Porridge

This rehash certainly didn't hit the spot for me, there was nothing in it that made me laugh, and that is sad for a comedy. When I saw the listing for it I thought they were showing one of the original series, I was left disappointed by this.

The gags in it were recycled from the original, the characters didn't have the presence of the originals, and they were trying to hard to be Norman Stanley Fletcher. Just seemed to be a poor copy and paste, and not something that was worth watching.

Whatever next by the BBC? A rehash of Only Fools and Horses? I hope they don't actually make any more of these rehash of old series, there have been a number of them, and they have all failed miserably. I had hoped by now they would spend my licence fee money on things more productive and new.

The task of rebooting a classic such as PORRIDGE must have seemed daunting. How can the BBC replace such a versatile character as Ronnie Barker, who could assume bourgeois roles such as Lord Rustless in HARK AT BARKER (1969) and then move seamlessly into the lovable rogue part in Dick Clement and Ian La Frenais's evergreen comedy?

Perhaps wisely, director Dewi Humphreys opted not to recreate the late Seventies atmosphere of the Slade Prison but updated this reboot to the present day. It was not Norman Stanley Fletcher who had been banged up this time, but his grandson Nigel Norman (Kevin Bishop), a cyber- crime specialist with a talent for getting the best for himself in a none-pleasant-environment.

The script-writers for this episode remained the same: as a result, several of the themes that rendered the Barker version so popular were explored here. The claustrophobia of an all-male prison, where only the fittest survive reappeared; whereas it was Genial Harry Grout (Peter Vaughan) in the Barker version, now it was Richie Wekks (Ralph Imison), abetted by his substantial sidekick Scudds (Ricky Grover). Even someone as mentally agile as Norman could not get the better of him. The reboot also explored the ways in which prison brings together men of completely different social, economic, and generational differences and forges bonds between them, as Fletcher developed a rapport with aging old lag Joe Lotterby (Dave Hill), who had known Fletch's grandfather in the dim and distant past. Life in prison forges long-lasting memories, despite its disadvantages.

Clement and La Frenais's script contained some conscious pastiches for those with long memories. The chief screw Mr. Meekie (Mark Bonnar) had a name not too distant from Fulton Mackay's Mr. Mackay in the Barker version; while the ineffectual Mr. Braithwaite (Dominic Coleman) had all the malleability of Brian Wilde's Mr. Barraclough. Yet these parallels did not detract from the overall quality of the episode, which remained as goodhearted yet underlyingly serious in tone as the original series forty years ago. If the BBC should consider extending this one-off into a series, then the idea I am sure would work extremely well.

The BBC made these 'one off's' knowing full well that they'd commission a series of the one that did the best. And despite all that they've still opted to make a series of Porridge, despite it being a weak attempt to bring the once beloved show into the 21st Century.

Still Open All Hours I can live with, it's got the connection to Ronnie Barker through Sir David Jason. It's not great, but it's alright. This on the other hand was poor. I know it's got the same writers as before and that Kevin Bishop isn't without charm, but come on, can't the people who like this just buy the DVD's of the original instead.

I despair at the state of British comedy, I really do.

Well written and amusing... support cast isnt bad... worth a watch

If you want to see a tale of the state of British comedy, this would be the ideal thing to show visiting aliens.

Totally completely and utterly unnecessary, totally completely and utterly weak writing, weak cast, no spark, no zip, trying to hard not to offend and single person in the universe whilst trying to be funny isn't possible.

A waste of screen time. Fletch, Lenny and MacKay must be sitting with their heads in their hands wondering why on earth they bothered.

Bearing the name of a classic 70s comedy, with the same.writers, a great show this does not make. You only need to look at the appallingly bad Rock and Chips and that other Fools and Horses spin off.