After the Lethargy

Alien Invasion (2018) is a Spanish movie I recently watched on Tubi when I saw May would be it's last month available. The storyline focuses on a journalist who investigates a missing person at a water tower that appears to be an alien abduction. As she gets close enough to the circumstances to discover what happened and discovers it may not be an alien abduction and the aliens may not have gone anywhere. This movie is directed by Marc Carrete in his directorial debut and stars Joe Manjon (The Hustle), Lilliana Cabal (Red Lights) and Julius Cotter (Black Beach). The storyline for this is pretty funny and delivered in a non-serious manner that is cheesy and ridiculous at times. I did think the main Rangers voice was entertaining and Ed was a pretty good character. The CGI alien was absolutely awful. Like watching a video game character in a movie bad. The woman in the prison the main character runs into was also delivered so bad. Overall this movie was pretty bad and not really worth your time unless there's nothing else on and you want to watch something really, really bad. I'd score this a 3/10.

What I fundamentally don't understand is: A film costs money. Even if it's a low-budget film, and especially then, I think everyone is interested in making the most of the little money they have.

And a film production doesn't just consist of the director. There are many other professionals from the film industry at work. And I don't believe in the saying that too many cooks spoil the broth. There are ALWAYS many chefs working in a star kitchen and the food is pretty good. Maybe not everyone likes it, but you see a certain structure, you see professionalism and: you can eat it.

The most interesting thing about this film was the DVD menu. Then the film starts and you ask yourself: Who is going to eat this? And so it continues. If you lack a sense of dialogue and narrative structure, can't identify capable actors or create clichéd scenes, then why do you want to make a film? What is the motivation? And as a producer, do I just want to get rid of money or do I want the film to sell? Can't the producer say something about that? The first five minutes are enough to immediately change the director or script.

I have been working in the film and television sector for years and am familiar with some constraints and unfavorable conditions, but even the films made by the trainees (not film students!) were more professional than this film. (Sorry, Mr. Carreté. But I invested money and time and the film is from 2018. I just expect a little more quality, for things that don't cost money.)

Who reads the script and thinks: This is what I'm spending my money on, the world needs to see this movie! - Please enlighten me.

Always trying to find a gem...Watching most of the even low budget horrors,trying to find some hidden treasure,instead getting this pile of horseradish(((Don't make the same mistake...

For a no/low-budget flick, this was better than I was expecting. The basic premise is that "Sara" is an investigative reporter travelling out to the sticks (presumably, in the U.S., though this film was shot in Spain) to investigate unexplained phenomena. There she meets a ranger who warns her about bears in the area that have the habit of attacking humans. Of course, the bears are not the problem. Rather, the source of the mysteries is a semi-abandoned military installation where, it appears, some awful experiments had once taken place. While there are many of the expected clichés, there are some well-done scenes and the story, for the most part, holds together like an X-Files episode. My main complaint was the writing. Sara, played by Andrea Guasch, spends too much time in the last half as the damsel in distress. I thought that was a wasted opportunity, given the interesting (if familiar) role she ends up playing toward the end.

Horrible , bad graphics, bad story, bad endings . I wish I watched anything else instead of this. Literally anything else .