The story of the 1971 war between India and Pakistan is told from the perspective of a soldier.The story of the 1971 war between India and Pakistan is told from the perspective of a soldier.The story of the 1971 war between India and Pakistan is told from the perspective of a soldier.
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Yhe wasn't India Pakistan war. It was Bangladesh and Pakistan war. India helped Bangladesh at some point. Only
If you look at Major Ravi's filmography, it is clear what his intentions are. However, none of his films are cinematically strong. They are like used bullet shells that have no use but are there to remind us about wars. This war drama is no different.
Sahadevan (Mohanlal) is a Major in the Indian army who speaks awful Hindi and English, and leads a team of largely Malayali soldiers at the border. It's 1971, and India is sporadically at war with East or West Pakistan (it's unclear). Although Sahadevan has a family back home, he is dedicated at his work and on the task at hand, which is to kill as many enemies as possible in the battlefield. With insubordination, arrogance, constant thirst for alcohol, and a large belly that prevents free movement of his body as weapons, he leads his battalion against a faction of Pakistani soldiers headed by Commander Akram Raja (Arunoday Singh), who (no prize for guessing) also has a family back home.
The narrative has no idea what it's doing because at one point, we see a soldier being sent to help a father grieve his father's loss and at another, we see Sahadevan reprimanding a young soldier for exchanging risqué pornographic love letters with his newly-wedded wife. To say the least, everything is all over the place. It looks like Director Ravi gathered all typical war elements in his hand, put it in a Preethi mixer grinder, and blended it till the time he was satisfied and was able to cook up a pretentious and pathetic story to decorate the blended mixture with. I'm not sure if the guarantee provided by Preethi was enough, because the final dish looks stale, smells ghastly, and tastes like human viscera. Throughout the film, the Indian soldiers are running and walking around the field in groups like they are in a treasure hunt. Just plain awful!
There's not a single good point to talk about 1971: Beyond Borders except Arunoday Singh's below average performance as a moral army man. Whatever the makers intended by creating such an ambitious yet floppy film is beyond me, because neither the technical aspects nor the writing is proper here. Mohanlal is a phenomenal actor but seeing him blurt out nonsense and play with a tank in a war field is excruciatingly painful. His character is a self-righteous pig who ogles at young married women when not at the war-front. While the supporting cast also disappoint with their unpolished performance, it is untalented Allu Sirish who becomes another pain in the neck portraying a soldier like he's a floozy.
Director Ravi is an awful director, and this film proves it once again. His intentions as a former army man may be novel, but it's a kind request from a serious cinema-watcher that he stop making us - the general, informed audience - put up with such ludicrous war films. I'm not even going to talk about those songs that are part of this 130-minute madness.
BOTTOM LINE: Major Ravi's "1971: Beyond Borders" is not a war film, but instead a mockery of war, picturised using painted characters that do not know anything about war just like the people who made the film. It is cringe-worthy, melodramatic, and purely imaginative. Skip for life!
Can be watched with a typical Indian family? YES
Sahadevan (Mohanlal) is a Major in the Indian army who speaks awful Hindi and English, and leads a team of largely Malayali soldiers at the border. It's 1971, and India is sporadically at war with East or West Pakistan (it's unclear). Although Sahadevan has a family back home, he is dedicated at his work and on the task at hand, which is to kill as many enemies as possible in the battlefield. With insubordination, arrogance, constant thirst for alcohol, and a large belly that prevents free movement of his body as weapons, he leads his battalion against a faction of Pakistani soldiers headed by Commander Akram Raja (Arunoday Singh), who (no prize for guessing) also has a family back home.
The narrative has no idea what it's doing because at one point, we see a soldier being sent to help a father grieve his father's loss and at another, we see Sahadevan reprimanding a young soldier for exchanging risqué pornographic love letters with his newly-wedded wife. To say the least, everything is all over the place. It looks like Director Ravi gathered all typical war elements in his hand, put it in a Preethi mixer grinder, and blended it till the time he was satisfied and was able to cook up a pretentious and pathetic story to decorate the blended mixture with. I'm not sure if the guarantee provided by Preethi was enough, because the final dish looks stale, smells ghastly, and tastes like human viscera. Throughout the film, the Indian soldiers are running and walking around the field in groups like they are in a treasure hunt. Just plain awful!
There's not a single good point to talk about 1971: Beyond Borders except Arunoday Singh's below average performance as a moral army man. Whatever the makers intended by creating such an ambitious yet floppy film is beyond me, because neither the technical aspects nor the writing is proper here. Mohanlal is a phenomenal actor but seeing him blurt out nonsense and play with a tank in a war field is excruciatingly painful. His character is a self-righteous pig who ogles at young married women when not at the war-front. While the supporting cast also disappoint with their unpolished performance, it is untalented Allu Sirish who becomes another pain in the neck portraying a soldier like he's a floozy.
