A Lebanese informer and an Israeli Mossad agent are trapped together in a safehouse where nothing is safe and no one can be trusted.A Lebanese informer and an Israeli Mossad agent are trapped together in a safehouse where nothing is safe and no one can be trusted.A Lebanese informer and an Israeli Mossad agent are trapped together in a safehouse where nothing is safe and no one can be trusted.
- Director
- Writers
- Stars
- Awards
- 1 win & 2 nominations total
David A. Hamade
- Yussef
- (as David Hamade)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Can't blame the actors for bad dialogue, storytelling, and directing. Could have been an intriguing story if done better and with out pandering to every itemized political agenda and stereotyping of "world-woke" filmmakers
The story and cast are good but it doesn't exactly move at a blistering pace. Not in the same league as Caliphate but still entertaining enough and builds up to a decent if twisted end
Mossad agent Neta Riskin is sent to a Hamburg safe house to babysit Golshifteh Farahani. Fahahani is the former lover of a Hezbollah leader. She has been selling information to Israel for years. Now, however, she is pausing on a flight to Canada, while her plastic surgery heals, rendering her unrecognizable; as Miss Riskin's boss says, "We take care of our own." Yet as the two women wrangle, then ultimately bond, Miss Riskin begins to wonder who decides who "our own" is.
The, dreary world of grotty safe houses and betrayals that spy movies became after the 1960s "too cool for school" school triggered by the James Bond movies was a necessary corrective. Inevitably it got tangled up with the anti-government school of thought, leaving us with yet another subgenre that still needs its own corrections. This movie, well acted though it is, is shot in dreary light and despite good acting, seems to be more a matter of gender equality than seeking to tell a different story.
The, dreary world of grotty safe houses and betrayals that spy movies became after the 1960s "too cool for school" school triggered by the James Bond movies was a necessary corrective. Inevitably it got tangled up with the anti-government school of thought, leaving us with yet another subgenre that still needs its own corrections. This movie, well acted though it is, is shot in dreary light and despite good acting, seems to be more a matter of gender equality than seeking to tell a different story.
I really tried to give this a good go but it's so badly produced, badly edited and combined with wooden acting, the film really had nothing going for it at all. It's like a film project that one might do for drama school. There was no compelling reason to continue to waste time watching it.
Provided you don't go into this film expecting an action movie, most intelligent audiences should be satisfied.
Incredibly refreshing after most of the juvenile rubbish on Prime Video.
Fascinating, mature, great script and direction, wonderful performances. If you pay careful attention throughout you should in no way find the ending contrived, particularly if you have moderate knowledge of how Mossad are believed to operate (including compartmentalisation of knowledge).
I was mesmerized by this excellent drama.
Incredibly refreshing after most of the juvenile rubbish on Prime Video.
Fascinating, mature, great script and direction, wonderful performances. If you pay careful attention throughout you should in no way find the ending contrived, particularly if you have moderate knowledge of how Mossad are believed to operate (including compartmentalisation of knowledge).
I was mesmerized by this excellent drama.
Did you know
- ConnectionsReferenced in Spider in the Web (2019)
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Shelter
- Filming locations
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- See more company credits at IMDbPro
Box office
- Budget
- $4,090,000 (estimated)
- Gross worldwide
- $134,632
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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