A man's job requires him to clean a house, which turns out to be haunted. In the course of trying to exorcise the ghost, he falls in love with her.A man's job requires him to clean a house, which turns out to be haunted. In the course of trying to exorcise the ghost, he falls in love with her.A man's job requires him to clean a house, which turns out to be haunted. In the course of trying to exorcise the ghost, he falls in love with her.
- Awards
- 7 wins & 1 nomination total
Nicholas Thurkettle
- Adam
- (voice)
Krissy Bates
- Susan
- (voice)
Deva Marie Gregory
- Mom
- (voice)
Michael Drace Fountain
- Dad
- (voice)
Tessa Taylor
- Daughter #1
- (voice)
Mia Luna Barkage
- Daughter #2
- (voice)
Featured reviews
A wonderful, wonderful film. Funny and moving. A great meditation on life, love and loneliness. You know it's hard not to reach for cliches, which feel kinda hollow when I'm so moved. I will happily sit and watch this with friends so I can share their enjoyment of it.
An ultra low budget romance/horror that actually has some really great and emotional moments, unfortunately brought down by a lot of pretty obvious flaws.
First let's get the low budget stuff out of the way. It was clearly made on the cheap. One of the first panning shots we get looks like they didn't properly loosen the tripod so it just jitters along. Some shots seem pretty flat in terms of framing and lighting. But occasionally, maybe by luck or maybe but skill, the film does look good. Certain moments look great with the black and white emphasizing some purposeful lighting choices. While it never quite shakes it's general cheapness, it's not student film bad. More like a student filmmaker who actually has some talent doing something a little more interesting.
But then there's the story. It's an extremely interesting concept, but something about the execution doesn't quite work. Maybe it was the restraints of a low budget, but it just sort of jumps into things in an awkward way. It also takes quite a long time to get into the meat of things, lingering on the "haunted house" aspect that I found to be weaker and more clichéd (although some of that is purposeful and contains nods to many different horror films.) Considering it's a short film, the extended first act causes the development of the main characters to feel way too fast to be fully believable, which is a shame because I found the ending to be extremely emotionally powerful.
Then there's the two leads. They both have a slightly amateurish quality to them, but they also have their moments. I found Natalie Walker to be the stronger of the two. There's something about her performance that made the romance believable. You feel for her and her situation, even though it's something otherwordly. MacLeod Andrews who plays our lead also has some really good comedic moments, but he sort of felt like he was always aware of the camera being there. Not that he gives an awful performance, but it always felt like he was saying "I'm acting!" as opposed to being fully relaxed and immersed in his character.
I had a lot to say about this because there's something there that I really liked, but it's kind of poorly executed in a few too many ways for me to fully invest myself in. But considering some of the really high praise other people have given it, I see it becoming a bit of a cult classic in the future.
First let's get the low budget stuff out of the way. It was clearly made on the cheap. One of the first panning shots we get looks like they didn't properly loosen the tripod so it just jitters along. Some shots seem pretty flat in terms of framing and lighting. But occasionally, maybe by luck or maybe but skill, the film does look good. Certain moments look great with the black and white emphasizing some purposeful lighting choices. While it never quite shakes it's general cheapness, it's not student film bad. More like a student filmmaker who actually has some talent doing something a little more interesting.
But then there's the story. It's an extremely interesting concept, but something about the execution doesn't quite work. Maybe it was the restraints of a low budget, but it just sort of jumps into things in an awkward way. It also takes quite a long time to get into the meat of things, lingering on the "haunted house" aspect that I found to be weaker and more clichéd (although some of that is purposeful and contains nods to many different horror films.) Considering it's a short film, the extended first act causes the development of the main characters to feel way too fast to be fully believable, which is a shame because I found the ending to be extremely emotionally powerful.
Then there's the two leads. They both have a slightly amateurish quality to them, but they also have their moments. I found Natalie Walker to be the stronger of the two. There's something about her performance that made the romance believable. You feel for her and her situation, even though it's something otherwordly. MacLeod Andrews who plays our lead also has some really good comedic moments, but he sort of felt like he was always aware of the camera being there. Not that he gives an awful performance, but it always felt like he was saying "I'm acting!" as opposed to being fully relaxed and immersed in his character.
I had a lot to say about this because there's something there that I really liked, but it's kind of poorly executed in a few too many ways for me to fully invest myself in. But considering some of the really high praise other people have given it, I see it becoming a bit of a cult classic in the future.
What started out as a quirky, humorous ghost flick with a stellar soundtrack turned into a romance movie that seem to surprise even the main characters in the storyline - besides myself. The self-realization of loneliness, particularly in these Covid-influenced times, perhaps makes the film that much more poignant. A welcoming simplicity of presentation and a cast one takes a liking towards is something I usually found absent in the multitude of works I've viewed while in isolation. A Ghost Waits certainly will not on its path destined to be a classic.
I'll give this movie E for effort and originality. It's far more comedy than horror, mostly an ironic humor. It creates several interesting premises but they end up going nowhere. The second act gets bogged down in long bouts of exposition at the expense of action or character development. The last act contains a sweetness quite unusual for horror movies, but involves an ending much less uplifting than it's supposed to be.
I don't know what it is about this film but I found it so wonderful.
I wouldn't call it a horror, more of a love story.
Emotional and funny.
I wouldn't call it a horror, more of a love story.
Emotional and funny.
Did you know
- TriviaTotal Film magazine named this the "Best Film" at the 2020 Frightfest film festival in September 2020
- ConnectionsReferences L'aventure de Madame Muir (1947)
- How long is A Ghost Waits?Powered by Alexa
Details
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.78 : 1
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