A Brooklyn teenager spends his days experimenting with drugs and looking online for older men to meet.A Brooklyn teenager spends his days experimenting with drugs and looking online for older men to meet.A Brooklyn teenager spends his days experimenting with drugs and looking online for older men to meet.
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A film about homosexuality made for heterosexuals, 'Beach Rats' neatly fits the tired and restrictive 'LGBT' label by conforming to many of its trademarks, such as self-loathing and confused gay men that simply wish to belong, gays being betrayed by other gays, gays getting beat up, macho blokes, predictable plots and clichéd characters, nudity, homoerotic soft-porn visuals and drug taking.
The underlining psycho-sexual Freudian craving for a father figure (the six pack underwear model guy's dad dies of cancer) is clunky and too obvious, and the cruising and outdoor sex will only shock heterosexual people who are still living in 1995, everyone else will be bored.
The story's conclusion is both preposterous (a closeted gay male tells his aggressive, homophobic friends about a gay cruising site he uses that they can score weed on) and predictable (the effeminate, helpless gay male they trick into meeting them is beaten by the group).
Gay/queer people are some of the bravest you will ever meet, but from viewing a film like 'Beach Rats', you'd never be aware of this. The idea with these intellectually lazy films is to present the world as a predatory, scary place for gay people; sometimes that is very true, and sometimes it is not. I've never been attacked for being gay, for example, yet every 'LGBT' film features a gay bashing. Is this the only way to tackle homophobia -- to show fictional gay bashings? To show repressed, miserable young people hurting other repressed, miserable young people? Does it change the world? Aren't we tired of seeing gay men get beaten up yet?
In the 1970s you had a wide range of incredibly varied queer film makers all over the world making thrilling films, from Fassbinder's nihilistic, confrontational 'f--k you's, to John Waters' palpable joy in seeking to offend everyone on the planet, to Pasolini's fierce socialist attacks on the hypocrites of the world, to Kenneth Anger's esoteric and homoerotic Thelema-inspired creations -- these are films that are still vibrant and powerful to this very day, forty years later, and that is because they were works of complete originality and power, there is no self-loathing to be found in any of it.
No one will be talking about this dated, gay-bashing soft porn in even five years' time.
The underlining psycho-sexual Freudian craving for a father figure (the six pack underwear model guy's dad dies of cancer) is clunky and too obvious, and the cruising and outdoor sex will only shock heterosexual people who are still living in 1995, everyone else will be bored.
The story's conclusion is both preposterous (a closeted gay male tells his aggressive, homophobic friends about a gay cruising site he uses that they can score weed on) and predictable (the effeminate, helpless gay male they trick into meeting them is beaten by the group).
Gay/queer people are some of the bravest you will ever meet, but from viewing a film like 'Beach Rats', you'd never be aware of this. The idea with these intellectually lazy films is to present the world as a predatory, scary place for gay people; sometimes that is very true, and sometimes it is not. I've never been attacked for being gay, for example, yet every 'LGBT' film features a gay bashing. Is this the only way to tackle homophobia -- to show fictional gay bashings? To show repressed, miserable young people hurting other repressed, miserable young people? Does it change the world? Aren't we tired of seeing gay men get beaten up yet?
In the 1970s you had a wide range of incredibly varied queer film makers all over the world making thrilling films, from Fassbinder's nihilistic, confrontational 'f--k you's, to John Waters' palpable joy in seeking to offend everyone on the planet, to Pasolini's fierce socialist attacks on the hypocrites of the world, to Kenneth Anger's esoteric and homoerotic Thelema-inspired creations -- these are films that are still vibrant and powerful to this very day, forty years later, and that is because they were works of complete originality and power, there is no self-loathing to be found in any of it.
No one will be talking about this dated, gay-bashing soft porn in even five years' time.
This is another one of those gay themed movies that tries to show some deeply hidden emotions or something, but instead goes nowhere.
Let's start with what's good first... Most of the cinematography is pretty good - expect for overly shaky camera in few scenes. There is a lot of eye candy in terms of shirtless guys and more - can help in making the movie at least a bit more interesting. And the acting isn't totally bad. At least the actors don't feel stiff.
