While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent ... Read allWhile participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent past as he soothes an especially feisty horse.While participating in a rehabilitation program training wild mustangs, a convict at first struggles to connect with the horses and his fellow inmates, but he learns to confront his violent past as he soothes an especially feisty horse.
- Awards
- 6 wins & 10 nominations total
- Inmate
- (uncredited)
- Inmate
- (uncredited)
- Inmate
- (uncredited)
- Prison Guard #1
- (uncredited)
Featured reviews
Couple of comments: this is the feature length directing debut of Laure de Clermont-Tonnerre (better known for her acting career in France), and what a debut it is! She also co-wrote the script. She brings a multi-faceted story: yes, there is the redemption side where a hardened criminal finds new hope when bonding with a mustang, but there is also the complicated father-daughter angle (which surprised me on several occasions as that played out), and of course there is the aspect of life in prison. Belgian actor Matthias Schoenaerts was made to play the role of Roman: a very physical yet nuanced performance (in the same way that it reminded me of Marlon Brando--but I'm not saying that Schoenaerts is in the league of Brando!). Bruce Dern has a small role as the heard of the mustang training program. The photography is eye-candy from start to finish. And then there are the mustangs, themselves a character in the movie. In the end, the biggest treasure that was uncovered in this film may well be Laure de Clermont-Tonnerre. I can't wait to see what she will do next. (Please note that Robert Redford is credited as Executive Producer.)
"The Mustang" premiered to immediate acclaim at this year's Sundance film festival, It is not a coincidence that this movie is currently certified 95% fresh on Rotten Tomatoes. "The Mustang" recently opened at my art-house movie theater here in Cincinnati. The Friday early evening screening where I saw this at was attended poorly (5 people to be exact, myself included). That is a shame. Maybe the movie will find a wider audience as it is released in different formats. If you are up for a top-quality movie with a dazzling performance from Matthias Schoenaerts, I'd readily suggest you check this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.
Without unduly spoiling the script, Roman Coleman (Matthias Schoenaerts) is incarcerated for aggravated violence. After a decade in prison, most under total isolation, he has the opportunity to benefit from a rehabilitation program involving the training of wild mustangs. But before controlling a wild animal such as a mustang, first you must be able to control yourself. And that's definitely the point. Thus, we see Roman (the prisoner) and Marquis (the mustang) taming to each other, as the fox and the little prince (Antoine de Saint-Exupéry, 1943).
The script is predictable and the taming phase is described as elliptically as naively, but we can easily cope with this secondary observation. Moreover, the cast is excellent, the Belgian actor Matthias Schoenaerts enjoying a legendary charisma and a remarkable aura. He is also perfectly seconded by Jason Mitchell and Bruce Dern. In fact, I was particularly moved by the message of hope transpiring throughout the entire film, a prison being generally reduced to the single status of « let's hide the dust under the carpet », that is to say that as long as the scum is in jail, the society will feel better (it is certainly a plus) but without really worrying about the after-jail (that's weird, isn't it?)
As a synthesis: a lovely tale brimming with beneficence, philanthropy and humanity. 7/8 of 10.
Robert Redford produced this and I reckon it is just another reminder of how (socially) active he is. Yes he is not just a good looking boy (he'll be forever young, no matter his current age), but one that uses his fame and his power to do something good. And I would say if at least some people watching this realize the potential - the good it can do to have programs like this in prisons ... it hopefully will help in the long run.
Now while that all may sound nice and dandy, there is also a lot grittiness, a lot of violence ... it is a prison after all. So do not be surprised if this does not hold back punches .. or stabs for that matter. The ending .. almost poetic though! Could not have been a better one ... and then the text about different states and statistics.
Did you know
- TriviaTom is portrayed by Thomas Smittle who participated in the actual program on which the movie is based. Thomas was in the program from 2009-2011 and had the top selling horse in the history of the program, a red roan gelding that sold for $8500.
- GoofsAt the auction in the film, it's stated a horse is sold to the "Las Vegas Police Department." There is no such organization; Vegas' police force is known as the "Las Vegas Metropolitan Police Department" (LVMPD for short).
- Quotes
Martha: When I was six, I, uh, started to write letters of support to your parole board. But your parole was always denied, so I thought it was my fault that you were still in prison, because I wasn't a good enough writer. Then, when I got older, I understood. You didn't want to get out. So I stopped writing. I kept one of those letters. "My dad is fun. Send him back home".
- ConnectionsReferenced in Front Row Flynn: THE MUSTANG: Bruce Dern, moderator Scott Mantz (2019)
- SoundtracksNo Way in Hell
Written by Jonathan Boye, Patrice Duthoo & Raphael Glatz
Courtesy of APM Music
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- The Mustang
- Filming locations
- Carson City, Nevada, USA(Prison scenes: Nevada State Prison)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,043,620
- Opening weekend US & Canada
- $71,657
- Mar 17, 2019
- Gross worldwide
- $6,405,816
- Runtime
- 1h 36m(96 min)
- Color
- Aspect ratio
- 1.66 : 1