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IMDbPro

La douleur

  • 2017
  • Tous publics
  • 2h 7m
IMDb RATING
6.3/10
1.4K
YOUR RATING
Mélanie Thierry in La douleur (2017)
Watch Bande-annonce [OV]
Play trailer1:57
3 Videos
37 Photos
BiographyDramaWar

Marguerite must navigate through the hardships of the Liberation after losing her husband and starting a relationship with the enemy during the War.Marguerite must navigate through the hardships of the Liberation after losing her husband and starting a relationship with the enemy during the War.Marguerite must navigate through the hardships of the Liberation after losing her husband and starting a relationship with the enemy during the War.

  • Director
    • Emmanuel Finkiel
  • Writers
    • Marguerite Duras
    • Emmanuel Finkiel
  • Stars
    • Mélanie Thierry
    • Benoît Magimel
    • Benjamin Biolay
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    1.4K
    YOUR RATING
    • Director
      • Emmanuel Finkiel
    • Writers
      • Marguerite Duras
      • Emmanuel Finkiel
    • Stars
      • Mélanie Thierry
      • Benoît Magimel
      • Benjamin Biolay
    • 11User reviews
    • 47Critic reviews
    • 57Metascore
  • See production info at IMDbPro
    • Awards
      • 15 nominations total

    Videos3

    Bande-annonce [OV]
    Trailer 1:57
    Bande-annonce [OV]
    Memoir of War
    Trailer 2:10
    Memoir of War
    Memoir of War
    Trailer 2:10
    Memoir of War
    Memoir of War -- Official HD U.S. Trailer
    Trailer 2:10
    Memoir of War -- Official HD U.S. Trailer

    Photos37

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    Top cast61

    Edit
    Mélanie Thierry
    Mélanie Thierry
    • Marguerite Duras épouse Antelme
    Benoît Magimel
    Benoît Magimel
    • Pierre Rabier
    Benjamin Biolay
    Benjamin Biolay
    • Dionys Mascolo
    Grégoire Leprince-Ringuet
    Grégoire Leprince-Ringuet
    • François Mitterrand - alias François Morland
    Emmanuel Bourdieu
    • Robert Antelme
    Anne-Lise Heimburger
    • Mme Bordes
    Patrick Lizana
    • Georges Beauchamp
    Shulamit Adar
    • Madame Katz
    Joanna Grudzinska
    Joanna Grudzinska
    • Thérèse
    Caroline Ducey
    Caroline Ducey
    • La cliente du restaurant Saint-Georges
    Salomé Richard
    Salomé Richard
    • Une femme au rapatriement à Orsay
    Olivier Veillon
    • Un camarade du réseau
    Bertrand Schefer
    • Un camarade du réseau
    Mathias Labelle
    • Un camarade du réseau
    Nathan Gabily
    • Un camarade du réseau
    François Prodromidès
    • Un camarade du réseau
    Stanislas Nordey
    • Un déporté
    Barouch Rafiq
    • Un déporté
    • (as Baruch Rafic)
    • Director
      • Emmanuel Finkiel
    • Writers
      • Marguerite Duras
      • Emmanuel Finkiel
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews11

    6.31.4K
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    Featured reviews

    4nevelo

    A near death experience

    SUM UP : you read the book and liked it ? -> GO see the movie! Not read or read and not liked? -> GO see another movie!

    STORY The story is about a wife that has no information about the return of her husband that went to war. So she tries to find out what happend to him.

    NOTHING BUT PAIN The film is full of pain, and is very slow, just l ike the book I heard. I would say that, while the crew might have done a great job turning the book into a move, the movie was not enjoyable: I go to movies to feel emotions, and I did not feel any but pain in this one. I had to leave the movie after 1H30 min because I was just losing my time.

    RATING 4 because the cast was nice, and as said, the crew did a fine job given the book..
    2vivianwallwood

    liked nothing about it

    I've watched some rubbish/flawed films and have found something to help me work around whatever was wrong with them. This film had nothing. It was slow, and boring. The characters weren't interesting me and I didn't like the cinematography. The overall look of the film was drab and grey.
    JohnDeSando

    An immersive art-house memoir of WWII. It's a work of cinematic art.

    "In Paris, I found myself surrounded by Germans; they were all over the place. They played music, and people would go and listen to them! All along rue de Rivoli, as far as you could see from place de la Concorde, there were enormous swastika banners five or six floors high. I just thought, This is impossible." Pearl Witherington Cornioley

    While many on all sides of WWII suffered immeasurably, along with them was Marguerite (Melanie Thierry), not suffering the physical slings but emotionally tortured waiting for the return during liberation of her imprisoned resistance husband, Robert (Emmanuel Bourdieu). Memoir of War is a slow burn of waiting, expertly paralleling her longing for his return as we suffer a long but engrossing expectation with her.

