Tales of love across two films highlighting the very different challenges that face the couples, With Michael and Thomas just after WWII, and Adam and Steve in the present day.Tales of love across two films highlighting the very different challenges that face the couples, With Michael and Thomas just after WWII, and Adam and Steve in the present day.Tales of love across two films highlighting the very different challenges that face the couples, With Michael and Thomas just after WWII, and Adam and Steve in the present day.
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- 1 win & 1 nomination total
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I never miss "Masterpiece" because it is probably my favorite current, ongoing series, and it never manages to disappoint. "Man in an Orange Shirt" is probably the most frank and explicit of all of its offerings to date, it will not be for everyone, but it packs a powerful punch and shows the whole picture of what it meant to be gay when it was illegal in Britain, and presents an equally involving story set in the present. It would take very strong, charismatic actors to make this work on all levels, and they are first-rate: Oliver Jackson-Cohen (from "Lark Rise to Candleford," "Mr. Selfridge") and James McArdle in the post-war story, and Julian Morris and David Gyasi in the modern day. I was extremely impressed by the performances by Vanessa Redgrave as the older Flora and Australian-born Joanna Vanderham ("The Paradise," "Dancing on the Edge") as the younger Flora. Redgrave is still a force to be reckoned with--she is, first and foremost, a Redgrave--and the explosive scene with her grandson Adam is painfully delivered and deeply felt. Vanderham is poignant and unforgettable in driving home the point that her life has been ruined by the marriage "of convenience." There are excellent supporting roles by Frances De La Tour ("The Collection") as Mrs. March, portraying a woman trying to be strong under near-impossible circumstances; Laura Carmichael (Edith in "Downton Abbey") always enjoyable as Flora's sister Daphne; and Julian Sands ("A Room With a View") as the arrogant partner of Steve. I appreciated the fact that "Masterpiece" chose to air the entire film in one night. I am hoping that all viewers who saw this ground-breaking production learned something, if not tolerance, then understanding and perhaps even sympathy for a human experience that is no longer stuck in the closet and called "the love that dare not speak its name." I see Emmy nominations on the horizon.
I watched this series as part of the 2018 US PBS Pride series. It was shown in its entirety. The story of forbidden is not unusual for the gay world, but something about this was very genuine in it's writing and portrayal. The plot line moves along quickly as there was such a short time for the writers to tell two complicated and deep stories. The first section seemed to just be getting it's wind when we lept forward several decades to the modern world. We were just learning about the leads, the loves and their lives. The second section brought in many of today's challenges with instant sex, but not much love. Again, there were many question about what happened in between. However, the quality of the production and the talent of the cast made it a gem to watch. And yes there are tears. As many others have said, worth the watch and if we could have the years in the middle please as a 2019 BBC pride production, I am sure that the audience is there.
I am a 45 yr old married mother of 3 so have no "cards in the game" in terms of LGBT rights ( or maybe I will - my kids aren't yet old enough to reveal). This was a lovely romantic 2 part series showing the trials of two different relationships in different ages - also with a real feeling towards the poor Vanessa Redgrave character (who was also a casualty of the pointless prejudice) which really moved me - and then made me so sad to think how rarely romantic gay love is depicted - I love a good romance and how would I feel if my type of romance was so rarely depicted on TV? Enjoyed but made me realise how much further still to go......
All together they are very beautiful stories. Unfortunately they are placed into two 1 hour parts. They needed about double the time to marinate in more storytelling. Each of the individual relationships were so complex I was left wanting to see them develop more gradually. Despite this, the excellent cast (and the director) do all that they can to avoid it all coming off clumsily. There is a lot of beauty on the screen, especially with part 1 of the two.
They were able to make me care about the characters and the parallels between the two accounts, but I think it could have been much richer by delving deeper into each of their stories.
They were able to make me care about the characters and the parallels between the two accounts, but I think it could have been much richer by delving deeper into each of their stories.
The emotions, the love, the fear, the self-hatred, the harsh realities. I really loved it; however it felt incomplete, like we got part 1 and part 3 but they forgot to film part 2. Too many unanswered questions for a drama with this much emotional heft.
Did you know
- TriviaA lot of this is autobiographical for writer Patrick Gale. Like one of the characters in the film, his own mother did discover a pile of love letters in her husband's desk that were written to him by a male friend. She destroyed them, partly out of fear that the discovery of them would incriminate him in the eyes of the law and also out of disgust and ignorance, equating homosexuality with pedophilia.
Details
- Runtime
- 1h(60 min)
- Color
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