La douleur
- 2017
- Tous publics
- 2h 7m
IMDb RATING
6.3/10
1.4K
YOUR RATING
Marguerite must navigate through the hardships of the Liberation after losing her husband and starting a relationship with the enemy during the War.Marguerite must navigate through the hardships of the Liberation after losing her husband and starting a relationship with the enemy during the War.Marguerite must navigate through the hardships of the Liberation after losing her husband and starting a relationship with the enemy during the War.
- Awards
- 15 nominations total
Barouch Rafiq
- Un déporté
- (as Baruch Rafic)
Featured reviews
SUM UP :
you read the book and liked it ? -> GO see the movie!
Not read or read and not liked? -> GO see another movie!
STORY The story is about a wife that has no information about the return of her husband that went to war. So she tries to find out what happend to him.
NOTHING BUT PAIN The film is full of pain, and is very slow, just l ike the book I heard. I would say that, while the crew might have done a great job turning the book into a move, the movie was not enjoyable: I go to movies to feel emotions, and I did not feel any but pain in this one. I had to leave the movie after 1H30 min because I was just losing my time.
RATING 4 because the cast was nice, and as said, the crew did a fine job given the book..
STORY The story is about a wife that has no information about the return of her husband that went to war. So she tries to find out what happend to him.
NOTHING BUT PAIN The film is full of pain, and is very slow, just l ike the book I heard. I would say that, while the crew might have done a great job turning the book into a move, the movie was not enjoyable: I go to movies to feel emotions, and I did not feel any but pain in this one. I had to leave the movie after 1H30 min because I was just losing my time.
RATING 4 because the cast was nice, and as said, the crew did a fine job given the book..
I've watched some rubbish/flawed films and have found something to help me work around whatever was wrong with them. This film had nothing. It was slow, and boring. The characters weren't interesting me and I didn't like the cinematography. The overall look of the film was drab and grey.
"In Paris, I found myself surrounded by Germans; they were all over the place. They played music, and people would go and listen to them! All along rue de Rivoli, as far as you could see from place de la Concorde, there were enormous swastika banners five or six floors high. I just thought, This is impossible." Pearl Witherington Cornioley
While many on all sides of WWII suffered immeasurably, along with them was Marguerite (Melanie Thierry), not suffering the physical slings but emotionally tortured waiting for the return during liberation of her imprisoned resistance husband, Robert (Emmanuel Bourdieu). Memoir of War is a slow burn of waiting, expertly paralleling her longing for his return as we suffer a long but engrossing expectation with her.
Director/writer Emmanuel Finkiel, skillfully adapting the discursive Marguerite Duras novel, based on her experience, provides a linear story that simmers with desire for Robert's return while she spurns attention from a resistance colleague, Dionys (Benjamin Biolay), and a Nazi collaborator Pierre Rabier (Benoit Magimel). Finkiel's constant closeups of her cinematic face reveal the subtle torture she goes through as she spurns Dionys's advances and barters with Rabier for her husband's return.
After the Rabier sequences, the film almost exclusively centers on her turmoil of waiting until a denouement worthy of a potboiler depicting the converging conflicts of her loyalty in the face of Robert's imminent return. The film successfully immerses us in her waiting and her conflicts, as anyone who has, for instance, endured the slow death of a loved one to a disease. I suspect that torture is similar to waiting for a prisoner to return, probably a skeleton of himself looking already close to death if not almost there already.
Memoir of War, depicting the life of an acclaimed memorist, novelist, and author of the classic Hiroshima Mon Amour (1959), is not for the frequently ADD American audience (admittedly, it is too long for almost any audience); it belongs to the province of thoughtful cinephiles who love the quiet characterization of grand souls in conflict.
Superhero film this is not; classic European filmmaking with a substantial heroine it is.
While many on all sides of WWII suffered immeasurably, along with them was Marguerite (Melanie Thierry), not suffering the physical slings but emotionally tortured waiting for the return during liberation of her imprisoned resistance husband, Robert (Emmanuel Bourdieu). Memoir of War is a slow burn of waiting, expertly paralleling her longing for his return as we suffer a long but engrossing expectation with her.
Director/writer Emmanuel Finkiel, skillfully adapting the discursive Marguerite Duras novel, based on her experience, provides a linear story that simmers with desire for Robert's return while she spurns attention from a resistance colleague, Dionys (Benjamin Biolay), and a Nazi collaborator Pierre Rabier (Benoit Magimel). Finkiel's constant closeups of her cinematic face reveal the subtle torture she goes through as she spurns Dionys's advances and barters with Rabier for her husband's return.
