The Strange Ones

The movie starts with so much promise that at the end i was so disappointed as it completely loses its track. Starting makes many interest and questions as many mysterious events were occurring around the two men. But soon the movie looses it's course as it fails to hold the momentum. At the end it has little to offer.

The acting and direction are okay. but the plot seems to have many weak points. It is imaginary and has no depth in it.

I don't know how people give it so much rating point. It is a overrated movie in my view.

(No spoilers -- this is intended to be vague because you really want to watch this one and get your perspective from it)

I know the critics seem to be heavy on this one and many who have reviewed this movie either love it or somewhat don't know what to say. Let me help those who would rather watch movies with not so easy plots and scene sequences to guide you through the story/narrative.

I will start by saying this movie hits well on mystery and/or unanswered questions. If you want the normal thrills that easily hand you the plot from start to finish you will probably not take so well to this one.

I love the beautiful scenes of somber to horrific type footage. The story and plot was woven into those scenes very methodically so to not give you a linear way of grasping the whole of the movie. They should make more like this. The directors and actors were on point. Casting could NOT have been better....no big time stars to overshadow the story -- just some good old original creativity. Watch this movie with your mind on...not off.

Greetings again from the darkness. Having been well received at film festivals throughout 2017, this film is journey of patience for both the characters and its viewers. Co-directors Christopher Radcliff and Lauren Wolkstein have expanded their 2011 short film into their first feature length film, and though some evidence of 'stretching' is present, so is a somber, moody style that provides an interesting look and feel.

It's more mysterious and atmospheric than it is thriller, and at times it even has a "Twilight Zone" vibe. Nick (Alex Pettyfer) and Sam (James Freedson-Jackson) are traveling together as brothers, though we never really believe they are related. An impending dread hovers around each move they make, and the film tortures/teases us with unspecified relationships and connections. Nick and Sam are semi-desperate and clearly on the run, yet it's not until the end when things somewhat come together.

Young Freedson-Jackson is the key to the film, and his facial reactions are critical. His astounding blank stares seem to hold meaning. It's a bleak film with a gloomy tone, and while I'm all for slow and deliberate story-telling, the technique is usually more effective when there is a reason for it. This is a deep cut indie that lacks mass appeal, but for those patient enough to commit, the supernatural aura will likely keep you engaged for the run time.

This is a somber, atmospheric thriller that moves very slowly but is never boring. It centers around a boy who is on the run after enduring a severe traumatic event. He travels with his brother, whom we see as his protector. The small, skinny boy appears to be a gentle soul who loves animals and the brother is the polar opposite - large, and rough around the edges. Things unfold slowly and we learn what the child has seen and the roles the brothers have played in this horrific chain of events. You will really like this one or you will hate it. There isn't much in between, because it is so somber. I really enjoyed it.

This film deals with some darker subject matter but it's done quite well. The characters and story is subtle but effective, it's not for everyone but if you stick with it you can find it to be effective. I would recommend it to anyone who enjoys slower dramas with meaningful visuals and music with sharp but small dialogue, but just know that it does deal with darker and disturbing subject matter.