Director Ravi is an awful director, and this film proves it once again. His intentions as a former army man may be novel, but it's a kind request from a serious cinema-watcher that he stop making us - the general, informed audience - put up with such ludicrous war films. I'm not even going to talk about those songs that are part of this 130-minute madness.
BOTTOM LINE: Major Ravi's "1971: Beyond Borders" is not a war film, but instead a mockery of war, picturised using painted characters that do not know anything about war just like the people who made the film. It is cringe-worthy, melodramatic, and purely imaginative. Skip for life!
Can be watched with a typical Indian family? YES
The movie starts with Indian Army lead by Major Mahadevan (Mohanlal) helping Pakistan Army from the terrorist attack on the same day India celebrating victory above Pakistan. Pakistan Army comes to the celebration of Indian Army after Major Mahadevan invited them. All of sudden, both Army leaders find out that their fathers were related in the previous war and the story has started of previous war.
Mohanlal's dialogue deliveries and inspiration speeches are good. Even Ashutosh Rana has done a great work in a Malayalam movie. But, most of the war scenes shows that Mohanlal has become old to do a war movie. Even history repeats when Major Sahadevn's favorite Lieutenant Chinmay (Allu Sirish) died same as Major Mahadevan's favorite Havildar Jaykumar (Jiva) died in Keerthi Chakra.
This movie was not up to the mark compared to the director Major Ravi's previous Army movies and viewers need to think themselves whether they understood the message of the movie (Pakistanis are not a enemies and nobody want WAR).
Mohanlal's dialogue deliveries and inspiration speeches are good. Even Ashutosh Rana has done a great work in a Malayalam movie. But, most of the war scenes shows that Mohanlal has become old to do a war movie. Even history repeats when Major Sahadevn's favorite Lieutenant Chinmay (Allu Sirish) died same as Major Mahadevan's favorite Havildar Jaykumar (Jiva) died in Keerthi Chakra.
This movie was not up to the mark compared to the director Major Ravi's previous Army movies and viewers need to think themselves whether they understood the message of the movie (Pakistanis are not a enemies and nobody want WAR).
1971: Beyond Borders is a war film directed by Major Ravi. The film stars Mohanlal, Allu Sirish and Arunoday Singh.
The film is a fictional story based on the backdrop of 1971 India Pakistan war from a soldier's point of view.
This is probably one of the worst war films i have ever seen. The worst part is the casting and the film doesn't looks natural. A pot bellied major who seems to be more interested in drinking, an hapless looking Indian army and an second lieutenant who is more interested in love letters. This film is more about preaching and less about war and even the war scenes doesn't looks natural.
Screenplay of the film is slow and acting in the film is decent. The one more factor that makes this film less then a war film is that the film is more and more based on just one man and no war can be described on the viewpoint of just one man. The film also lacks facts.
Only true and hardcore Mohanlal fans will like this film for others who are coming to watch a war film will be disappointed as this film is anything but a war film.
The film is a fictional story based on the backdrop of 1971 India Pakistan war from a soldier's point of view.
This is probably one of the worst war films i have ever seen. The worst part is the casting and the film doesn't looks natural. A pot bellied major who seems to be more interested in drinking, an hapless looking Indian army and an second lieutenant who is more interested in love letters. This film is more about preaching and less about war and even the war scenes doesn't looks natural.
Screenplay of the film is slow and acting in the film is decent. The one more factor that makes this film less then a war film is that the film is more and more based on just one man and no war can be described on the viewpoint of just one man. The film also lacks facts.
Only true and hardcore Mohanlal fans will like this film for others who are coming to watch a war film will be disappointed as this film is anything but a war film.
I have gone to theater to watch movie as I thought of keerthichakra. which in mohanlal was awesome .Even the earlier soldier movies were very much better than these stories . A disappointing mashup. of the highly-appreciated prequels . Keerthichakra, Kurukshetra, and Kandahar. Try at your own risk..!!!
Did you know
- TriviaThe movie is inspired by Mahabharata allu shirish is the abhimanyu and villain as karna and mohanlal is pandav
- GoofsThe map shown by the R&AW officer is a badly drawn version, with several glaring mistakes: Pakistan-occupied Kashmir would be shown as Indian territory in all official Indian maps, but is shown as Pakistani territory. Pakistan would have been West Pakistan then, and would have been labeled as such. East Pakistan or Bangladesh is simply absent from the picture.
- Alternate versionsThe UK release was cut, the distributor chose to remove scenes of strong violence and bloody detail in order to obtain a 12A classification. An uncut 15 classification was available.
- ConnectionsReferences Enga Veetu Pillai (1965)
- SoundtracksArmaan
Written by 'Kamal Karthik'
Produced by Najim Arshad
Performed by Hariharan, Najim Arshad, Vipin and Shyam
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- 1971: Вне границ
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $61,590
- Runtime2 hours 15 minutes
- Color
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