Oh Lucy!

Not the best movie but entertaining enough. I wouldn't not watch it again. But I didn't fall asleep.

Lauded Japanese-American female filmmaker Atsuko Hirayanagi's feature debut, OH LUCY!, derived from her own eponymous short, is a USA-Japan coproduction starring Shinobu Terajima as Setsuko, a Tokyo-dwelling, 40-something unwed, childless office lady (a kindred spirit of Kumiko in David Zellner's KUMIKO, THE TREASURE HUNTER, 2014), whose benumbed workaday existence is shunted into a new lane when she enrolls in an English class for beginners, welcomed by the open-handed warmth generated from the American teacher John (Hartnett, still handsome enough to conquer lonely-hearts), and christened with a new English name Lucy and sporting a blond wig, Setsuko instantly cottons to John, soon....

keep reading my review on my blog: cinema omnivore, thanks!

Tokyo train station, overcast skies and a shout of "good bye" as a man jumps on the tracks in front of a train. Setsuko witnesses the suicide on the way to the office and her dull routine. She is middle-aged, lonely and unhappy. Perhaps she could snap like this. When Setsuko receives an invitation from her niece Mika to attend advanced English lessons, the classes provide unexpected light and warmth in her life. John, the foreign teacher, loosens Setsuko up with hugs, humor, role-play and a new nickname; Lucy. However, just as suddenly as John releases Setsuko from her funk, he disappears. Setsuko goes in search of him across an ocean, and goes even farther within herself.

Combining humor with seriousness and sincerity, the film reveals the wonders of what travel can do. It takes us outside ourselves and reveals truths that would not have been revealed if we stayed in our bubbles. It shows us our strengths and weaknesses, the good and bad. The film also shows that the difference between Japan and America goes beyond language. The Japanese are generally not as outgoing as Americans. There is not much in the way of touching or hugs. The Japanese are good at wearing masks. People like Setsuko go unnoticed and suicide is a big problem. It is wonderful that the director is giving a voice to those like Setsuko. While the transitions between scenes are a little funky and the story could use development in places, it is a charming and interesting story. The actors are experienced and adept at their roles. Seen at the Toronto International Film Festival.

Even though the movie was Japanese, it could easily have been an American Indie movie. Complex characters and issues that can't result be resolved. No simple answers here

"Good bye".....and the life is gone.

In the case of Setsuko, in her mind it already had....and then John. Because she felt passed by, Johns teaching techniques created a sense of warmth to a lost soul and Setsuko's emotions flirted with love masqueraded by lust of a meaningful life.

The script and direction were exquisite as was the acting performances. None could be faulted.

The only reason I am not giving 10/10 is because there were a couple of goofs but I am a nerd so I am always hunting for faults.

This is a wonderful example of beautiful cinema. GO SEE IT!!