IMDb RATING
7.2/10
2.1K
YOUR RATING
A mentally ill stockbroker struggles to reconcile with his estranged father and his perturbed ex-fiancée.A mentally ill stockbroker struggles to reconcile with his estranged father and his perturbed ex-fiancée.A mentally ill stockbroker struggles to reconcile with his estranged father and his perturbed ex-fiancée.
- Director
- Writer
- Stars
- Awards
- 23 wins & 31 nominations total
Bryant Mak
- Louis
- (as Bryant Ji-Lok Mak)
Velu Peter Gana
- Nic
- (as Peter Chan)
Lok-San Mak
- Old Man
- (as Lok Sun Mak)
Ga Man Yeung
- Support Group Parent
- (as Ka Man Yeung)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
There have been few note-worthy films coming out of Hong Kong for some time. It does seem that every other output from the studios is a commercial film that tries hard to appeal to the gargantuan China market. In this sense, debut director Wong Chun's Mad World is an audacious and brave film.
The subject matter is mental illness and it is remarkable that the film never stoops down low to gain your sympathy through cheap histrionics. The film earns it through superlative performances and keen observations. It not only gets inside the mind space of a mental illness patient, it also studies the plight of the care-giver and the bystanders standing in the path of the malady. Neither does the film shout slogans, point fingers or offer pet solutions. Mad World is an indictment on the social stigma and medical agencies, but how it remains deeply humanist is a deft balancing act.
Shawn Yue puts in a career-defining performance as Tung, a bipolar disorder sufferer. His range is commendable and his portrayal totally surprised me. He can start taking on more challenging roles, other than rebellious hunks and rigid police officers. There is a scene of him crying late into the night, every last bit of moisture inside him is pushing out of his eyes and yet he just can't stop. When finally he did stop crying, it is because a precocious little boy who lives next door is whispering a story from Antoine de Saint-Exupéry's The Little Prince through the thin wall to encourage him. That scene moved me, I doubt Tung can hear the story clearly, but I think at that point he needed to hear a voice from an understanding person.
Eric Tsang as a guilt-ridden father trying to make amends is such a natural. My tears rolled down at a heart rending scene where he explains why he left his family. The reason doesn't make it right, but it is perfectly understandable why he did it. As Tung's illness takes a turn for the worst, his soul becomes a constant battlefield – do I do the right thing or do I do the loving thing?
Jin as Tung's embattled mother and Fong as the ex-fiancée struggling to forgive Tung are also pitch-perfect. All four, including screenwriter Florence Chan and the director have been showered with nominations at last year's Golden Horse Film Festival and Hong Kong Film Awards, and some of them have deservedly racked up the accolades.
Where Mad World perhaps over-played its hand will be the scenes of the church portrayed as over-enthusiastic zealots and Tung's friend Louis having a turn for the worst at one point. The film felt like it was over-reaching. But I am not taking anything away from the film. This is a compassionate look at mental illness and it looks at the issue from all the angles. I would hardly call it an entertaining film, more of an affective and effective thought provoking piece of filmmaking. Give me thought provoking anytime.
The subject matter is mental illness and it is remarkable that the film never stoops down low to gain your sympathy through cheap histrionics. The film earns it through superlative performances and keen observations. It not only gets inside the mind space of a mental illness patient, it also studies the plight of the care-giver and the bystanders standing in the path of the malady. Neither does the film shout slogans, point fingers or offer pet solutions. Mad World is an indictment on the social stigma and medical agencies, but how it remains deeply humanist is a deft balancing act.
Shawn Yue puts in a career-defining performance as Tung, a bipolar disorder sufferer. His range is commendable and his portrayal totally surprised me. He can start taking on more challenging roles, other than rebellious hunks and rigid police officers. There is a scene of him crying late into the night, every last bit of moisture inside him is pushing out of his eyes and yet he just can't stop. When finally he did stop crying, it is because a precocious little boy who lives next door is whispering a story from Antoine de Saint-Exupéry's The Little Prince through the thin wall to encourage him. That scene moved me, I doubt Tung can hear the story clearly, but I think at that point he needed to hear a voice from an understanding person.
Eric Tsang as a guilt-ridden father trying to make amends is such a natural. My tears rolled down at a heart rending scene where he explains why he left his family. The reason doesn't make it right, but it is perfectly understandable why he did it. As Tung's illness takes a turn for the worst, his soul becomes a constant battlefield – do I do the right thing or do I do the loving thing?
