Corpo Elétrico

This film tells the story of a 23 years old Brazilian man, who works in a garment factory. He is good at his work, and his boss gives him more responsibilities. However, his heart does not lie in his career, but in carnal relationships with the people around him.

"Body Electric" appears to have a very exciting synopsis, so I watched it in a film festival. The film ends up being very mundane, and has no actual plot. It shows Elias working in the factory, or hanging clothes at home, or hanging out with his colleagues. The problem is that there is no clear starting line, no clear journey and no clear destination for the characters. Elias spends a lot of time in bed, but so what? From the way they introduce the characters, I really don't care about them or feel anything towards them.

The camera work is an aspect that I was disappointed with. There are many long static shots, which makes the film lethargic. Sometimes the camera moves so little, even at the expense of the character talking not being in the centre of the frame. For example, the scene where the pink hair guy talks loads in the toilet, he is way off centre. He should be the focal point, but he is relegated to the side.

When the film ends abruptly, there is no sense of the story having achieved or conveyed anything. It is not a drama because there is almost no story. It is not an erotic film because you can hardly see anything. It is not funny or thrilling either. There is little to keep me interested in the story, if there was a story at all.

A film about freedom, youth, friendship, sensations .

The feeling about absence of plot becomes a virtue grace to beautiful performance of Kelner Macedo as Elias, for the spirit of comunity with his work mates and buddies, for free sexual relations and the strange connection with the job.

It is only the story of 23 years old man who has no purpose for his life, no ambitions and attachments, who like his job but preffers the people to machines, who is part of parties and good teller about ordinary facts of day.

And this authentic freshness of a story about, in essence, nothing, resurrecting viewer fantasies about total liberty and lost youth are the significant points making Corpo Electrico profound seductive movie , nice example of presumed atmosphere, smart user of cliches and fair reflection of near reality ordinary facts. And it is just enough for a kind of nostalgia inspired by it.

That's all the film is. It's about the lives of a group of guys and girls who work in a garment-making factory, some straight and some gay. The central character is an attractive gay man who has several relationships on the go and has one-night-stands whenever possible. He also has an ambiguous relationship with an older rich guy.

His immediate boss gives him a great deal of responsibility in his work and he seems to enjoy his job but he is easily distracted, something noticed by the big boss who advises him to tone down relationships with the workers as he is supervisory staff.

The film shows several relationships that are developing or established amongst his friends. One nice touch is how virtually all of the crowd accepts the gay contingent.

There's no plot at all. It's just a progression through several lives and events leading up to and during Xmas and New Year. Some might think this is pointless and have said so in their reviews but I found it fascinating and refreshing.

No one can say this film is a cliché - most people complain that "gay" films end up in tragedy. This ends as the film has proceeded, as it might in real life, just carrying on as it has to that point. There can't be a "resolution", as some reviewers are complaining, as there is no plot as such.

It's a different type of film and I liked it.

If the world, our actions in it, our ambitions, and our friendly encounters amuse you, you will likely love this movie. The acting is incredibly fluid, the cinematography great, the characters real. But, as some have pointed out, the plot, it exists at all, is existential. It is about a talented, directionless fellow in Brownian motion with other talented directionless people, living their lives in very amusing ways. I am a 50-ish American, saw this film in Mumbai with a 50-ish Indian buddy, and we both laughed throughout, recognizing ourselves and our zanny friends everywhere. Albert Camus and Salvador Dali, I think, would have loved it. Tom Cruze, not so much.

This film follows the daily life of Elias, a young and attractive gay man. He lives in Sao Paulo and works as an assistant designer in a textile factory. During his free time, he enjoys going out with friends and having sex with other boys. The acting is good, but the story lacks consistency. So I got bored after an hour.