organized in thematical chapters, "tapes" covering distinct periods of his life, create a comprehensive and rather impressive portrait of an extraordinary individual, from his humble beginnings, his meteorite success in launching and supervising his eponymous line, providing his conceptual and designing skills and artistry to numerous collections and dramatized fashion shows, all the way to his premature death.

I have to admit that I'm not a big fan of fashion: just an occasional spectator, even less frequent follower, if at all. Yet, this documentary caught my attention from the get-go, and kept it on high till the end. I learned a lot and started to appreciate.

In short, this is a skillful and insightful, an exciting and poignant documentary about someone who was in the public eye ever since his middle twenties, therefore easily leaving behind lots of personal footage from both, his professional activities (running in parallel his own line of fashion clothes production and organizing shows for other fashion houses) and his private life (exposed and discussed in numerous interviews along the way) about his alluring, intensively creative and, therefore, despite being cut short, very productive life.

As one of the interviewees summarized on McQueen and his growing charisma, they don't make them like this anymore.

By the way, quite deservedly, and indicative for its quality and attraction, film won a popular vote, Audience Vote Best Feature Film, at the latest, 18th edition of Beirut International Film Festival, 22-28 April 2019.

"Give me time and I'll give you a revolution." Alexander McQueen

Too many films glorify their artists' lives without letting you into the creative process. Not so McQueen. Director Ian Bonhote and writer-director Peter Ettedgui, et al., capture the emerging incandescent genius of Lee Alexander McQueen while getting up close and personal to his inspirations and demons and finally his suicide.

This transfixing documentary shows in beautiful images, including his iconic skull motif, his revolutionary fashion-dramas, with visual designs fit for MOMA, and a robust backstage world of real-life passion and pain fitting for a genius who can barely keep up with his own gifts and those the world bestows on him. In some ways he reminds me of another troubled but gifted artist of the bizarre, Poe.

I saw the exhibit in New York 2010 with my granddaughter, Alexandra, and as splendid as it was, this bio brought me closer to him than the real thing. My reflection is my highest compliment to an artist who may end up like other greats such as Whitney, but whose range of achievements dwarfs even those geniuses.

Sad as McQueen's hanging is, immediately following the death of his beloved mother, perhaps some gifted artists may be fated for as violent an end as their art is passionate. The comfort is in his clothes and their dramatic shows unlike any other in the history of fashion.

"I find beauty in the grotesque, like most artists." McQueen That's history making splendidly chronicled.

So sad and so beautiful. Just like he was. A wonderful insight into the beauty and brutality that made his work what it was. A very emotional piece. And considering how the man himself said he wanted people to walk away from his shows with emotion, even though this wasn't a work of his (even though it was about him), I'd consider this a resounding success for just that reason. You walk away from the theater very emotional. Go see it. Yesterday.

Admittedly, I had absolutely no idea who Lee Alexander McQueen was. Incredibly naive of me, but the fashion industry is one that remains undivulged. Suffice to say after watching this beautiful documentary, I now understand why McQueen was viewed by many as a fashion master. A young craftsman fulfilling his passion and becoming the best designer out there. Quite simply inspirational. Chronicling the various collections that McQueen designed, this documentary chronologically explores how his artistry evolved over time and how he brought through his personal life into his work. A young uneducated boy living in Stratford quickly utilises his entrepreneurial personality to pursue his hobby for tailoring. Starting off as an apprentice in Saville Row and rapidly working for Givenchy years later. His talent and skills were only possible through one fiery trait. Passion. What Bonhôte and Ettedgui's documentary does best is capture his expressive collections and relate them to his personal life. Take the "Highland Rape" collection for example. A controversial show that ensured McQueen made a statement to the world of fashion. Then there's "Voss" that, whilst technically excellent, conveyed his darker emotions. A manifestation of the sheer amount of work he put himself through that unfortunately, mixed with mental instabilities, lead to his early demise. The documentary allows you to connect with McQueen not by excessively exploring his early life, although some further development should've been included, but by viewing his work. The narrative is segmented by various tapes, each one indicating a collection and a turning point in McQueen's life. As the film progresses, his confidence increases and the garments become more extravagant as he explores various themes, such as "Plato's Atlantis" depicting the human anatomy through futuristic evolution. The greatest statement a fashion designer can make is conveying their personality through their work. And the passionate McQueen did that sublimely. A beautiful documentary.

PipAndSqueak makes some strong points, but I'm not sure what he's saying about people's (lack of) grief at McQueen's passing -- that McQueen was a control freak and therefore not cared about in the end?

I don't know what PipAndSqueak is referring to with "LAM" - does anyone know? I was actually wondering if PipAndSqueak might be Detmar Blow - but no evidence for that.

PipAndSqueak titled his (?) essay "Sacrificial LAM" - that's what I was just thinking -- that Alexander McQueen functioned in his life, and functions now, as an 'Art Christ' similar to van Gogh - but for the 21st century. Considering the disposability of males to most species including the human species, it's disturbing to contemplate that McQueen may actually serve as a type of human sacrifice for the art and beauty craving masses, during this era of ugliness and chaos. Perhaps his extreme creative honesty and ability to transmute ugliness into beauty filled the massive cultural chasm we are currently suffering.

This documentary is pretty much on par with the documentary put out about Alexander McQueen in 2011. It offers us a lot of new information, for which I am grateful, and it is entertaining.

I've found just as much value in watching interviews with McQueen on YouTube. But this movie presents a concise - if not complete - picture of his career and art. I greatly appreciate that this film was made, and I hope we can learn from it and advance ourselves further given the knowledge it affords to us.