Boris and the Bomb

The filmmakers poured their heart and soul into this and it shows. Budget couldn't stop them from doing what they love and I enjoyed every second of the ride! Here's to hoping they don't stop here and their next project gets the money it deserves. There's hope for Hollywood yet! What fun.

Boris has a bomb, a severe problem, and a dedicated Yuber (not Uber) driver.

Boris and The Bomb is a fun romp that starts on the streets of Los Angeles. It's a light-hearted action-comedy that's full of heart (if that makes sense). The movie paces well, and we don't experience dull moments. The action/editing is done surprisingly well with higher budget movies still missing this mark. The movie entertains us through a fast-moving plot and a landscape dotted with new and outrageous characters. Don't take this movie and its characters too seriously. Make your popcorn, sit back on the couch, and escape into the world of Boris and The Bomb!

Boris and the Bomb is a Comedic version of the Television Show Homeland or 24 where the hero is supposedly inept and past his prime. Tons of laughs, I reccomend this film.

For a microbudget movie, there's a lot going on. The plot of Boris and the Bomb gets very complex. At the center is a lovable loser just trying to do the right thing, but he gets mixed up in some bizarre intrigue that spans generations. I'll admit I was a little lost for some of it, but considering the depth of the project, I'm impressed with the overall result.

Not sure if it was more Kronmiller or McLean who was more to blame for this one not being better or if they equally at fault. This is a good Airplane/zaniness piss take type comedy, but it could've been great. The ingredients are all there: absurd premise, former KGB officer who is CLEARLY not Russian; factions left & right with characters jumping from one to the other, and a good grasp for this brand of absurdist & slapstick humor. But it seems Kronmiller wasn't sure whether to go all in on the humor or try to carry out the actual story line to some reasonable conclusion. But this one needed more of the funny. That means at least three fewer fight scenes (got old after a while) with less death or pseudo-drama that killed the feel/tone of the movie, slowing down or just bringing to a screeching halt the timbre of the comedy.