After the Rabier sequences, the film almost exclusively centers on her turmoil of waiting until a denouement worthy of a potboiler depicting the converging conflicts of her loyalty in the face of Robert's imminent return. The film successfully immerses us in her waiting and her conflicts, as anyone who has, for instance, endured the slow death of a loved one to a disease. I suspect that torture is similar to waiting for a prisoner to return, probably a skeleton of himself looking already close to death if not almost there already.
Memoir of War, depicting the life of an acclaimed memorist, novelist, and author of the classic Hiroshima Mon Amour (1959), is not for the frequently ADD American audience (admittedly, it is too long for almost any audience); it belongs to the province of thoughtful cinephiles who love the quiet characterization of grand souls in conflict.
Superhero film this is not; classic European filmmaking with a substantial heroine it is.
10cvairag
As usual, I am at odds with the idiots who inhabit places like Hollywood, and in their ignorance dare to review films of which they have little real understanding and a lot of subjective brouhaha! The film itself is a masterpiece of film making, which unfolds, like Sunset Song, the Scottish film of a few years back, in a thickly imaged, slow-paced narrative, the tormenting loss of a young woman's husband, the destruction of her youthful dreams due to war.
We must remember that there is only one war, the war of the rich against the poor, the haves against the have-nots, the propertied against the vulnerable. The woman here is not simply any woman, of course, but Marguerite Duras, who was becoming on of the foremost novelists and screenwriters of the post war era, played to the hilt by Mlle Thierry who with this role comes into her own as of the foremost actresses of her generation. It's as good as Oldham's Churchill, that good.
The detail of the film, not easy to achieve, is impeccable, every frame has been thought thru to the max. They deserved the Cannes for film editing with this one at the least. There is one frame, I really don't know how they achieved it, but I felt as if I was looking through a window in metal frame door, and not at the flat screen. I'd never seen anything quite like that. Again, at the end of one frame we hear what sounds like heavy breathing or crying, in the following frame we find that this is the sound of Duras' impassioned pen on the page. Utterly brilliant stuff.
They had a great source and made a classic film with too many subtleties to recount here, especially to fans of an overpriced, horribly acted and written films like Bladerunner 2049 which are simply hyped junk with dependably high ratings on popular internet movie sites where folks speak depraved Hollywoodize.
"Memoir Of War" is a woman's picture in the true sense of the term. Women can understand the agony of waiting for their husband or other male relative to return from war, or in this case, from a concentration camp. Waiting and waiting and waiting - for some word, some hope, some encouragement. Daily trips to the train station provide no help as day after day goes by. Melanie Thierry is outstanding as Marguerite, who waits patiently for her husband to return. The war is over and she scans the returnees at the train station each day.
It is not a war picture in the strict sense of the term and there are no battle scenes, or even a fight worth mentioning. It is a character study ... but c'mon. Enough is enough. The film could have used a heavier hand in the cutting room, as it is about 30 minutes too long. I was beginning to hope he would show up dead or alive and end the interminable wait. I base my rating on the caliber of the acting performances, especially Ms. Thierry and Shulamit Adar, who plays a neighbor who comes to stay with her. But for these outstanding performances I would have opted for a six rating.
7/10 - Website no longer prints my star rating.
It is not a war picture in the strict sense of the term and there are no battle scenes, or even a fight worth mentioning. It is a character study ... but c'mon. Enough is enough. The film could have used a heavier hand in the cutting room, as it is about 30 minutes too long. I was beginning to hope he would show up dead or alive and end the interminable wait. I base my rating on the caliber of the acting performances, especially Ms. Thierry and Shulamit Adar, who plays a neighbor who comes to stay with her. But for these outstanding performances I would have opted for a six rating.
7/10 - Website no longer prints my star rating.
Did you know
- TriviaOfficial submission of France for the 'Best Foreign Language Film' category of the 91st Academy Awards in 2019, but was not nominated.
- ConnectionsReferences Le dictateur (1940)
- SoundtracksLENTO E DESERTO
extrait du "CONCERTO POUR PIANO ET ORCHESTRE" Ligeti Project
Composed by György Ligeti
© Schott Music GmbH Co KG
(p) 2001 Teldec Classics, a Warner Music UK Division
Avec l'autorisation d'Alphonse Leduc Editions Musicales et Warner Music France, A Warner Music group Company.
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Memoir of War
- Filming locations
- Paris, France(setting of most of the action)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €6,563,754 (estimated)
- Gross US & Canada
- $103,636
- Opening weekend US & Canada
- $11,653
- Aug 19, 2018
- Gross worldwide
- $2,980,982
- Runtime2 hours 7 minutes
- Color
- Aspect ratio
- 1.85 : 1
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