IMDb RATING
5.7/10
837
YOUR RATING
Inventing flying contraptions, war machines and studying cadavers, Leonardo da Vinci tackles the meaning of life itself with the help of French princess Marguerite de Nevarre.Inventing flying contraptions, war machines and studying cadavers, Leonardo da Vinci tackles the meaning of life itself with the help of French princess Marguerite de Nevarre.Inventing flying contraptions, war machines and studying cadavers, Leonardo da Vinci tackles the meaning of life itself with the help of French princess Marguerite de Nevarre.
- Directors
- Writer
- Stars
- Awards
- 1 win & 3 nominations total
Daisy Ridley
- Marguerite
- (voice)
Matt Berry
- Pope Leo X
- (voice)
Stephen Fry
- Leonardo da Vinci
- (voice)
Aaron Heffernan
- Crowd
- (voice)
Ben Stranahan
- Page
- (voice)
Jim Capobianco
- The Physician
- (voice)
- …
Jane Osborn
- Gravedigger Jane
- (voice)
Pierre-Luc Granjon
- Pierre-Luc
- (voice)
T.M. Christopher
- Swiss Guards
- (voice)
Elodie Collins
- Crowd
- (voice)
Marion Charrier
- Annette
- (voice)
Chris Gordon
- Crowd
- (voice)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I just watched The Inventor, and I must say, it's a captivating animation film that left me pondering the life of Leonardo da Vinci. As someone who's always been fascinated by art, science, and history, I appreciated the unique blend of these elements in the movie.
One of the standout aspects of The Inventor is its stunning animation. The watercolor-inspired visuals transported me to the Renaissance era, immersing me in the world of 15th-century Florence. The attention to detail in the characters' designs and the environments is impressive, making every scene a feast for the eyes.
The storytelling is engaging, and I enjoyed seeing Leonardo's curiosity and creativity shine through. The film highlights his inventive spirit, showcasing his iconic designs and innovations. However, I felt that the narrative was a bit disjointed at times, jumping between different periods of Leonardo's life without clear transitions.
My only other criticism is that the supporting characters feel somewhat one-dimensional. I would have loved to see more depth and development in characters like Lorenzo and Francesco.
Despite these minor flaws, The Inventor is a charming film that sparked my interest in Leonardo's life and work. The movie's themes of creativity, perseverance, and innovation resonated with me, and I found myself reflecting on my own passions and pursuits.
Overall, I'd recommend The Inventor to anyone interested in art, history, or science. While it may not be a perfect film, its unique visual style and captivating storyline make it a worthwhile watch.
One of the standout aspects of The Inventor is its stunning animation. The watercolor-inspired visuals transported me to the Renaissance era, immersing me in the world of 15th-century Florence. The attention to detail in the characters' designs and the environments is impressive, making every scene a feast for the eyes.
The storytelling is engaging, and I enjoyed seeing Leonardo's curiosity and creativity shine through. The film highlights his inventive spirit, showcasing his iconic designs and innovations. However, I felt that the narrative was a bit disjointed at times, jumping between different periods of Leonardo's life without clear transitions.
My only other criticism is that the supporting characters feel somewhat one-dimensional. I would have loved to see more depth and development in characters like Lorenzo and Francesco.
Despite these minor flaws, The Inventor is a charming film that sparked my interest in Leonardo's life and work. The movie's themes of creativity, perseverance, and innovation resonated with me, and I found myself reflecting on my own passions and pursuits.
Overall, I'd recommend The Inventor to anyone interested in art, history, or science. While it may not be a perfect film, its unique visual style and captivating storyline make it a worthwhile watch.
Inventing flying contraptions, war machines and studying cadavers, Leonardo da Vinci tackles the meaning of life itself with the help of French princess Marguerite de Nevarre.
I think it's a great idea to teach kids about history, especially those who feature so importantly in our current, modern lives. Film, especially animation like this, is an ideal way to educate young people. I would hope and expect many families went to see this although figures so far suggest not.
For me there were too many tropes and mannerisms from today thrown in. Like the cartoon figure sawing at his neck in that Americanism that means 'cut', or 'stop talking.' I think it was dumbed down too far and felt ultra childish. Kids are much more astute than we give them credit for and while the animation was done very nicely, I feel the presentation of the material was done by those who simply don't understand kids.
I couldn't watch til the end as it's not for my age group and was annoying me. But for those with younger children they might enjoy it.
I think it's a great idea to teach kids about history, especially those who feature so importantly in our current, modern lives. Film, especially animation like this, is an ideal way to educate young people. I would hope and expect many families went to see this although figures so far suggest not.
For me there were too many tropes and mannerisms from today thrown in. Like the cartoon figure sawing at his neck in that Americanism that means 'cut', or 'stop talking.' I think it was dumbed down too far and felt ultra childish. Kids are much more astute than we give them credit for and while the animation was done very nicely, I feel the presentation of the material was done by those who simply don't understand kids.