Jin as Tung's embattled mother and Fong as the ex-fiancée struggling to forgive Tung are also pitch-perfect. All four, including screenwriter Florence Chan and the director have been showered with nominations at last year's Golden Horse Film Festival and Hong Kong Film Awards, and some of them have deservedly racked up the accolades.
Where Mad World perhaps over-played its hand will be the scenes of the church portrayed as over-enthusiastic zealots and Tung's friend Louis having a turn for the worst at one point. The film felt like it was over-reaching. But I am not taking anything away from the film. This is a compassionate look at mental illness and it looks at the issue from all the angles. I would hardly call it an entertaining film, more of an affective and effective thought provoking piece of filmmaking. Give me thought provoking anytime.
Wonderful Honcongo, who would represent the country at the Oscar if selected, introspective, intense, melancholy, sad, it hurts to see the father trying to save his son (although I'm sure he was the one most responsible for the youngest having abandoned them, and having overloaded the firstborn, parental abandonment, this causes deep degradations in the personality in the long run) Tung's pain, trying to get out of the emotional abyss, prejudice, hope in children, beautiful, sad and passionate...
Whilst perusing Netflix to find an Asian drama, Mad World popped up in my recommendations. Considering mental illness is still rather hush-hush in the east, I didn't have high hopes that Mad World would cover the topic with subtly and honesty. Color me surprised; after spending the last hour and 41 minutes with my eyes glued to the screen, I realized that not only is this one of the best portrayals of mental illness (Bipolar Disorder, specifically) I've ever seen put to film, but Mad World now competes for the best movie I've watched yet this year. How this film isn't more well-known and awarded flabbergasts me.
Mad World follows the broken perspective of Tung, a man suffering from Bipolar Disorder in Hong Kong who is released from a mental institution and forced to integrate once more into society and the shattered life he's left behind. We aren't clued in to all the details of Tung's life and unhappiness right away; we know he's depressed, missing his fiancee, and that he has a strained relationship with the father he comes to live with. Further details are lovingly sprinkled throughout the film in heart-wrenching flashbacks with perfect timing; never was I confused about the order of events or the impact they had on Tung's psyche. I come from a family plagued with mental illness; Bipolar Disorder affected both my mother and brother, and contributed to the far too early demise of my brother just last month. The manic/depressive phases of this horrific illness are both laid out here in all their painful, raw glory; the highs are sky-high, and the lows are in the pits of depressive purgatory. It isn't just Tung who suffers; his mother clearly has mental difficulties as well, and the other brother and father have their own realistic ways of dealing with it.
The performances here are all stellar. Tung's blank stares of utter hopelessness perfectly mimic those I have seen (and given) time and again when dealing with similar illnesses in my own life. Tung's father's helplessness comes through in many scenes, and his well-meaning but misguided attempts to soothe his adult son are all too realistic to what many of us suffering from depression hear: "Why can't you just be normal?" and "Why are you like this?" and "Can't you try to be cheerful?" The judgements of others play a large role here as well: Tung's fiancee accidentally makes a tense situation worse in a pivotal scene, while leering bystanders see mental illness as a spectacle to jeer.
Mad World is not a "fun" movie to watch, nor is it heartfelt in the way that most would hope, with everything being fixed at the end and tied up nicely with a neat little bow. Parts of it angered me. Depressed me. Saddened me. But most of all, as someone who has dealt with this personally, it made me feel like I am not alone. Mad World does not sugarcoat the ugly parts of mental illness, whether they are born out of the ill or those who try to support them. It is for this reason that I found it an absolute and ironic breath of fresh air, for it is depressingly beautiful in its candor.
Some last minute thoughts: the camerawork was particularly interesting here, aiding the film's dreary atmosphere. For one example, it utilized long shots of the small apartment to make you confront its claustrophobic and cramped nature. The music was perfect: it fit the mood and was used sparingly. The movie felt a bit longer than its runtime, but since every minute was engrossing, I can't fault it for that. Lastly, the characters don't grow much--if at all--during the movie. While this normally would be a flaw, it makes sense for a film about mental illness. Sometimes those affected cannot strive for higher goals--sometimes they just need to learn how to *deal* to make it through the day and get to tomorrow alive. Mad World isn't a film about a man's journey to overcome his mental illness; it's more of a day-in-the-life, where we experience what he goes through for a short time and can only hope for the best for him by the time the credits roll.
Mad World is a beautiful film that I recommend to anyone with mental illness, who knows someone with mental illness, or is open-minded enough to try to understand what living with it is like. Make sure you're in the mood to watch it, however, as it's so effective at what it does it might make you feel worse.
