La femme qui est partie

Too long and too slowly need slowly watch The dilemma of real life and rascal

This beautiful black and white film provides a intriguing portrait of small town Philippine society. Ambient sounds of wind in tree branches, tires on pavement and bird songs, lend authenticity to the images. At nearly four hours, the fans of "slow film" will certainly be in for an enjoyable, albeit snail-paced ride. I really enjoyed exploring the theme of how holding onto the truth, to hopes in your heart and helping others, invites both vulnerability and vindication. Winner of the golden lion and top prize at the 2016 Venice film festival.

Revealing the truth cleanses the soul, yet carelessness in doing so will condemn it. The knife cuts both ways. After 30 years in a prison work camp for a crime she did not commit, Horacia makes revealing the truth a priority in her life. With righteous fire she begins a quest to expose the true culprit. Her mark is Rodrigo; an arrogant and privileged former lover. Unlike Rodrigo, Horacia has a heart and this sensitivity and sympathy for others makes her vulnerable to distraction, to being found out before she has a chance to strike, or to losing her resolve in some way. Yet her good heart is also her strength. As Horacia closes in on Rodrigo, unexpected circumstances intervene.

I used the (very helpful) advice of another reviewer and watched the movie slowly, in increments. It is beautifully shot and lighted in black and white, and the characters are subtle and well constructed. The use of "balut" in the film I thought was powerful (I had to look it up, its bird- usually duck.- embryos cooked inside the shell, before hatching) There is a mix of kindness and quiet rage at work that I found fascinating, although I would have liked that the political context of life in the Philippines be laid out in another manner, with less obvious exposition, perhaps. There was enough time for this... But the pace is excruciatingly slow, the situations repeat themselves (yes, I know, such as in life itself), I found the main plot point very predictable, and, in my opinion, there really is no reason for the length. I would have preferred to have refrained from the use of the word "boring", and rate the movie higher, but its not possible, to be honest.

Seen at the Viennale 2016: No, this movie is not too long. Don't be afraid of the many minutes. Lav Diaz knows how to entertain the movie buff. Most of the action takes place in the night and is filmed in black and white. I wondered, whether the use of b/w-film for the night scenes in the small village streets was a good idea. To my feeling the nights are darker in color. Anyway, too less story for the long-timed frames. The drama was not catchy enough for me to stay within the story. The long-timed frames provided (to me) too much time. So my mind wandered away from the movie and came back again and wandered away again and so on. This is okay with certain abstract movies, when your mind is set free with ideas and inspiration. Ang Babaeng Humayo did (to me) not provide this inspiration. Only the end is non-real enough to start dreaming. But there the movie ends abruptly. I saw it yesterday. And already today this nearly 4 hours are nearly forgotten. Left me unimpressed. But, praise to Lav Diaz! He wants and he dares. And for sure, I will go and see his next movie.

Revealing the truth cleanses the soul, yet carelessness in doing so will condemn it. The knife cuts both ways. After 30 years in a prison work camp for a crime she did not commit, Horacia makes revealing the truth a priority in her life. With righteous fire she begins a quest to expose the true culprit. Her mark is Rodrigo; an arrogant and privileged former lover. Unlike Rodrigo, Horacia has a heart and this sensitivity and sympathy for others makes her vulnerable to distraction, to being found out before she has a chance to strike, or to losing her resolve in some way. Yet her good heart is also her strength. As Horacia closes in on Rodrigo, unexpected circumstances intervene.

This beautiful black and white film provides a intriguing portrait of small town Philippine society. Ambient sounds of wind in tree branches, tires on pavement and bird songs, lend authenticity to the images. At nearly four hours, the fans of "slow film" will certainly be in for an enjoyable, albeit snail-paced ride. I really enjoyed exploring the theme of how holding onto the truth, to hopes in your heart and helping others, invites both vulnerability and vindication. Winner of the golden lion and top prize at the 2016 Venice film festival.