My Sailor, My Love

My Sailor, My Love is a movie that revolves around an autumnal romance intertwined with familial issues. Howard (James Cosmo) is a retired sailor and widower who resides in a seaside house. Howard's daughter, Grace (Catherine Walker), hires a mature female carer named Annie (Brid Brennan). As Howard and Annie develop a romantic relationship, Grace is gradually excluded, and the complexities that arise become the movie's central focus.

The movie starts lightheartedly but gradually transitions toward an increasingly thorny tone, depicting flawed and complex characters portrayed by a cast of senior actors. The performances by the actors are strong, and the dialogue is sharp realistic, and reveals the characters' emotions and motivations. Although some lines are overly dramatic, the story's contemplative nature and slow pace suit the movie's overall tone. The cinematography captures the beauty of the Irish setting, which adds to the movie's appeal.

If you enjoy slow-paced dramas with senior actors and are interested in exploring familial issues and romance, My Sailor, My Love is worth a watch.

I have been wanting to see this movie ever since it was released. I finally rented it on Amazon Prime. Every one of the actors was brilliant. You get emotionally invested right from the beginning. It really was believable and I'm sure lots of people could relate to this story. I know I could. It's great to see a movie which isn't totally "Hollywood " if you get what I mean. Plus you get to see the beautiful scenery of Ireland. I really can't find any fault with this film. I'm not sure what else I can add, however, it seems that you now have to have a minimum amount of words? Anyway, I highly recommend this movie.

Highly respected Finish director Klaus Harro brings his quiet, controlled professional guidance to this introspective modern study of Familial intrigues and complexities from youth to older age. Writers Jimmy Karlson and Kirisi Vikman bring a sharp and thoughtful observation to this slice of life work. It's pleasing to find that films of this nature and depth remain being made in this era of superficial cartoon heroes and action fodder, churned out for largely uninvolved 'kids' of all ages.

Strong performances are essential for stories without CGI wizardry and non-stop action, and this cast of mature-aged players certainly keep the flow of emotions on track from first frame to last. In fact, right from the first scene (Catherine Walker in a group therapy session) you know an emotional tour de force may be on its way. All the carefully selected players are totally convincing as they bring the layers of complex relationships into the viewer's understanding. The dialog is intelligent, with the viewer needing to devote attention in following, lest you miss a vital line (having the ability to rewind is helpful) so DVD or Home Cinema set-ups can help with this.

Striking wide screen vistas of the Irish Coastline captured by Robert Nordstrom (The Disciple '13) are a joy to take in on a larger screen. Award winning Belgium born (of Italian parents) Michelino Bisceglia supplies the descriptive (classic inspired) score. Even Finbar Furey delivers an unannounced song. Lovers of Bergman studies are more inclined to run with this one, as well as O'Neil devotees. Some have disagreed with the time devoted to certain character changes, but they are in keeping when each characters back stories are fully known.

Polished viewing for discerning viewers. Younger audiences may not be as appreciative.

Filmed and set in Ireland, James Cosmo, in his 70s, is Howard, former sailor and now retired to his remote home. His wife, who suffered from depression, died years earlier. He lives alone and his 40-something daughter, a nurse, checks on him periodically. He doesn't seem to welcome her visits and his home is a total mess.

So the daughter hires help, a local lady to come in two days a week. She is played by 60-something Brid Brennan as Annie. At first Howard makes it clear that he'd rather her not come, but eventually he softens up when he realizes she is good company.

The adult daughter is played by Catherine Walker as Grace. She too is having personal issues and she and her husband don't always have time to communicate properly.

As the story develops we see that there are some deep family issues, plus some issues Howard is having that he fails to share. It is all plausible, elderly parents and their adult children can have difficulty with issues that represent a wedge. In fact I have five adult children and there are wedges.

My wife and I watched it at home, streaming on Amazon Prime. Not a happy or uplifting movie but suitably interesting. The acting and cinematography are excellent.

Fortunately, similar films are still being made, such as My Sailor, My Love. Movies about human relationships never become boring or bland when they are made with good heart. Like this movie.

The main story in this film is about finding love in old age. This particular part of the film is beautifully filmed, and a fairly straight-forward story, without too many complications. But there is an additional story that weaves in, the older man's difficult and partly turbulent relationship with his own daughter. If I am going to criticize something about the film, there must be a lot of unresolved issues that I was left with regarding the father-daughter relationship. Here there is much that we do not get answers to, only that the relationship has become strained and that the daughter has her own explanations for this. Without this being explored any further in the film.

Nevertheless, this film succeeds in telling a lovely story. And I have to include it; filmed in fantastic surroundings along Ireland's coast.