The Strange Ones

This is a somber, atmospheric thriller that moves very slowly but is never boring. It centers around a boy who is on the run after enduring a severe traumatic event. He travels with his brother, whom we see as his protector. The small, skinny boy appears to be a gentle soul who loves animals and the brother is the polar opposite - large, and rough around the edges. Things unfold slowly and we learn what the child has seen and the roles the brothers have played in this horrific chain of events. You will really like this one or you will hate it. There isn't much in between, because it is so somber. I really enjoyed it.

The movie starts with so much promise that at the end i was so disappointed as it completely loses its track. Starting makes many interest and questions as many mysterious events were occurring around the two men. But soon the movie looses it's course as it fails to hold the momentum. At the end it has little to offer.

The acting and direction are okay. but the plot seems to have many weak points. It is imaginary and has no depth in it.

I don't know how people give it so much rating point. It is a overrated movie in my view.

Greetings again from the darkness. Having been well received at film festivals throughout 2017, this film is journey of patience for both the characters and its viewers. Co-directors Christopher Radcliff and Lauren Wolkstein have expanded their 2011 short film into their first feature length film, and though some evidence of 'stretching' is present, so is a somber, moody style that provides an interesting look and feel.

It's more mysterious and atmospheric than it is thriller, and at times it even has a "Twilight Zone" vibe. Nick (Alex Pettyfer) and Sam (James Freedson-Jackson) are traveling together as brothers, though we never really believe they are related. An impending dread hovers around each move they make, and the film tortures/teases us with unspecified relationships and connections. Nick and Sam are semi-desperate and clearly on the run, yet it's not until the end when things somewhat come together.

Young Freedson-Jackson is the key to the film, and his facial reactions are critical. His astounding blank stares seem to hold meaning. It's a bleak film with a gloomy tone, and while I'm all for slow and deliberate story-telling, the technique is usually more effective when there is a reason for it. This is a deep cut indie that lacks mass appeal, but for those patient enough to commit, the supernatural aura will likely keep you engaged for the run time.

There are positive and negative things about The Strange Ones but overall the movie is not good enough to be remembered. The positive things would be the acting and the filming, that wasn't bad but unfortunately not good enough to make this movie special. The bad thing is that the story is slow and it doesn't have a high entertaining level, and even if there is some mystery building in the end it just fails to deliver. To me The Strange Ones is just an average movie, a movie you watch out of boredom and continue to watch without much interest. I didn't fall asleep while watching it but it was a close call.

The movie's gravity pulled me in and I enjoyed the slow-burn pacing and indirect ways the story revealed itself. By the end however I had just as many questions as answers and while some reviewers obviously have enjoyed their own deconstructive interpretations, I just think the creators should have been more clear.