Seule la vie...

Greetings again from the darkness. The theory is that heavy dramas find it challenging to attract an audience during times when real life and newscasts are filled with daily downers. One need only tune in to the local news to see that we are in just such a "downer" period right now, and it would be difficult to argue that this latest from writer/director Dan Fogelman ("This is Us") is anything but the weightiest of heavy dramas - with an emphasis on the preciousness of time and life.

It's highly likely that this film will fall into the love it or hate it category. It's a sure bet that many critics will bash it as pretentious and overly melodramatic. It will be labeled a manipulative tear-jerker with outlandish coincidences. I won't debate the merits of that criticism, and instead will remind all that creative fictional storytelling can often seem fantastical and improbable, but that doesn't mean it can't also be entertaining, thought-provoking, and carry a worthwhile message.

Because of the overlapping and intertwining stories, characters and timelines, filmmaker Fogelman breaks the film into 5 chapters. This should allow most viewers to keep track. Chapter 1 is entitled "The Hero" and features Samuel L Jackson as the unreliable narrator - a recurring theme throughout. It's also in this chapter that we meet Will and Abby. Will (Oscar Isaac) is an emotionally unstable man who has been in a mental institute for the 6 months since his wife Abby (Olivia Wilde) left him. He is despondent and attending required sessions with a therapist played by Annette Bening, and we get cutesy flashbacks to the Will and Abby courtship. See, Abby and Will are the kind of couple who see themselves as Tarantino characters, argue about the merits of Bob Dylan (poet or Chewbacca noises?), and come up with the worst dog name in cinematic history.

Chapter 2 is where we meet Dylan Dempster, daughter of Will and Abby, and granddaughter of Mandy Patinkin and Jean Smart. She is named after the poet songwriter, not the Star Wars character. There is a cool effect that evolves Dylan's face from a child surrounded by death and tragedy to a just-turned-21 year old played by Olivia Cooke (THOROUGHBREDS), who also happens to front an atrocious punk rock band and flashes quite the temper. Chapter 3 shifts from New York City to Carmona, Spain where we are introduced to "The Gonzalez Family" of Javier (an outstanding Sergio Peris-Mencheta), his wife Isabel (another excellent performance from Laia Costa, VICTORIA), and Javier's boss Saccione (Antonio Banderas). Javier works Saccione's olive orchard, as he and Isabel start a family. Chapter 4 focuses on their son Rodrigo (Alex Monner) as he grows into a talented young man while his beloved mother suffers with a debilitating disease. Finally, in Chapter 5 we meet Elena Dempsey-Gonzalez (Lorenza Izzo) and the story comes full circle ... or all the dots are connected. Even the identity of the narrator who took Samuel L Jackson's place after Chapter 1 is revealed.

Filmmaker Fogelman seems to be better suited as a writer (CRAZY STUPID LOVE) than as a director (DANNY COLLINS), and his script here is extraordinary in its ambition. While there may be some developments that seem contrived, there are also some terrific moments throughout. We see a cross-continent ripple effect that makes this the CRASH of family dramas (the 2004 movie, not the one from 1996). Who is a hero and who is a villain is one of the key elements here, but Fogelman seems intent on making the point that traumatic events and tragedy shape who we are as people. The message is that our ability to bounce back - to "stand up" after being knocked down, is really what defines the human experience. For those who keep an open mind, the emotional jolts provided here will likely resonate.

At the time when I watched this, the rating was 6.6. I hope it gets higher after people discover more of Dan Fogelman thanks to This Is Us, because this rating is just not fair.

I do not agree with the reviews that say this movie is "This Is Us in 2 hours." Though I do love the show, this movie is something else in itself, and it deserves to be recognized for it.

What it tackles is 'life itself' with all its ups and downs, and believe me, I'm no mushy romance lover. It's far from being sappy, it's so on point, subtle and down-to-earth that I have difficulty defining it as just another romantic movie or a typical drama. There were parts that I literally cried out in awe, covered my eyes in fear, or sat on the edge of my seat like it's one of those almost-frustrating thriller movies that slap you in the face at every turn. Of course it has its bittersweet moments, but I think this movie deserves a chance--and a higher rating--even from the harshest critics and cynics.

Interesting how much "professional" critics, users reviews, and IMDB score vary. That itself tells you there's something special about this movie. I thought it was excellent. It takes you on a fast & violent emotion roller-coaster, and yes, statistically some of the plot is unlikely, but the emotions rung true to me, and I don't care about statistical anomalies if they serve the story. Quite a few reviews compare this to a French movie, though I'm unsure what that means. I'm French, and I'm surely biased, but at least it's not soup: it's drama. The movie clearly offended a lot of people, which is ironic, because that's the point the movie's making: life is fierce, and it's beautiful.

Unpredictable, emotional, well- written dialogue, heart felt performances. When I read the bad reviews I was in shock. How can anybody not love this movie ? It touches on the essence of relationships, from the happy moments to the tragic moments. Please ignore the bad reviews and give this movie a chance. It deserves it.

Once every 10 years or so a movie like this comes along and reaches into your chest and rips your heart out. It shows it to you - bloody and still beating. It is brutal, relentless, and beautiful, and it is a work of art.

There is so much going on, I honestly don't have to words. Breaking down the narrative would be a crime.

I can only say that it's almost gothic in form. Though sentimental, it's never naive.

I loved every minute of this movie.