The Professor and the Madman

It's apparent that unless there are s'plosions and CGI, the imbecilic critics (and most marvel fans) will hate it. This is a timeless film; well acted, a slice of history often forgotten. It should be seen by anyone with sense.

I wasn't thrilled about a biographical film story regarding a dictionary, but this one impressed me! Who would've though to know the history behind a dictionary?

Farhad Safinia makes his first full length feature film debut as writer and director, and nailed it. Produced by and also starring Mel Gibson - who was also great in his role, this film was directed exceptionally well, and the writing was good. I felt the screenplay was all over the place in a few areas, and the 124 min length a little too long for the story being told. I'm not a fan of slow paced films, but this one was just right. Casting was great, including Game of Thrones' Natalie Dormer, but wow did Sean Penn give an Oscar-worthy performance in his role as Dr. Minor. Glad to see him back on the big screen. The score was perfect and the sets/costumes on point for the era.

This is by no means an action packed Hollywood blockbuster, but instead a historical biopic produced extremely well, and a must-see.

A well deserved 9/10 from me.

My wife and I watched this at home on DVD from our public library. All the actors are very good in their roles, and especially Sean Penn as the "madman." My only gripe is his mumbling which required us to turn on the subtitles to be sure we knew what he was saying.

This movie is very historically accurate, as the movie opens in 1872 London we see Sean Penn as American Civil War veteran Dr. William Chester Minor, chasing down and shooting a man he thought was out to get him. At his trial he was declared innocent by reason of insanity then spent the next 38 years in an English mental institution.

At that same time Mel Gibson as James Murray had been put in charge of assembling the comprehensive Oxford Dictionary of the English language, a monumental task that eventually took several decades to complete, carrying on after Murray died. It turned out Minor had experience and skills that helped greatly and eventually the two became friends even though Minor remained institutionalized. He eventually returned to the USA and was diagnosed with schizophrenia.

This is an important chapter in human history, the writing of the comprehensive dictionary, and it was nice to learn what all went into it with some good points about human nature and the ability to forgive.

I could write much on the accolades this film deserves but will stick to the basics of why this film is great.

Acting across the board is spectacular. Penn and Gibson are in top form and have great chemistry. Coogan and Marsan are also in top form as usual. Ehle and Dormer do a terrific job in bringing that soft feminine touch much needed to balance out the relationships between the main characters.

The film has its emotional ups and downs while staying on point to tell the amazing story of how the most important English dictionary came to be. It is a testament to the difficulty and perseverance needed to accomplish such a Herculean task in defining the vast English language and the trials and tribulations endured to realize its completion.

The beauty of this film is in the storytelling of the relationship between the two main characters. The Scottich wordsmith and an American surgeon who suffers from mental illness.

In order to not divulge more about the narrative I will just end by stating this is a powerful film that will leave you feeling many emotions. A triumphant accomplishment! Time well spent.

Unforeseen: when a movie about people LITERALLY writing a dictionary turns out to be captivating, specially the further it strays from the actual dictionary-writing. "The Professor and the Madman" features Sean Penn and Mel Gibson both retaking characteristics from some of their better-known, pre-controversy roles, with Gibson going back to the "Braveheart" Scottish accent and Penn to the "Dead Man Walking" maybe-redeemable inmate murderer; resulting in a very strong on-screen chemistry.

By the time this movie is released in most markets, its fame will likely stem from its legal issues which lead to Mel Gibson basically disavowing it and director Farhad Safinia doing so in full (the movie is credited to "P.B. Shemran", an Alan Smithee-like alias if there's ever been one). I find this decision suprising as for most of the film I could have easily bought this as a Mel Gibson-directed work. As a filmmaker, he might not have the strongest of auteurial signatures, but said signature that can most easily be defined in the depiction of gore, a fascination with language and Christian faith elements (most obvious in "The Passion of the Christ" and "Hacksaw Ridge"), definitely makes an appearance here.

Not content with Gibson-like directorial decisions, the screenplay fortunately digs deeper into some topics than any Gibson script has. Penn's character's arc in particular is well-developed in creating empathy towards the mentally ill, which is still not common enough nowadays, nevermind in a time when phrenology was still a valid study. The word "redemption", so rare yet supposed to be the most Christian of virtues as well, gets a very strong definition with this character arc. Obsession is touched upon as well, not to Aronofsky-an levels, but still enough to be worthy of a mention.

Considering the unforeseen depth of the treatment of these topics, it's truly unfortunate that there are some cases where the movie relies of the most shallow of tropes to force tension. The worst case of this is the almost-mustache-twirling-villain characters, with no depth or motive beyond antagonizing and foiling our brave heroes. One case in particular is not as tragic when a (until then) well-developed and rounded character inexplicably takes that villanous turn, at least having given us a solid base before. Additionally, the visuals suffer with some establishing shots clearly having made with inferior digital video quality, creating a jarring effect that takes you out of the movie. All in all, despite these shortcomings, "The Professor and the Madman" is a worthy story that goes into unanticipated and fortuitous depths, intensities, profoundities.