    Director/writer Emmanuel Finkiel, skillfully adapting the discursive Marguerite Duras novel, based on her experience, provides a linear story that simmers with desire for Robert's return while she spurns attention from a resistance colleague, Dionys (Benjamin Biolay), and a Nazi collaborator Pierre Rabier (Benoit Magimel). Finkiel's constant closeups of her cinematic face reveal the subtle torture she goes through as she spurns Dionys's advances and barters with Rabier for her husband's return.

    After the Rabier sequences, the film almost exclusively centers on her turmoil of waiting until a denouement worthy of a potboiler depicting the converging conflicts of her loyalty in the face of Robert's imminent return. The film successfully immerses us in her waiting and her conflicts, as anyone who has, for instance, endured the slow death of a loved one to a disease. I suspect that torture is similar to waiting for a prisoner to return, probably a skeleton of himself looking already close to death if not almost there already.

    Memoir of War, depicting the life of an acclaimed memorist, novelist, and author of the classic Hiroshima Mon Amour (1959), is not for the frequently ADD American audience (admittedly, it is too long for almost any audience); it belongs to the province of thoughtful cinephiles who love the quiet characterization of grand souls in conflict.

    Superhero film this is not; classic European filmmaking with a substantial heroine it is.
    10cvairag

    Best film made in 2017 that I have seen thus far

    As usual, I am at odds with the idiots who inhabit places like Hollywood, and in their ignorance dare to review films of which they have little real understanding and a lot of subjective brouhaha! The film itself is a masterpiece of film making, which unfolds, like Sunset Song, the Scottish film of a few years back, in a thickly imaged, slow-paced narrative, the tormenting loss of a young woman's husband, the destruction of her youthful dreams due to war. We must remember that there is only one war, the war of the rich against the poor, the haves against the have-nots, the propertied against the vulnerable. The woman here is not simply any woman, of course, but Marguerite Duras, who was becoming on of the foremost novelists and screenwriters of the post war era, played to the hilt by Mlle Thierry who with this role comes into her own as of the foremost actresses of her generation. It's as good as Oldham's Churchill, that good. The detail of the film, not easy to achieve, is impeccable, every frame has been thought thru to the max. They deserved the Cannes for film editing with this one at the least. There is one frame, I really don't know how they achieved it, but I felt as if I was looking through a window in metal frame door, and not at the flat screen. I'd never seen anything quite like that. Again, at the end of one frame we hear what sounds like heavy breathing or crying, in the following frame we find that this is the sound of Duras' impassioned pen on the page. Utterly brilliant stuff. They had a great source and made a classic film with too many subtleties to recount here, especially to fans of an overpriced, horribly acted and written films like Bladerunner 2049 which are simply hyped junk with dependably high ratings on popular internet movie sites where folks speak depraved Hollywoodize.
    GManfred

    ******* Chick Flick

    "Memoir Of War" is a woman's picture in the true sense of the term. Women can understand the agony of waiting for their husband or other male relative to return from war, or in this case, from a concentration camp. Waiting and waiting and waiting - for some word, some hope, some encouragement. Daily trips to the train station provide no help as day after day goes by. Melanie Thierry is outstanding as Marguerite, who waits patiently for her husband to return. The war is over and she scans the returnees at the train station each day.

    It is not a war picture in the strict sense of the term and there are no battle scenes, or even a fight worth mentioning. It is a character study ... but c'mon. Enough is enough. The film could have used a heavier hand in the cutting room, as it is about 30 minutes too long. I was beginning to hope he would show up dead or alive and end the interminable wait. I base my rating on the caliber of the acting performances, especially Ms. Thierry and Shulamit Adar, who plays a neighbor who comes to stay with her. But for these outstanding performances I would have opted for a six rating.

    7/10 - Website no longer prints my star rating.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Official submission of France for the 'Best Foreign Language Film' category of the 91st Academy Awards in 2019, but was not nominated.
    • Connections
      References Le dictateur (1940)
    • Soundtracks
      LENTO E DESERTO
      extrait du "CONCERTO POUR PIANO ET ORCHESTRE" Ligeti Project

      Composed by György Ligeti

      © Schott Music GmbH Co KG

      (p) 2001 Teldec Classics, a Warner Music UK Division

      Avec l'autorisation d'Alphonse Leduc Editions Musicales et Warner Music France, A Warner Music group Company.

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    FAQ

    • How long is Memoir of War?Powered by Alexa

    Details

    Edit
    • Release date
      • January 24, 2018 (France)
    • Countries of origin
      • France
      • Belgium
      • Switzerland
    • Official sites
      • Les Films du Losange (France)
      • Les Films du Poisson (France)
    • Language
      • French
    • Also known as
      • Memoir of War
    • Filming locations
      • Paris, France(setting of most of the action)
    • Production companies
      • Cinéfrance 1888
      • Cinéfrance Plus
      • Les Films du Poisson
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €6,563,754 (estimated)
    • Gross US & Canada
      • $103,636
    • Opening weekend US & Canada
      • $11,653
      • Aug 19, 2018
    • Gross worldwide
      • $2,980,982
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      2 hours 7 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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