Cô Hâu Gái

The unusual setting of 1950s Indochina under French colonial rule provides Derek Nguyen's horror-romance hybrid with an element of interest that just about prevents it from being written off as yet another generic genre film. Kate Nhung is very sympathetic as Linh, a young peasant girl who wins a job as housemaid to a French captain on a rubber plantation, but her growing relationship with the young captain, and subsequent conflict with other staff members doesn't provide enough impetus. The horror elements are incredibly weak, both in terms of plot development and scares.

This moves at an extremely slow pace. Other than that, there isn't a lot to say. It's a ghost story but it isn't scary. The acting was ok There were a few plot holes that are a bit irritating simply because I prefer loose end to be tied up. I love good ghost stories and there's not many out there so anytime I can find one that has a decent rating I have to check it out. If you enjoy ghost movies you might find this entertaining.

So the movie in it's entire run was a really good story. If you happen to get that far. I was tempted to shut it off at times either because it was too slow paced and seemed to go nowhere or i found myself asking why was i watching it. I did end up fast forwarding through some parts though. Also the adding in of the everyones footsteps after filming really threw me off. So that being said, it was a really good story and once you figure out the whole mystery you'll say to yourself "wow that really was a good story". Again if you've even gotten that far. I wouldn't put this in the horror category though. I watched it at night, in the dark and not once did i feel scared.

If you're into ghost stories with a romance and a mystery this one is for you. If you're looking to get scared, i'd look elsewhere.

Not especially original or innovative but given the beautifully shot Vietnamese locales this turns out to be a very watchable variation on a theme. The main interiors of the wonderful colonial dwelling also make for a sumptuous setting. Slightly unsettling for an English viewer is that the mix of local Vietnamese and English speakers actually represents the indigenous people and the French invaders at the time of the conflict in the early 50s in what was then known as Indo China. Once we accept the English speakers are French rubber plantation owners with a bad history the scene is set for spooky goings on in the lovely old house and the fantastic and scenic woods and surrounding area. Bit reminiscent of those 60s Japanese ghost story films but more explicit and more sexy. Very enjoyable and if not full of surprises, the ending probably will be.

I never expect very much when I watch a Vietnamese movie. Most of the time they are not that great due to overacting and things like that. But with The Housemaid I never had that feeling, on the contrary I thought all the actors were good for once. For the horror part I was expecting more though. Okay it's a bit dark and there are some good passages but the movie could have used more of those moments. The story wasn't bad either. It came even with a twist that I didn't see coming and that's always good. I would not go that far that I would watch it again but it's worth a watch. When it's about Asian movies the Korean ones are definitely the best ones but this Vietnamese one was better then I expected it to be.