Lucky
- 2017
- Tous publics
- 1h 28m
IMDb RATING
7.3/10
28K
YOUR RATING
Lucky follows the spiritual journey of a 90-year-old atheist and the quirky characters that inhabit his off the map desert town.Lucky follows the spiritual journey of a 90-year-old atheist and the quirky characters that inhabit his off the map desert town.Lucky follows the spiritual journey of a 90-year-old atheist and the quirky characters that inhabit his off the map desert town.
- Director
- Writers
- Stars
- Awards
- 17 wins & 19 nominations total
Pam Sparks
- Pam
- (as Pamela Sparks)
Ulysses Olmedo
- Juan Wayne
- (as Ulysses Olemdo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In terms of humanity, Lucky is the simplest story I've ever connected to. Seeing it in theaters was one of the most emotional experiences I've ever had watching a movie.
Lucky walks the thin line between being an exploration of death and a celebration of life, because it manages to be both. Lucky is a character that at first couldn't care less about his mortality. He didn't think about it because he didn't have to. But when the effects of old age start to set in, Lucky can't help but see his own death everywhere. With the onset of this fear, he learns to embrace death - "realism", as said in the movie. However, this process was not so easy, as he first had to let go of his anger to understand the beauty and sadness in the experience of his whole life up until his old age, and everything he has yet to be a part of.
Many try to claim that movies "used to be simpler" and "had better stories" due to less technology, but I'll be damned if they aren't easier to connect to now than ever. Lucky follows suit of movies, loosely like "Manchester by the Sea", and greatly like "Paterson" which both came out within the past year. These movies pay homage to real life by stripping the substance down to normal human experiences that most end up having to face, and everyone can at least recognize. In particular, Lucky is that of accepting how everything in life will go away in time, so all that can be done is to experience it. This ephemeral experience of life is both beautiful and sad, as this movie is both about life and death.
The reason that a movie like Lucky hit me so hard was because it threw nothing in my face. I was so immersed in what felt like real life to me that it was as sudden as extreme as life can be when all the sudden it got so emotional, like in the bar. Lucky's stance in the bar, letting go and explaining his stance as a human being was one of the most emotionally moved I've ever been by a single scene. Again, this is because everything develops so naturally, and because I personally connect with what Stanton's character has to find his way back to after 90 some years of age - being able to smile. While all aspects of the filmmaking delivered this effect, I especially recognize the script and Stanton's performance for their organic emotional accomplishment within the story.
To me, Lucky owns up to the internal and external unknown. It represents the ongoing process of learning how to smile in a life that will continue to break you down.
Lucky walks the thin line between being an exploration of death and a celebration of life, because it manages to be both. Lucky is a character that at first couldn't care less about his mortality. He didn't think about it because he didn't have to. But when the effects of old age start to set in, Lucky can't help but see his own death everywhere. With the onset of this fear, he learns to embrace death - "realism", as said in the movie. However, this process was not so easy, as he first had to let go of his anger to understand the beauty and sadness in the experience of his whole life up until his old age, and everything he has yet to be a part of.
Many try to claim that movies "used to be simpler" and "had better stories" due to less technology, but I'll be damned if they aren't easier to connect to now than ever. Lucky follows suit of movies, loosely like "Manchester by the Sea", and greatly like "Paterson" which both came out within the past year. These movies pay homage to real life by stripping the substance down to normal human experiences that most end up having to face, and everyone can at least recognize. In particular, Lucky is that of accepting how everything in life will go away in time, so all that can be done is to experience it. This ephemeral experience of life is both beautiful and sad, as this movie is both about life and death.
The reason that a movie like Lucky hit me so hard was because it threw nothing in my face. I was so immersed in what felt like real life to me that it was as sudden as extreme as life can be when all the sudden it got so emotional, like in the bar. Lucky's stance in the bar, letting go and explaining his stance as a human being was one of the most emotionally moved I've ever been by a single scene. Again, this is because everything develops so naturally, and because I personally connect with what Stanton's character has to find his way back to after 90 some years of age - being able to smile. While all aspects of the filmmaking delivered this effect, I especially recognize the script and Stanton's performance for their organic emotional accomplishment within the story.
To me, Lucky owns up to the internal and external unknown. It represents the ongoing process of learning how to smile in a life that will continue to break you down.
Please disregard that review by an IMDb user who claims to "Crave intellectual depth" but is clearly unable to recognize it, and cannot see beyond the superficial.
It proves what Lucky says in the film: "I always thought that the one thing we could agree on is what we were looking at...but that's bullshit, because what I see isn't what you see."
Mr. Stanton's powerful, truth-telling performance is at turns heartbreaking, uplifting, hilarious, and inspiring.
Please do yourself a favor and see this very special film.
It proves what Lucky says in the film: "I always thought that the one thing we could agree on is what we were looking at...but that's bullshit, because what I see isn't what you see."
Mr. Stanton's powerful, truth-telling performance is at turns heartbreaking, uplifting, hilarious, and inspiring.
Please do yourself a favor and see this very special film.