Mad World follows the broken perspective of Tung, a man suffering from Bipolar Disorder in Hong Kong who is released from a mental institution and forced to integrate once more into society and the shattered life he's left behind. We aren't clued in to all the details of Tung's life and unhappiness right away; we know he's depressed, missing his fiancee, and that he has a strained relationship with the father he comes to live with. Further details are lovingly sprinkled throughout the film in heart-wrenching flashbacks with perfect timing; never was I confused about the order of events or the impact they had on Tung's psyche. I come from a family plagued with mental illness; Bipolar Disorder affected both my mother and brother, and contributed to the far too early demise of my brother just last month. The manic/depressive phases of this horrific illness are both laid out here in all their painful, raw glory; the highs are sky-high, and the lows are in the pits of depressive purgatory. It isn't just Tung who suffers; his mother clearly has mental difficulties as well, and the other brother and father have their own realistic ways of dealing with it.
The performances here are all stellar. Tung's blank stares of utter hopelessness perfectly mimic those I have seen (and given) time and again when dealing with similar illnesses in my own life. Tung's father's helplessness comes through in many scenes, and his well-meaning but misguided attempts to soothe his adult son are all too realistic to what many of us suffering from depression hear: "Why can't you just be normal?" and "Why are you like this?" and "Can't you try to be cheerful?" The judgements of others play a large role here as well: Tung's fiancee accidentally makes a tense situation worse in a pivotal scene, while leering bystanders see mental illness as a spectacle to jeer.
Mad World is not a "fun" movie to watch, nor is it heartfelt in the way that most would hope, with everything being fixed at the end and tied up nicely with a neat little bow. Parts of it angered me. Depressed me. Saddened me. But most of all, as someone who has dealt with this personally, it made me feel like I am not alone. Mad World does not sugarcoat the ugly parts of mental illness, whether they are born out of the ill or those who try to support them. It is for this reason that I found it an absolute and ironic breath of fresh air, for it is depressingly beautiful in its candor.
Some last minute thoughts: the camerawork was particularly interesting here, aiding the film's dreary atmosphere. For one example, it utilized long shots of the small apartment to make you confront its claustrophobic and cramped nature. The music was perfect: it fit the mood and was used sparingly. The movie felt a bit longer than its runtime, but since every minute was engrossing, I can't fault it for that. Lastly, the characters don't grow much--if at all--during the movie. While this normally would be a flaw, it makes sense for a film about mental illness. Sometimes those affected cannot strive for higher goals--sometimes they just need to learn how to *deal* to make it through the day and get to tomorrow alive. Mad World isn't a film about a man's journey to overcome his mental illness; it's more of a day-in-the-life, where we experience what he goes through for a short time and can only hope for the best for him by the time the credits roll.
Mad World is a beautiful film that I recommend to anyone with mental illness, who knows someone with mental illness, or is open-minded enough to try to understand what living with it is like. Make sure you're in the mood to watch it, however, as it's so effective at what it does it might make you feel worse.
If movie is the modern art form of literature, then this movie is a very caring literature. Why modern life at times would just drive many normal persons crazy?
Many thanks indeed to the writer, director, casts, production crew to try answering this question, with the bit of wisdom during a few dialogue with a little child. For example, the child said "My mother told me, today world, using our hands to work would not make money anymore (?)..."
Many thanks indeed to the writer, director, casts, production crew to try answering this question, with the bit of wisdom during a few dialogue with a little child. For example, the child said "My mother told me, today world, using our hands to work would not make money anymore (?)..."
It is a mad world ... and for some it is even madder. Some people seem not to be able to catch a break. This movie is about outsiders who have issues to stay sane. And who can blame them? If you are into dramas and like slow paced genuinely story telling with some good acting to boast with too, look no further. While this is not for everyone, those who are into it, will love the reality of it all, the gravitas the movie bathes in.
Again you may feel this isn't something worth watching and that is ok. If you'd rather watch something that is quite far away from reality that is more than fine. Just don't blame this movie for being the opposite. If this isn't your kind of deal, just don't watch it.
Again you may feel this isn't something worth watching and that is ok. If you'd rather watch something that is quite far away from reality that is more than fine. Just don't blame this movie for being the opposite. If this isn't your kind of deal, just don't watch it.
Did you know
- TriviaShot in Hong Kong in merely two weeks with a tiny $257,000 budget.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Nhất Niệm Vô Minh
- Filming locations
- See more company credits at IMDbPro
Box office
- Budget
- $257,000 (estimated)
- Gross worldwide
- $1,322,500
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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