I couldn't watch til the end as it's not for my age group and was annoying me. But for those with younger children they might enjoy it.
I loved this film. I took my son whose 10 to see this as well and he really liked it as well. Interesting the combination of stop motion animation and hand drawn animation and water color painting is just remarkable in this interesting combination. It story of daVinci in his final days is inspiring and touching and also sending a message to kids don't be afraid to think for yourself and stand up for what you believe in. We need more material for kids like this and let them know it's ok to be who you are. Too bad this will probably get lost in the shuffle of other movies and it's a very small production company thst put it out. Highly recommend for a thought provoking non cgi kid film.
Leonardo da Vinci was one of the most fascinating men who ever lived, but this film fails to do him justice.
Quirkily animated (part puppetry, part cartoon) it centres on the last years of da Vinci's life, when he joined the court of the French King Francis I. His most famous paintings (the Mona Lisa and the Last Supper) are referenced, as are his plans for eccentric machines of war, but we see nothing of their creation.
Instead, the film concentrates on da Vinci's plan for an ideal city (which never got beyond the planning stage) and preparations for an important royal summit.
The latter is presumably meant to be the Field of Cloth of Gold, at which Francis and Henry VIII of England tried to out-do each other in ostentation. For some reason, a third potentate is added - the Holy Roman Emperor Charles V, who was not present. Worse, the film ignores the fact that da Vinci had died the previous year.
There's much to like here. The voice performances are excellent, especially Stephen Fry as da Vinci; and there's a decent amount of humour amidst the philosophising.
Unfortunately, however, the film can't quite make up its mind what it's trying to do. This may be because of the extraordinary number of production companies involved in making it, resulting in a hodge-podge of compromises from a dysfunctional committee.
An interesting film, but ultimately a disappointing one.
Quirkily animated (part puppetry, part cartoon) it centres on the last years of da Vinci's life, when he joined the court of the French King Francis I. His most famous paintings (the Mona Lisa and the Last Supper) are referenced, as are his plans for eccentric machines of war, but we see nothing of their creation.
Instead, the film concentrates on da Vinci's plan for an ideal city (which never got beyond the planning stage) and preparations for an important royal summit.
The latter is presumably meant to be the Field of Cloth of Gold, at which Francis and Henry VIII of England tried to out-do each other in ostentation. For some reason, a third potentate is added - the Holy Roman Emperor Charles V, who was not present. Worse, the film ignores the fact that da Vinci had died the previous year.
There's much to like here. The voice performances are excellent, especially Stephen Fry as da Vinci; and there's a decent amount of humour amidst the philosophising.
Unfortunately, however, the film can't quite make up its mind what it's trying to do. This may be because of the extraordinary number of production companies involved in making it, resulting in a hodge-podge of compromises from a dysfunctional committee.
An interesting film, but ultimately a disappointing one.
**Review: "The Inventor" - A Visual Symphony of Art and Life**
The magic of cinema takes various shapes and forms, but few as mesmerizing as "The Inventor". The film is not only a love letter to Leonardo da Vinci's later years but also a masterpiece that combines the intricate art of stop motion animation with an emotionally captivating narrative.
From the moment the movie begins, the audience is transported into a breathtakingly crafted world that is not only aesthetically awe-inspiring but also teeming with intricate details. Jim Capobianco, an Academy Award nominee, showcases his prowess by weaving a tapestry of rich, historical narrative that marries fact with fiction, transporting viewers directly to da Vinci's side as he navigates the courts of France, searching for life's meaning.
Da Vinci, voiced by the inimitable Stephen Fry, is portrayed with such depth and gravitas that one could almost forget that they are listening to a voice and not actually sitting across from the genius himself. Fry's performance is both nuanced and powerful, infusing the film with an emotional anchor that draws the audience into Leonardo's world of innovation and introspection.
Marion Cotillard, an Oscar winner, lends her voice to a character that complements and contrasts with da Vinci in a beautiful dance of words and emotions. Daisy Ridley and Matt Berry also shine in their respective roles, adding layers of complexity to this rich tapestry of characters.
But the heart of the film lies in its visuals. Stop motion animation has long been an avenue for cinematic magic, but "The Inventor" elevates it to a new level. Each frame is a testament to countless hours of meticulous work, creating a fluidity of motion that is so lifelike it's staggering. The film's palette, drenched in the warm hues of the Renaissance, only serves to further its beauty, making each scene a work of art in and of itself.
What's even more surprising is how accessible this seemingly adult-centric narrative is for younger audiences. My 8-year-old daughter was completely captivated by it, her eyes glued to the screen from start to finish. While I initially thought the subject might be a tad mature for her, the film seamlessly balances its complex themes with moments of levity and wonder, making it universally engaging.
