La femme qui est partie

Revealing the truth cleanses the soul, yet carelessness in doing so will condemn it. The knife cuts both ways. After 30 years in a prison work camp for a crime she did not commit, Horacia makes revealing the truth a priority in her life. With righteous fire she begins a quest to expose the true culprit. Her mark is Rodrigo; an arrogant and privileged former lover. Unlike Rodrigo, Horacia has a heart and this sensitivity and sympathy for others makes her vulnerable to distraction, to being found out before she has a chance to strike, or to losing her resolve in some way. Yet her good heart is also her strength. As Horacia closes in on Rodrigo, unexpected circumstances intervene.

This beautiful black and white film provides a intriguing portrait of small town Philippine society. Ambient sounds of wind in tree branches, tires on pavement and bird songs, lend authenticity to the images. At nearly four hours, the fans of "slow film" will certainly be in for an enjoyable, albeit snail-paced ride. I really enjoyed exploring the theme of how holding onto the truth, to hopes in your heart and helping others, invites both vulnerability and vindication. Winner of the golden lion and top prize at the 2016 Venice film festival.

This beautiful black and white film provides a intriguing portrait of small town Philippine society. Ambient sounds of wind in tree branches, tires on pavement and bird songs, lend authenticity to the images. At nearly four hours, the fans of "slow film" will certainly be in for an enjoyable, albeit snail-paced ride. I really enjoyed exploring the theme of how holding onto the truth, to hopes in your heart and helping others, invites both vulnerability and vindication. Winner of the golden lion and top prize at the 2016 Venice film festival.

Revealing the truth cleanses the soul, yet carelessness in doing so will condemn it. The knife cuts both ways. After 30 years in a prison work camp for a crime she did not commit, Horacia makes revealing the truth a priority in her life. With righteous fire she begins a quest to expose the true culprit. Her mark is Rodrigo; an arrogant and privileged former lover. Unlike Rodrigo, Horacia has a heart and this sensitivity and sympathy for others makes her vulnerable to distraction, to being found out before she has a chance to strike, or to losing her resolve in some way. Yet her good heart is also her strength. As Horacia closes in on Rodrigo, unexpected circumstances intervene.

I used the (very helpful) advice of another reviewer and watched the movie slowly, in increments. It is beautifully shot and lighted in black and white, and the characters are subtle and well constructed. The use of "balut" in the film I thought was powerful (I had to look it up, its bird- usually duck.- embryos cooked inside the shell, before hatching) There is a mix of kindness and quiet rage at work that I found fascinating, although I would have liked that the political context of life in the Philippines be laid out in another manner, with less obvious exposition, perhaps. There was enough time for this... But the pace is excruciatingly slow, the situations repeat themselves (yes, I know, such as in life itself), I found the main plot point very predictable, and, in my opinion, there really is no reason for the length. I would have preferred to have refrained from the use of the word "boring", and rate the movie higher, but its not possible, to be honest.

I had high expectation for this movie but 30 minutes after, I wanted to fast forward. It's not that I don't like long Lav Diaz movies, I was totally entertained with Norte; but I found Horacia, perhaps uninteresting. Perhaps I have a bias with Santos-Concio, a bigwig in TV in the Philippines, and I have trouble believing in her portrayal as a wronged woman. Having seen the ad also didn't help, all the highlights of the movie is in the 1 minute ad, the rest of the movie is just long takes of street view, night view, church view, etc. That's ok except, it has little to do forwarding the story. I also frown upon black and white movies that are too grainy, I wanted to turn on the sharp button. So see this if you are a Lav Diaz fan or if you have 3 hours to spare. Otherwise, you are better off with Norte.

Too long and too slowly need slowly watch The dilemma of real life and rascal