Sabaibaru famirî

SURVIVAL FAMILY, arriving in Chinese cinema this June, from the highly acclaimed Japanese director Shinobu Yaguchi (WATERBOYS 2001, SWING GIRLS 2004, WOOD JOB! 2014), idiosyncratically taps into the fecund ground of our epoch's ambiguous stance towards global digitalization, envisages a cockamamie premise when our world is struck by an unforeseen power-out, which causes all electronic apparatuses mysteriously out of whack, then a road trip ebulliently pans out about how one ordinary urban Tokyo family wrestling to survive under such circumstances.

The prologue expeditiously encapsulates the quotidian discord within this nuclear family, crammed in a tenement apartment, an office-clerk father (Kohinata), a housewife mother (Fukatsu), a brace of disgruntled high-school daughter-and-son (Izumisawa and Aoi), which constitute a garden-variety version of the universal generational gap. Little they know, the next day, electricity and its paraphernalia will be completely shorn out of their life, they are wrong-footed like the rest of the populace, after the holding-pattern period lapses with no progress (Yaguchi is pervertedly cagey in neither logical explication nor promulgating authoritative voice), although, the whole family has a rare star-contemplating night when alternative becomes scarce, they decide to visit their maternal grandfather who lives near the seaside for fear of the impending shortage of food and water.

Their ensuing bicycle trek rather exceeds their widest expectation (although their decision of catching a plane is too much a foregone conclusion to enact in the first place), occasionally they merge with migrating elements on the highway, but mishaps befall incessantly, including chancing upon another family, who are brilliantly au fait with surviving skills, only counterpoising their ham-fisted misery to a farcical extent. The mythos of resorting to an agrarian facility pays amusing dividends as they must work for a farmer after unwittingly slaughtering one of his wandering pigs, touching moment segues after they sinks their teeth into the grunt work, they choose to continue their journey.

In the third act, precarious situations gain on the family, from a torrential river to a pack of ferocious dogs, bereavement is tantalized, but Yaguchi opts for a mawkish coincidence to tone down its effect lest the tonal shift, after all, the story's appealing congeniality is what clicks with the audience, plus, on the strength of the quartet's strenuous effort (Kohinata basks in his unwonted leading role with cracking comic timing and downplayed exasperation), SURVIVAL FAMILY hits the mark by showing up an uplifting down-home parable through its arbitrary milieu, which one must hand it to Yaguchi for pulling it off this with tenacious sobriety, especially when a tangy self-involving ubiquity starts to tell.

One of the most beautiful family films to show you how to unite family time of hardship this life bitter and sweet and full of emotions with a blending of comedy wonderful and admirable

This was unexpectedly good. I LOVED this movie. I always appreciate a movie that depicts family relationships and dynamics. This movie did this in the most beautiful and at times dramatic way. It leaves a very strong impression. Highly recommended. Made me think about humanity, family and what the most real/important things in life are.

Even if you are not yet a prepper or a survivalist, after this intelligent drama comedy you will start to stash a few things in tour storage. Well balanced between comedy and drama and close to reality event without action or violent screens to impress, instead you get impressed with the beautiful scenes of Japanese countryside and the full of emotions acting.

The Survival Family is a very intelligent movie that mixes dramatic and humorous elements in a balanced way. The film tells the story of a slightly estranged family consisting of a busy father, a lonely wife, an overtly sensitive daughter and an isolated son who has a crush on a popular girl at school. The first half hour of the movie shows us the everyday life routines of the four characters before a worldwide blackout drastically changes their lives. In the beginning, they believe that the power cut will be fixed within a few days but due to mysterious circumstances, this won't be the case. The four characters have to change their routines as their schools and workplaces get shut down. They ultimately decide to travel south in hope to find a place that isn't affected by the blackout and to join other members of their family who are living by the coast.

There are several elements that make this movie one of the very best of the year. First of all, the initial idea of the movie is inspiring and mysterious. The audience will constantly ask itself what it would do if it were in a similar situation. The film also remains unpredictable until the very end which adds some tension to the potpourri of dramatic and humorous elements.

Secondly, the acting of the four main characters is excellent and each character has its very own flaws and strengths. You will see each character change due to the unusual circumstances and you will witness an estranged family get closer to face challenges of all kinds. The movie gets a profoundly philosophical touch and discusses the values of family, nature, resilience, wealth and life in general in an inspiring way. You will end up rooting for the survival of each member of this refreshingly normal family.

Thirdly, the family meets numerous interesting characters on its journey through Japan. The most interesting characters are the ecological cyclists and the tough pig farmer. These encounters introduce the audience to diversified characters with very different philosophies which leads to some situation comedy.

A fourth strong point was the movie's final third that accelerated the pace and adds a lot of action and tension. The family has to deal with challenging, heart-breaking and miraculous incidents that will change the lives of everyone involved.

A fifth and last strong point was the movie's conclusion. I felt it ended in a profound way that does the rest of the movie justice instead of trying to conclude with a misplaced bang or twist.

If the scenario of a world without technology intrigues you as much as it does me, you have to give The Survival Family a chance. This movie is a very interesting alternative to the usual type of survival movies involving brutality, conspiracy and the supernatural. Despite its unusual settings, the film remains as human and realistic as it gets and despite having a message, the film doesn't try to preach anything. Fans of intelligent dramas might have found their highlight of the year already with this movie.