Just recently saw an independent film called "Lucky" with the now late character actor Harry Dean Stanton and clearly it was a touching swan song for Harry and for those who viewed it. Stanton is Lucky a living 90 year old man who's probably at the end of the tunnel despite okay health. And you guessed it he's set in his ways especially with the belief that he doesn't want to face death or he's not too set on the believe of a higher power.
Living in the southwest Lucky's days are spent walking, and going to the local bar and diner to drink and he passes his time during the day after getting up working puzzles and watching game shows. Plus he even smokes some weed with a new African American female friend. And the chats and visits with locals and friends help Lucky move along.
Still thru it all this old man is set in his ways he who doesn't want new acceptance or change in which he fears in his small town life it's a long last reflection on life and being who he is. The supporting cast is well rounded here with David Lynch, Ed Begley Jr., Tom Skeritt and others. Overall well done film of one looking at their life and surroundings and coming to terms with time and reflection without change.
Living in the southwest Lucky's days are spent walking, and going to the local bar and diner to drink and he passes his time during the day after getting up working puzzles and watching game shows. Plus he even smokes some weed with a new African American female friend. And the chats and visits with locals and friends help Lucky move along.
Still thru it all this old man is set in his ways he who doesn't want new acceptance or change in which he fears in his small town life it's a long last reflection on life and being who he is. The supporting cast is well rounded here with David Lynch, Ed Begley Jr., Tom Skeritt and others. Overall well done film of one looking at their life and surroundings and coming to terms with time and reflection without change.
If ever there was a deserving send off for a grand actor, then this be it.
As "Lucky", the cantankerous but lovable old sole, shuffling his way out of this mortal coil, Harry Dean Stanton is, as always, remarkable.
Striding with purpose, very slowly, through a very regimented daily routine - diner coffee, crossword, game shows, cactus watering, smokes, drinks at the local watering hole - Lucky is revealed as a complex, always thinking, opinionated, ready to drop the gloves, 91 year old.
There are several great performances, highlighted by David Lynch bemoaning the escape of his pet tortoise, but the film really belongs to Harry. Swiping some great real life histories (Stanton's stint with the Navy) blurs the line between fact and fiction just enough to act both as a fitting tribute and engrossing movie on it's own merit. This is a talkie, where action moves at a tortoise pace, but it matters not, for Lucky has that rare power to draw the audience right on in.
Among the many low key but brilliant highlights, is a stirring scene to which Johnny Cash sings Bonnie Prince Billie's "I See a Darkness".
Harry Dean Stanton was indeed Lucky.
As "Lucky", the cantankerous but lovable old sole, shuffling his way out of this mortal coil, Harry Dean Stanton is, as always, remarkable.
Striding with purpose, very slowly, through a very regimented daily routine - diner coffee, crossword, game shows, cactus watering, smokes, drinks at the local watering hole - Lucky is revealed as a complex, always thinking, opinionated, ready to drop the gloves, 91 year old.
There are several great performances, highlighted by David Lynch bemoaning the escape of his pet tortoise, but the film really belongs to Harry. Swiping some great real life histories (Stanton's stint with the Navy) blurs the line between fact and fiction just enough to act both as a fitting tribute and engrossing movie on it's own merit. This is a talkie, where action moves at a tortoise pace, but it matters not, for Lucky has that rare power to draw the audience right on in.
Among the many low key but brilliant highlights, is a stirring scene to which Johnny Cash sings Bonnie Prince Billie's "I See a Darkness".
Harry Dean Stanton was indeed Lucky.
A loving homage to an actor and musician that anyone over 50 has seen in movies over several decades. I wiped away tears several times over beautiful, thoughtful musings by Lucky, who, in most respects, was Harry Dean Stanton himself. This is a small but significant slice of life movie and showcases excellent writing, direction and acting by several collaborators who've worked together before. Notable understated performance by David Lynch whose character's lost tortoise serves as an analogy that some viewers who haven't lived several decades yet will not yet appreciate. I was stilled when Lucky sang, sad when Johnny Cash sang and I smiled, satisfied, at the end. I will watch this movie again with friends who understand the beauty of a simple and well written film like this and we will all feel satisfied and more connected as a result.
Did you know
- TriviaShot in eighteen days.
- GoofsWhen he goes to the convenience store to buy 1/2 gallon of milk he gives the clerk a 10 dollar bill and she gives him 25 cents change.
- ConnectionsFeatured in Fandor: Why Harry Dean Stanton Is The G.O.A.T. Character Actor (2017)
- SoundtracksCon El Tiempo Y Un Ganchito
Written by Genaro Nunez
Performed by Pedro Infante
Published by Peer International Corporation on behalf of itself and Promotora Hispano Americana De Musica
Courtesy of Pham Records
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Lucky: Un joven de noventa años
- Filming locations
- Cave Creek, Arizona, USA(surrounding desert)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $955,925
- Opening weekend US & Canada
- $43,293
- Oct 1, 2017
- Gross worldwide
- $2,728,446
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 2.39 : 1
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