November

If you like surrealism and dark fairy-tales, and you haven't seen November yet, watch it before reading my review, because I wouldn't want to influence your expectations.

When I started watching November all I knew was IMDb's Drama, Fantasy, Horror categorization. Little did I know that I was about to experience two hours of a beauty so mesmerizing that it would almost bring tears to my eyes.

November is one of those rare cinematic creations that transcends the medium from mere entertainment into a profound work of art. I can think of only a handful of directors that have lifted the art of cinema to this level, such as Akira Kurosawa, Stanley Kubrick, David Lynch and Lars von Trier.

November is a surreal, dark fairy-tale that takes place in a mediaeval Estonian village. The story is a mix of Shakespearean romantic drama and rural folklore that pleasantly reminded me of the magical countryside fairy-tale atmosphere in the works of the Croatian naive art painter Ivan Generalic, as well as the imaginative surreal comics by the Greek-French comic creator Fred (Frédéric Aristidès).

The most breathtaking aspect of November is its cinematography. The film is shot in moody, darkly romantic black and white photography with beautiful lighting and screen compositions.

But November is filled with beauty in multiple layers. A beautiful soundtrack - incorporating Beethoven's Mondschein-Sonate - intensifies the atmosphere, the costumes, sets and overall art direction are gorgeous, and there's even lyrical poetry of a poignant grace. It will be a challenge to create something more romantic than November has established.

Last but not least, the casting and actors are also laudable. The two main female characters radiate a magnetic beauty, and the peasants look like they have been time-transported from an actual mediaeval village.

This was a really slow burn of a film, but it was also kind of intense at points. The cinematography was incredible, and I enjoyed the interplay of the pagan and Christian beliefs. It's not everyone's cup of tea, but I would watch this again.

To all those who have difficulties understanding November: this is not Tarkovsky, Bergman, or Bunuel! This is just plain good art, with a story, good acting, awkward turns and situations - so get up from your Hollywood-trained armchair and give yourself a chance!

A strange trip deep in the wilderness.

I could try to explain to you what the hell is going on but in all honesty that would not be a good explanation as I have no clue what's happening here.

Seems very experimental with some loose concepts that make it seem like a science fiction film.

Confusing as it was I did like the imagery. I'm a sucker for a film shot it the cold wilderness. A lot of the picture seemed grim and distributed but I found it hard to get into as I really don't know what's going on and kept falling in and out of reading the subtitles.

I like the picture, but the story I could not keep up with.

A not very coherent mishmash of Estonian unrequited love; witches; supernatural; folklore/myth; the devil; werewolves all very loosely connected to each other. You really don't see much, if any, of the above - just suggestive through a few props (Kratts - explained in a moment), makeup, and suggestive scenes in counterpoint to each other. The best part was the very believable, gritty, dirty, raw portrayal of peasant life. No, the best part were these brought to life assemblages of branches or farm implements to form a somewhat living thingy (a Kratt). Very realistic (except I think I saw a support line at one point), and actually scarier than any CGI creature I've seen. One of the creatures reminded me of Picasso's "Bull's Head". Another movie featuring these creatures would be creatively scarier than hell.