Inspired by the John Ford film The Searchers, an Inuit woman and her daughter are kidnapped by three Inuit men, while her husband and son are away. The Inuit husband sets out on a journey to... Read allInspired by the John Ford film The Searchers, an Inuit woman and her daughter are kidnapped by three Inuit men, while her husband and son are away. The Inuit husband sets out on a journey to find his family and punish the perpetrators.Inspired by the John Ford film The Searchers, an Inuit woman and her daughter are kidnapped by three Inuit men, while her husband and son are away. The Inuit husband sets out on a journey to find his family and punish the perpetrators.
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While this film is undoubtedly nice to look at, I'm not sure it's worth sitting through an hour and a half of a thinly stretched plot to catch some of the lesser shots from an arctic documentary.
The idea of retelling the classic Ford film from the perspective of Inuit natives is a genuinely neat concept. It's basically the only reason I went to see Searchers. The problem is that this film doesn't really seem to understand what it is about its predecessor that made it so great (Beyond John Ford's skills as a director). The nuanced commentary on the relationship between the classic western and the American Indian is nonexistent here. The original story is stripped to its most basic elements, which reduces it to nothing more than a drawn out, slow speed, sled chase. It's really difficult to stay invested in the story after it gets going, because at a certain point you realize that there's only so much that can happen in a barren tundra whose sole inhabitants seem to be the on-screen characters and their frozen meat.
In all fairness, I think this film has value as a sort of pseudo- documentary. I'm sure people who love this film are inclined to go on endlessly about how authentic it is. I would have to agree, though it doesn't do all that much to help the film as a whole. There were a number of times where I thought "Oh that's cool, I didn't know Inuits did that." I can tell the director wants to do right by the subjects of his film. I appreciate the sentiment. The problem though, is that this film is not a documentary. It is meant to convey actual dramatic value, which it doesn't really pull off very well. We barely understand the characters and at a certain point I just had to accept that they're really more meant to act as a sort of abstraction of the Inuit people. That seems like a good way to approach the film as a whole. It's an abstraction. I don't know if that's what the director intended, but that's the best excuse I can come up with.
This film isn't terrible. It is genuinely beautiful with some cinematography which I actually think really complimented the sort of desert setting we're observing. There are also homages to The Searchers which I feel are executed fairly well from a visual stand point (Again though, the homage is sort of undercut by a sort of misunderstanding of the source material). If you're a fan of the original western or are interested in learning a little bit about the Inuit people then I might recommend this film. Honestly though, what I would rather recommend is that you either just go back and watch the original Ford film again or a comprehensive documentary on the Inuit people.
For everyone else, I wouldn't bother.
The idea of retelling the classic Ford film from the perspective of Inuit natives is a genuinely neat concept. It's basically the only reason I went to see Searchers. The problem is that this film doesn't really seem to understand what it is about its predecessor that made it so great (Beyond John Ford's skills as a director). The nuanced commentary on the relationship between the classic western and the American Indian is nonexistent here. The original story is stripped to its most basic elements, which reduces it to nothing more than a drawn out, slow speed, sled chase. It's really difficult to stay invested in the story after it gets going, because at a certain point you realize that there's only so much that can happen in a barren tundra whose sole inhabitants seem to be the on-screen characters and their frozen meat.
In all fairness, I think this film has value as a sort of pseudo- documentary. I'm sure people who love this film are inclined to go on endlessly about how authentic it is. I would have to agree, though it doesn't do all that much to help the film as a whole. There were a number of times where I thought "Oh that's cool, I didn't know Inuits did that." I can tell the director wants to do right by the subjects of his film. I appreciate the sentiment. The problem though, is that this film is not a documentary. It is meant to convey actual dramatic value, which it doesn't really pull off very well. We barely understand the characters and at a certain point I just had to accept that they're really more meant to act as a sort of abstraction of the Inuit people. That seems like a good way to approach the film as a whole. It's an abstraction. I don't know if that's what the director intended, but that's the best excuse I can come up with.
This film isn't terrible. It is genuinely beautiful with some cinematography which I actually think really complimented the sort of desert setting we're observing. There are also homages to The Searchers which I feel are executed fairly well from a visual stand point (Again though, the homage is sort of undercut by a sort of misunderstanding of the source material). If you're a fan of the original western or are interested in learning a little bit about the Inuit people then I might recommend this film. Honestly though, what I would rather recommend is that you either just go back and watch the original Ford film again or a comprehensive documentary on the Inuit people.
For everyone else, I wouldn't bother.
I loved this film. I loved what it did to me! At the outset of the film, the slow, gentle pace and the beautiful minimalist scenery slowed my pulse, made my breathing even, relaxed my muscles. As the film went on, I found myself more and more swept up in the events, until I was literally sitting on the edge of my seat gasping at the finale. The way in which Kunuk introduces a small plot element that reveals a character's psychological landscape right before an extremely long shot featuring natural landscapes is a request for you to ruminate on the emotional, spiritual, and social situations of the characters. To get caught up in their lives. To care about what happens to them. To put you on the EDGE of your seat by the end of this extremely slow-paced film. It's masterful. I've never seen anything else like it.
This film was surprisingly captivating considering the slow pace that can make some viewers impatient... But if you let yourself be immersed in the beauty and the drama there will be not a single moment to spare. The story is quite simple but the photography is extraordinary, the music is excellent and scenery of the remote areas are all breathtaking. Best to see it at the cinema to fully appreciate but otherwise see it anyway.
Maliglutit (Searchers) is inspired by the 1950 John Ford western "The Searchers". In the original, a white woman is kidnapped by members of the Comanche Nation. In this version, the narrative is flipped and all the characters in the film are Inuit. The film is action packed, suspense filled, and beautifully written and directed. It is at many times calming and then suddenly intense, which makes for a riveting viewing experience. This film would be enjoyed by those who love action, suspense, and thrillers and also those who enjoy broadening their film experience across cultures. Anyone who has watched the 1950's version should watch this remake.
First of all, I'm ashamed of spending a minute on this garbage, let alone wasting a whooping 1.5 hours being bored to death. This movie has gotta be the most excruciating thing I've gone through and I might refrain from watching any other innuit movie for a long long long time.
I love any movie about trappers, mountain men, Eskimos, etc but this one gave nothing but migraines. Do not watch it, I beg of you.
I love any movie about trappers, mountain men, Eskimos, etc but this one gave nothing but migraines. Do not watch it, I beg of you.
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Written by Tanya Tagaq Gillis, Anna Pardo Canedo
Performed by Tanya Tagaq
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- Igloolik, Nunavut, Canada(location)
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