Porcupine Lake

Not a single character in the entire movie is likeable. 1 star feeling sad for the hard work the movie makers did and 1 star for the dog. Only the dog can be watched in the entire movie. Please put a story when you make a movie next time.

So Great to see Ingrid Veninger's latest film 'Porcupine Lake'. Her years of prolific film-making have paid off and she has created a tight, interesting and moving film that is both funny, real and poignant.

The main characters explore new teen feelings and try to make sense of the confusing and sometimes dark adult relationships they see around them. This is done with great sensitivity and insight. It is not easy to convey the subtle, new emotions that teens experience but Ingrid's approach and direction worked. Apparently the 13 year old actors met for the first time when they were filmed and the freshness and authenticity shows.

The characters were unique and interesting, the relationships and plot was highly entertaining despite the tough subject matter. The acting we excellent.

The depressing homes of the dysfunctional rural families were very true to life yet there was compassion at the same time.

I highly recommend the movie to people interested in films that delve into challenging relationships and emotional situations with insight, wisdom and humour.

Film Review: Porcupine Lake. Director, Producer, Writer (here) and actress Ingrid Veninger proves she clearly has a pulse on the youth coming of age summer experience. Bea (Charlotte Salisbury - a young version of Helen Hunt) finds herself in Northern Ontario, as her mom Ally (Delphine Roussel "Almost Adults" 2016) reluctantly agrees to meet and work at her out of town dad Scotty's (Christopher Bolton "Rent-like-a-Golie" TV) roadside cafe. Enter local rambunctious and fast-talking fellow youth Kate (Lucinda Armstrong Hall "Neighborhoods" TV), who befriends Bea and quickly becomes her friend, confidant and summer attraction. Surrounded by preoccupied parents, and a slue of stereotypical small town folk (including the terrific facial expression given by gay boy Emile "Maxime Robin Tom Clancy's Jace Ryan" 2018), the girls find ice cream, candy, knick-knack selling and experimentation easy to come by. Veninger's quiet back woods Ontario setting provides the girls a carefree and safe setting to observe and do as they please. What works here is that while the setting is without confrontation, there is an underlining energy that all can feel, yet no one is willing and/or able to address. Salisbury and Armstrong Hall are like two little "Thelma & Louise," unafraid of what lies ahead, yet cautious as to what each day has to offer. Running at about 1 1/2 hours, the films pace will lose many. DVD/VOV release: August 14, 2018

This film was like walking back in time to the longest days of childhood summers. The detailed clues about small town life - from the plethora of business cards tacked on the bulletin board in the local snack shack, to the stickers covering plastic cereal containers at a chaotic breakfast table - have stayed with me. As someone who grew up always being the new girl, I identified with Bea (Charlotte Salisbury) as she tried to navigate and keep up with the rules of this place, dictated flawlessly by local girl Katie (Lucinda Armstrong Hall). Ingrid Veninger takes us on the beautifully heartbreaking ride of a very complicated friendship between two young girls on the verge of womanhood. Highly recommended.

Beautiful and surprising coming of age film. Authentic to the core. I had the pleasure of seeing the premier of this film at TIFF 2017, and the entire cast and creative team and crew were present for the Q&A. The sense of family and heart and generosity, led by director Ingrid Veninger, during the Q&A was felt throughout the entire film.