The underlying theme of the movie - the search for life's meaning - is one that resonates deeply. As Leonardo tinkers with flying contraptions, immerses himself in studies of the human body, and crafts machines that were far ahead of his time, we are left pondering our own journeys and our pursuits of purpose. The film doesn't just tell da Vinci's story; it challenges us to look inward and ask ourselves about our own passions and our quest for understanding.
Moreover, the film's sound design and score cannot be ignored. The intricate layers of ambient sounds, from the rustling of papers to the distant chatter of courtiers, envelop you in a soundscape that's as detailed as the visuals. The score, sweeping and evocative, only adds another layer of depth to this masterpiece.
In conclusion, "The Inventor" is not just a movie; it's an experience. It captures the essence of a man who was centuries ahead of his time, and it does so with grace, beauty, and heart. This is one of those rare films that not only entertains but also educates and inspires. Though it might not resonate with everyone in the same way, it was undeniably a pinnacle of entertainment for me. I'd watch it again and again, relishing in its details, pondering its questions, and simply basking in its visual splendor. Jim Capobianco's "The Inventor" is, without doubt, a cinematic triumph.
The magic of cinema takes various shapes and forms, but few as mesmerizing as "The Inventor". The film is not only a love letter to Leonardo da Vinci's later years but also a masterpiece that combines the intricate art of stop motion animation with an emotionally captivating narrative.
From the moment the movie begins, the audience is transported into a breathtakingly crafted world that is not only aesthetically awe-inspiring but also teeming with intricate details. Jim Capobianco, an Academy Award nominee, showcases his prowess by weaving a tapestry of rich, historical narrative that marries fact with fiction, transporting viewers directly to da Vinci's side as he navigates the courts of France, searching for life's meaning.
Da Vinci, voiced by the inimitable Stephen Fry, is portrayed with such depth and gravitas that one could almost forget that they are listening to a voice and not actually sitting across from the genius himself. Fry's performance is both nuanced and powerful, infusing the film with an emotional anchor that draws the audience into Leonardo's world of innovation and introspection.
Marion Cotillard, an Oscar winner, lends her voice to a character that complements and contrasts with da Vinci in a beautiful dance of words and emotions. Daisy Ridley and Matt Berry also shine in their respective roles, adding layers of complexity to this rich tapestry of characters.
But the heart of the film lies in its visuals. Stop motion animation has long been an avenue for cinematic magic, but "The Inventor" elevates it to a new level. Each frame is a testament to countless hours of meticulous work, creating a fluidity of motion that is so lifelike it's staggering. The film's palette, drenched in the warm hues of the Renaissance, only serves to further its beauty, making each scene a work of art in and of itself.
What's even more surprising is how accessible this seemingly adult-centric narrative is for younger audiences. My 8-year-old daughter was completely captivated by it, her eyes glued to the screen from start to finish. While I initially thought the subject might be a tad mature for her, the film seamlessly balances its complex themes with moments of levity and wonder, making it universally engaging.
The underlying theme of the movie - the search for life's meaning - is one that resonates deeply. As Leonardo tinkers with flying contraptions, immerses himself in studies of the human body, and crafts machines that were far ahead of his time, we are left pondering our own journeys and our pursuits of purpose. The film doesn't just tell da Vinci's story; it challenges us to look inward and ask ourselves about our own passions and our quest for understanding.
Moreover, the film's sound design and score cannot be ignored. The intricate layers of ambient sounds, from the rustling of papers to the distant chatter of courtiers, envelop you in a soundscape that's as detailed as the visuals. The score, sweeping and evocative, only adds another layer of depth to this masterpiece.
In conclusion, "The Inventor" is not just a movie; it's an experience. It captures the essence of a man who was centuries ahead of his time, and it does so with grace, beauty, and heart. This is one of those rare films that not only entertains but also educates and inspires. Though it might not resonate with everyone in the same way, it was undeniably a pinnacle of entertainment for me. I'd watch it again and again, relishing in its details, pondering its questions, and simply basking in its visual splendor. Jim Capobianco's "The Inventor" is, without doubt, a cinematic triumph.
Did you know
- TriviaMarion Cotillard voiced Louise of Savoy in both the English and the French version of the film.
- GoofsMichaelangelo is shown painting the ceiling of the Sistine Chapel under the patronage of Pope Leo X.
Michaelangelo was actually commissioned by the previous Pope, Julius II, and had completed the work a year before Leo X was elected.
- How long is The Inventor?Powered by Alexa
Details
Box office
- Budget
- €10,000,000 (estimated)
- Gross US & Canada
- $306,385
- Opening weekend US & Canada
- $190,031
- Sep 17, 2023
- Gross worldwide
- $2,061,835
- Runtime
- 1h 40m(100 min)
- Color
- Aspect ratio
- 1.85 : 1
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