Deep Water

I caught this on Netflix, and watched it mostly because of some of the key cast members. It started out well, and the core story was engaging, but it (in my opinion) went sideways about half-way into the series, due to the ridiculously written police officer roles.

If you can look past a handful of police officers doing one stupid thing after another (especially the main character), then it's a pretty decent crime drama. If you find it problematic that the police do "really dumb things", which literally get people (unnecessarily) killed, as well as putting their whole investigation in jeopardy, and then seem to not learn any lessons from their repeated, boneheaded actions, then you probably need to skip it.

This show was pretty good. The plot was complex enough. Some things to distract you. If you like mystery detective shows this one is pretty good. Based in Australia this adds to some interest. Just a different location. The stars are very good. They dig deep into some cultural problems of the past that ends up driving them to the end of the story. I found that part the most interesting.

Deep Water is, for the most part, an engaging Australian crime/thriller series with a qualifier.....

In my opinion there's a discernible thread of rather brittle, well worn political correctness that would have best been discarded in favour of a more down to earth approach. The key character is buttoned up to a degree that undermines the simple, flawed humanity we all share. Instead she comes across as a poster boy (oops I mean girl) for the kind of saccharine, intolerant, tolerance, we have all been force fed by big government and its mainstream media stooges, over the last 20 or so years.

Her colleague, who seems infinitely more real as a person, is often a sounding board for her somewhat prickly "tut-tutting". Its a shame what, I feel, is a timid, almost apologetic, approach to scripting, has been adopted. Mainly because, in all other respects, Deep Water is a very engaging, intelligently written and well acted mini series.

In summary another decent Aussie series that has an important message about intolerance which, I believe, would have benefited from a more open and down to earth approach. Still a worthy watch. Eight out of ten from me.

DS Tori Lustigman (Yael Stone) has returned to her hometown of Bondi to join the police for just in time to catch the brutal murder of a young man who happens to be gay. Her new boss is eager to put the murder down to the act of a spurned lover, but Tori believes the truth goes deeper, connecting it to a string of "gay bashings" stretching back to the 80s. The problem is that no one wants her to take it further, no matter what the evidence tells her. Her own partner wants the case puts to bed, but Tori is a force of nature in her own contained way. Too contained, perhaps. The anger and frustration she holds in is bound to come out in uncontrollable bursts.

Being new to the Bondi police force she hasn't had a chance to be intimidated by the criminal element and the power brokers who may have held an "unhealthy influence" over lawful enforcement over the years. Where no other officers have been able to solve what may in fact be a long series of murders, she may be the only one crazy enough to push forward through all obstacles thrown up in front of her and her reluctant partner.

Yael Stone is excellent as a detective just barely under control, a loving mother, daughter, friend, and grieving sibling. Daniel Spielman is chillingly repulsive as a Nazi-tattooed suspect. Viewers' sympathies have to go out to Noah Taylor as Tori's long- suffering partner Nick, resisting having her back at every turn. One of the most memorable members of the cast is one who gets perhaps the least screen time -- Otis Pavlovic conveys a sweetness and Tori's son with none of the resentment of the modern teenager, even when she appears to overreact to circumstances. The performance is natural and easy, with the connection between the mother and son feeling real. The cast is full of too many talented actors to continue to single them out, but there's nary a wooden boy or scene chewer in the bunch.

So, overall? In the current environment the matter is all too relevant, not a lesson in political correctness. Political profiling, police shootings, hate crimes, racism, and bigotry exploded in the news every day; this story could not be more timely. Put it all together and it made for fascinating watching. It pulled me in so much that I was disappointed to find that there were only four episodes and no word if this was a one- off, or if it would return.

Well, here's hoping.

I'm only on Episode 3, and so far it's pretty good - the writing and acting are certainly above average...

... but the DIRECTING/CINEMATOGRAPHY! Yikes!

The show has a surfeit of close-ups and extreme close-ups that are distracting in that their use both draws attention to itself and also robs the shots of any emotional power - like a TEXT MESSAGE IN ALL CAPS - they become meaningless after a while. I don't know if this was a stylistic or budgetary choice, but a lot of the intensity of some scenes was seriously curtailed by its overuse.

Show some restraint next time!