Sadly that is where good things end. There is little dialogue in the movie, though that is not always a bad thing. But in this movie it actually is. Because we don't really see any character development and no real story. We have a young guy that takes drugs, has sex with older men and spends time with his friends doing stupid things. That's almost the entire story. Backing characters have no names, no personality and really don't do anything. Main character... pretty much the same. No ambitions, no desires, no anger, nothing. He just is. Pretty much the whole thing can be seen in the trailer.
You will get the same story if you look at pictures of random strangers in a city near a beach. Though those will probably have more depth. Overall I can't really recommend this one. If you want teens coming to terms with life and their sexuality go watch something like Hidden Kisses or Boys and leave this one alone.
Let's start with what's good first... Most of the cinematography is pretty good - expect for overly shaky camera in few scenes. There is a lot of eye candy in terms of shirtless guys and more - can help in making the movie at least a bit more interesting. And the acting isn't totally bad. At least the actors don't feel stiff.
Sadly that is where good things end. There is little dialogue in the movie, though that is not always a bad thing. But in this movie it actually is. Because we don't really see any character development and no real story. We have a young guy that takes drugs, has sex with older men and spends time with his friends doing stupid things. That's almost the entire story. Backing characters have no names, no personality and really don't do anything. Main character... pretty much the same. No ambitions, no desires, no anger, nothing. He just is. Pretty much the whole thing can be seen in the trailer.
You will get the same story if you look at pictures of random strangers in a city near a beach. Though those will probably have more depth. Overall I can't really recommend this one. If you want teens coming to terms with life and their sexuality go watch something like Hidden Kisses or Boys and leave this one alone.
I went to IMDb to see what other people had said about this film, and the very first review I saw had the title of "Boring."
"Beach Rats" is quiet and thoughtful, and it demands a certain amount of patience, but it breaks my heart that someone would dismiss it as boring. It follows a lost youth navigating the no man's land between teenager and adult as he tries to figure out how to be the person he wants to be -- whoever that is -- in an environment that tells him who he should be. He hangs out with a bunch of losers who speak in a kind of dumb bro language and couldn't string together an articulate thought between the three of them while wandering aimlessly around Coney Island and its environs looking to score easy drugs. Meanwhile, he carries on a secret life of gay encounters with older men while at the same time trying to force himself to enjoy a relationship with a young woman who's too mature for him.
Is he gay? Probably. Does he specifically seek out older men as father figures because his own dad just recently died of lingering cancer? Maybe. But the point is that he doesn't have the tools required to process any of the things he's feeling because he lives in a stunted place surrounded by stunted people, and it's easier to escape into feeling good the bad way than to put work into feeling better the hard way.
More than anything "Beach Rats" is about how hard it is for men to explore their own feelings in a culture that has rigidly defined what it means to be masculine.
Grade: A
"Beach Rats" is quiet and thoughtful, and it demands a certain amount of patience, but it breaks my heart that someone would dismiss it as boring. It follows a lost youth navigating the no man's land between teenager and adult as he tries to figure out how to be the person he wants to be -- whoever that is -- in an environment that tells him who he should be. He hangs out with a bunch of losers who speak in a kind of dumb bro language and couldn't string together an articulate thought between the three of them while wandering aimlessly around Coney Island and its environs looking to score easy drugs. Meanwhile, he carries on a secret life of gay encounters with older men while at the same time trying to force himself to enjoy a relationship with a young woman who's too mature for him.
Is he gay? Probably. Does he specifically seek out older men as father figures because his own dad just recently died of lingering cancer? Maybe. But the point is that he doesn't have the tools required to process any of the things he's feeling because he lives in a stunted place surrounded by stunted people, and it's easier to escape into feeling good the bad way than to put work into feeling better the hard way.
More than anything "Beach Rats" is about how hard it is for men to explore their own feelings in a culture that has rigidly defined what it means to be masculine.
Grade: A
First off, by tough to watch, I mean that in a good way. The almost painful, questioning and awkward teenage years of a man learning, or trying to learn his sexuality and family fit with turmoil going on all around him could not be captured better. His "not (his) friends" don't seem to make anything easier for him, and his love interest isn't much better.
