Newton

When I entered the theatre, it lifted my heart to find the hall filling up well. Good for a small budget film, I thought. May be its Oscar nomination has boosted the crowd, the cynic in me commented.

My neighbour in the theatre came late and made us all stand up. He remained seated, however, during the National Anthem. He had, perhaps, always wished to do it but never gathered the courage or got seated in the last row with minimum risk of being seen. His courage seemed a product of darkness and less visibility. His wife stood up, he didn't try to resist her from doing that.

When the movie began to roll, the man chuckled. First, unsure ones, after all the topic seemed serious to laugh out loud. His volume as well as pitch of laughter increased as the movie progressed. His shrill laughter made me uncomfortable I was amused with the narrative, but was this something to laugh out loud? Is the film pro establishment or it has its leaning towards the other side? What is the agenda of this film?

For about two hours, the director played with my well versed, end predicting mind. He made me wait for the action. After all, there are Maoists around and military forces in every frame. The government officers trying to conduct polling have to be protected. May be, the protagonist will find the Maoists human. Where are the Maoists? When is the action due? How long shall we wait? Amit Masurkar reminded me what Brecht had said, there is no Godot.

Screenplay, script, dialogues,camera and the other crafts are right in place in this film. Director exhibits singular restrain in adhering to a single narrative. Raj Kumar is maturing as an actor in every film. Anjali Patil is a revelation and her character is the soul of the movie. Veterans Raghuvir ji, Sanjay ji and Pankaj ji kept the narrative grounded in real time.

The way the film uses silence and anticipation is unique. The director has shown a lot of courage here. In fact, silence stands out to be the antagonist in the setting of the jungles. It takes time for jungles to become a jungle, a character said. Dialogues are colloquial, still memorable. I remember now quite a few of those verbatim even after a couple of hours of watching the film. The body which passed the film in the current Indian ambiance and that which selected it to represent India in the Oscars must as well be lauded. Newton is a critique on Achhe Din peddling politicians, yet delivers the strong cure wrapped in a coloured, soluble capsule. My son dislikes the contemporary melodramatic Hindi movies. When he learnt that this has been nominated for an Oscar, he nodded his head and pursed his lips in appreciation.

Well done, Team Newton, ab Einstein banke dikhao in your next venture. All cine lovers shall keep a watch on this director, screenplay writer and, of course, Anjali and Raj, wait, Raj, Anjali? Hmm…

Watch this film with no expectations. With millions of viewers, you will see the place and hear its sounds through Rao. After all, how many times it so happens that a film discovers a new space and language for its audience?

Newton (2017): Most of the people are unaware of a film named Newton until it was selected as an official entry to 90th Academy Awards from India.This low-profile film has attracted audience after its Oscar-entry buzz and even the reviews are highly positive.Starring Rajkumar Rao (2017's surprise star of Bollywood) and limited cast,Newton is directed by Amit Masurkar,who earlier directed Sulemani Keeda.SO how is Newton?

Plot:

Nutan Kumar alias Newton (Raj Kumar Rao),a government clerk on election duty in the conflict ridden jungle of Central India tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of guerrilla attacks by communist rebels.

My Review: Newton is one such message-oriented film which will equally impress both art and commercial audience alike.It is brilliantly funny poignant film which every Indian must watch.

"Do you know what your problem is?" a veteran election instructor asks a newbie.

The youngster replies: "My honesty?"

"No," says the older gentleman, "your problem is your pride in your honesty."

This conversation between Rajkumar Rao and Sanjay Mishra is one of the best scenes I have seen this year.In the same scene,Sanjay Mishra compares Newton's view is similar to Isaac Newton's view.Director masterfully wrote such strong scenes in the beginning of the movie which really created strong impact throughout the movie and even after coming out after watching it.

Writer-director Amit Masurkar and Mayank Tewari have painfully captured the bittersweet essence of the people of an obscure jungle that's far-flung from civilization.Masurkar razes multiple Hindi film clichés to the ground in Newton by resorting to low-key black comedy to tell a tale of Adivasis being pulled in different directions by the police and Naxalites on election day, by making an Adivasi - that too a woman - one of the agents of change in the film, and by conceiving Newton as a man of indeterminate caste, even if clearly not an Adivasi himself.

Newton is a dark comedy that gives you equal measures of dread and disillusionment and hope and hilarity. It makes you see the pitfalls of the democratic system but also tells you that it's the only one capable of positive change. This is reality at its finest, with credible performances and backdrops that immerse viewers into the world and where even the faces of the background characters leave a heartbreaking impression. The script is full of humorous touches and intricate visual details.

Once again Rajkumar Rao proved that he is the upcoming gem of Bollywood.He gave a powerful innocent performance with perfection.Pankaj Tripathi is the show-stealer with his career best performance.Rest of the cast also impressed a lot with their natural acting skills.

So,Newton is one of the best political satires I had seen from Indian Cinema.A Must Watch..

My Rating 8/10

"Newton" shows that following rules exactly as they are, is almost impossible in India and most people already accept that idea. The show off in front of the media, especially the foreign ones is staged exactly targeting them. Well done.

I saw this fabulous Indian film called "Newton" last night which by the way is the only Indian film to be screened at this year's New Zealand International Film Festival. This film was screened at Cannes and I guess this is the second festival after the Festival de Cannes where it is being showcased. In a nutshell, this film is about an election officer who takes the responsibility of going into a forest ridden with armed revolutionaries in order to collect votes from the local residents.

I had read somewhere that Isaac Newton, the genius scientist, was actually a very complicated man. His namesake in this film seemed no different. While his intentions were good, his method of executing them was questionable. Which is why when you see this film, you will wonder if the protagonist is actually the antagonist. Everything in cinema is a matter of perspective. The film is infused with dark humour from start to finish and Rajkumar Rao is nothing short of a brilliant actor.

Because this was a festival film, I saw this film with a primarily Kiwi audience which is always a great thing. I want Indian films to have a global audience. If main-stream Bollywood films don't attract a foreign fan-following, art-house festival circuit low-budget films certainly will. It is so ironic that I saw this film at a time when New Zealand is preparing for the upcoming elections This film appeared so minimalist yet was nothing short of a funny edge-of-the-seat thriller.

A young man of principle is the presiding officer of a polling booth deep in naxal controlled area in Chhattisgarh. He crosses swords with the chief of military staff posted in the area. Both have orders to follow and doing their job.

This film is a critique on the state of democracy in India and how it's not all black and white. The good part is that the writer and director are neutral and don't have a point to make. The audience is left to draw his own conclusion.

A must watch.