Une mère de trop

Don't hesitate to watch this thriller if you're looking to while away an afternoon or early evening as this flick has a cracking premise, superb plotline, good dialogue and fine acting...there's even an OMG moment in the denouement where you'll go, 'I can't believe that just happened!'

Though you'll work out early on what's going on, it's hard to second guess the villain as they have an unpredictable character...the twists will keep you hooked.

This is a bad movie. Poor acting, bad storyline. It looks so cheap.

This is your typical "psycho nurse" film but it's a lot of fun to see what happens along the way and how the story will resolve itself. You know from the get-go that this nurse is out for no good but the mystery unravels in a fun way and there are a decent amount of twists. An easy and enjoyable watch, overall.

THE WRONG MOTHER/I WANT MY BABIES BACK!

TV Movie (2017)

BASIC PLOT: A disturbed woman, Vanessa Renzi, (Brooke Nevin) hunts down the family who received her egg donation. She plans on reclaiming 'her family', the twins she believes belong to her, and the man who fathered them. If the woman who gave birth to them, Kaylene (Vanessa Marcil), gets in her way, Vanessa will do whatever it takes to keep 'her' family together. Whatever it takes....

WHAT WORKS: *Vanessa Marcil and Stephen Snedden do an excellent job as Kaylene and Drew, parents to Zoey (Arden Richardson) and Toby (Cooper Dodson). There's family chemistry between these actors, and this makes the story so much more believable. Nothing here seems forced, and these people seem to really care for one another.

*Elizabeth Bond does an exemplary job as Samantha, Kaylene's tough-as-nails best friend. She epitomizes the no-nonsense fly in Vanessa's ointment.

*Mykel Shannon Jenkins gives a first rate portrayal of Detective Dawkins, the hard nosed cop, who can smell something is not right.

WHAT DOESN'T WORK: *The family life is a bit too saccharine, no one is that happy. The chemistry between the actors makes this more forgivable, but in places, it's a bit much. The dog's name is 'Pickles' for Pete's sake.

*The BMW Samantha drives would have a built in alarm system, it's completely unbelievable Vanessa would be able to access it.

*Kaylene calls the police when Vanessa tries to drowned her in the pool. Why does she not call Detective Dawkins, who is familiar with the situation? Why does the responding officer not call Detective Dawkins, who's now had two cases connected to Kaylene? When the officer ran the principals names, Detective Dawkins' cases would pop up, and he would be contacted. This is a pretty big plot hole.

PERSONAL NOTE: I HATE movies that burn houses down. It's usually COMPLETELY unnecessary, (as it is here), and adds NOTHING to the plot. I know, I know, this is a visual metaphor for Vanessa's mental state, but it's not believable. Women tend not to destroy, or even make a mess when they kill themselves. Even with murder/suicides, women tend to use poison/water/etc., means that don't destroy the body.

TO RECOMMEND, OR NOT TO RECOMMEND, THAT IS THE QUESTION: *IF you can understand the art form that is melodrama, and you like that type of entertainment, you'll like this. If you are looking for lots of believable characters and motives in your TV movies, then give this a pass.

CLOSING NOTES: *This is a Made-For-TV movie, please keep that in mind before you watch\rate it. TV movies have a much lower budget, and so your expectations should be adjusted.

*I have no connection to the film, or production in ANY way. I am just an honest viewer, who wishes for more straight forward reviews. Hope I helped you out.

After "Girl Followed" Lifetime aired a much-hyped "premiere" that was considerably better: "The Wrong Mother," also known as "Deadly Devotion," which once again tapped the "perfect nanny" trope Lifetime has been using at least since Christine Conradt wrote the script for "The Perfect Nanny" in 2000, thereby launching her career at the network. This one, directed by Craig Goldstein from a script by Missy Cox, begins with Kaylene Larson (Vanessa Marcil) being struck by a car coming up from behind her as she rides outdoors on her bicycle. She survives but she ends up with a bad concussion, and even when the hospital releases her they want her to have home care, so she hires one of the nurses who was taking care of her to be her in-home caregiver. Alas, the in-home caregiver, Vanessa Renzi (Brooke Nevin), puts Kaylene on highly powerful opiates (getting three doctors to split the task of writing all those prescriptions) that leave her sleeping half the day and being totally groggy the rest, to the point where she can't even read a bedtime story to her children Zoey (Arden Richardson) and Toby (Cooper Dodson) without stumbling over simple words. In case you're wondering where Kaylene's husband is in all of this, his name is Drew, he's played by Stephen Snedden (your typical tall, lanky, sandy-haired type that's the good guy in a Lifetime movie — he's considerably less sexy than Joey Lawrence in "Girl Followed"!) and he works as a commercial airline pilot, so he's almost never home and that leaves Kaylene at the untender mercies of Vanessa.

In what's become a pretty typical part of the Lifetime formula, we learn that Vanessa has already drawn blood before she enters the main action and that she's the biological mother of Kaylene's children: Kaylene had her kids via in vitro fertilization from her husband's sperm and donated eggs, and Vanessa was her egg donor. Vanessa learned this by seducing a young man in charge of the database at the fertility clinic where she made the donation years before, only in the film's kinkiest scene, just when he's expecting her to straddle him and give him the sexual joyride of his young life, she wraps a cloth around his neck and strangles him instead. (Goldstein was obviously following Alfred Hitchcock's suggestion that murders should be staged like love scenes, and love scenes like murders.) The reason she did this was so she could find out where her eggs had gone, and learning that the Larsons were the only family who had children from her donated eggs, she sought them out, ran Kaylene down herself (is that really a surprise?), then impersonated a nurse at the hospital where Kaylene was being treated (it's established that she studied pharmacology in preparation for being a pharmacist but did not have a nursing degree) and used her knowledge of drugs to put Kaylene on so many opiates she'd be helpless to resist as Vanessa put her grand plan into effect. Apparently Vanessa lost it when she found out that her own reproductive organs had gone haywire and therefore she could no longer have any kids of her own, so with the knowledge that the children who had been born from her donated eggs were the only ones she'd ever have, she set out to find them and, once she did, to seduce Drew Larson away from Kaylene and get the kids to accept her as their "real" mom — which in fact she is, at least biologically.

The script isn't all that surprising and Goldstein's direction (except for that marvelously kinky murder scene) is straightforward and effective but uncreative, but where this movie scores more than most other Lifetime films along the same line is in the marvelous performances by Vanessa Marcil and Brooke Nevin as the female leads. Not only is Nevin appropriately bland and perky in the usual manner of Lifetime villainesses (their woman villains tend to be more interesting and psychologically complex than their male ones!), complete with her smarmy bedside manner — every time Kaylene tries to fight back against Vanessa's control, Vanessa assumes the guise of caring nurse and smarmily says thinks like, "I wouldn't do that," or "I'd advise against that" — she also plays the role in a tightly controlled manner that's quite different from the florid insanity Lifetime tends to give us in their male psychos. "The Wrong Mother" (not to be confused with "The Other Mother" or "Killer Mom," upcoming movies Lifetime was showing promos for during this one) is a pretty standard Lifetime-formula story, but both the quality of the writing of the two female leads and the vivid performances of Marcil and Nevin bringing them to life makes this one at least somewhat special — the two have real chemistry together and are both totally believable as antagonists.