The one big difference in this film which in my opinion doesn't make it bad, just makes it unique to what is to be expected from many coming of age/life films around is that a majority of the movie is portrayed not by dialog, but by character demeanor, and actions. It is not a feel good movie, and it is not a re-assuring style film. It is as it tries to be a movie showing the hardship of being a teenage male, unsure about his sexuality or life in fractured times.
I would highly recommend this film if that sounds like your cup of tea, but if you like the more light hearted, or 'scripted' style of teenage life this may not be for you.
**Fair warning this film does have a fair bit of nudity, and drug use among others**
The one big difference in this film which in my opinion doesn't make it bad, just makes it unique to what is to be expected from many coming of age/life films around is that a majority of the movie is portrayed not by dialog, but by character demeanor, and actions. It is not a feel good movie, and it is not a re-assuring style film. It is as it tries to be a movie showing the hardship of being a teenage male, unsure about his sexuality or life in fractured times.
I would highly recommend this film if that sounds like your cup of tea, but if you like the more light hearted, or 'scripted' style of teenage life this may not be for you.
**Fair warning this film does have a fair bit of nudity, and drug use among others**
Frankie (Harris Dickinson) is in his late teens and lives at his Brooklyn home with his family. He also lives a double life: he hangs out and does drugs with three macho friends while also living a closeted life of arranging sexual encounters with men (mostly middle-aged) on the Internet.
While "Beach Rats" has a standard tone in its coming-of-age storyline, it can be given credit to going where most films dare not go: its man-to-man encounters are upfront. While this is courageous and rare, the movie suffers like many other recent ones including "Good Time" above: the main character is unlikeable.
Franikie's gradual descent into drug dependence might have elicited sympathy but he lacks soul and character whether he's drugging with his friends, having secretive sex with men, trying to go "straight" with a young woman close to his age, or in the few encounters he has with his family.
Some characters in smaller roles do show glimpses of depth but these moments are too few and far between. Director/writer Eliza Hittman uses a cool, distant approach to the characters but as the characters themselves are also cool and distant, there is an empty feeling by the end. - dbamateurcritic
While "Beach Rats" has a standard tone in its coming-of-age storyline, it can be given credit to going where most films dare not go: its man-to-man encounters are upfront. While this is courageous and rare, the movie suffers like many other recent ones including "Good Time" above: the main character is unlikeable.
Franikie's gradual descent into drug dependence might have elicited sympathy but he lacks soul and character whether he's drugging with his friends, having secretive sex with men, trying to go "straight" with a young woman close to his age, or in the few encounters he has with his family.
Some characters in smaller roles do show glimpses of depth but these moments are too few and far between. Director/writer Eliza Hittman uses a cool, distant approach to the characters but as the characters themselves are also cool and distant, there is an empty feeling by the end. - dbamateurcritic
Did you know
- TriviaSurprisingly, Harris Dickinson the actor who plays Frankie in the film was actually too fit to play the role before filming began. "I got there and, without sounding arrogant, director Eliza Hittman told me that I was a bit too in shape," he recalled. "She told me to kind of eat what I wanted for a bit, because it wouldn't be right. Frankie is amongst a community of people where going to the beach and having your top off is such a big part of summer, so there's pressure to work out, but also they're not quite hitting the mark in terms of being in top-notch shape. They'll do, like, chest and arms."
- GoofsWhen Frankie is asked if he's a cop by the guy he is meeting, the car pulls up with what appears to be New York license plates. After Frankie gets into the car and they drive away, the car now has Virginia license plates.
- SoundtracksBeach Rats Theme
Written and Performed by Nick León (as Nick León)
Containing an excerpt from "Rain Dance (Phase One Intro)", written by Akeem Joseph and Marlon Fung
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- 海灘鼠輩
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $473,771
- Opening weekend US & Canada
- $46,451
- Aug 27, 2017
- Gross worldwide
- $486,623
- Runtime1 hour 38 minutes
- Color
- Aspect ratio
- 1.85 : 1
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