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IMDbPro

Running with the Devil

  • 2019
  • Accord parental
  • 1h 40m
IMDb RATING
5.4/10
11K
YOUR RATING
Nicolas Cage and Laurence Fishburne in Running with the Devil (2019)
When a cocaine shipment is compromised to the dismay of a drug cartel's CEO, known simply as The Boss, he orders his most trusted henchman, The Cook, and his partner, another master drug trafficker known as The Man, on a dangerous journey to audit the company's supply chain. As the drugs make their perilous trek across international borders, past gangsters, refiners, and couriers, they are also being tracked by Federal Agents. When The Cook realizes where the network is breaking down, it may be too late to keep the cartel satisfied.
Play trailer1:46
2 Videos
48 Photos
Drug CrimeCrimeDramaThriller

The CEO of an international conglomerate sends two of his most regarded executives to investigate why shipments of cocaine are being hijacked and over cut somewhere on the supply chain.The CEO of an international conglomerate sends two of his most regarded executives to investigate why shipments of cocaine are being hijacked and over cut somewhere on the supply chain.The CEO of an international conglomerate sends two of his most regarded executives to investigate why shipments of cocaine are being hijacked and over cut somewhere on the supply chain.

  • Director
    • Jason Cabell
  • Writer
    • Jason Cabell
  • Stars
    • Nicolas Cage
    • Laurence Fishburne
    • Leslie Bibb
  • See production info at IMDbPro
  • IMDb RATING
    5.4/10
    11K
    YOUR RATING
    • Director
      • Jason Cabell
    • Writer
      • Jason Cabell
    • Stars
      • Nicolas Cage
      • Laurence Fishburne
      • Leslie Bibb
    • 147User reviews
    • 41Critic reviews
    • 42Metascore
  • See production info at IMDbPro
  • Videos2

    Official Trailer
    Trailer 1:46
    Official Trailer
    Running with the Devil
    Trailer 1:46
    Running with the Devil
    Running with the Devil
    Trailer 1:46
    Running with the Devil

    Photos48

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    Top cast70

    Edit
    Nicolas Cage
    Nicolas Cage
    • The Cook
    Laurence Fishburne
    Laurence Fishburne
    • The Man
    Leslie Bibb
    Leslie Bibb
    • Agent in Charge
    Cole Hauser
    Cole Hauser
    • The Executioner
    Adam Goldberg
    Adam Goldberg
    • The Snitch
    Peter Facinelli
    Peter Facinelli
    • Number One
    Barry Pepper
    Barry Pepper
    • The Boss
    J.T. Holmes
    J.T. Holmes
    • Border Jumper
    • (as JT Holmes)
    Marie Wagenman
    Marie Wagenman
    • The Child
    Tait Fletcher
    Tait Fletcher
    • The Collector
    Damacio Page
    • Homie
    Luce Rains
    Luce Rains
    • The Keeper
    Ellen Humphreys
    Ellen Humphreys
    • The Undercover
    David Priemazon
    • Patrol Man
    Lonnie Lane
    Lonnie Lane
    • Bus Driver
    Sarah Minnich
    Sarah Minnich
    • The Cook's Wife
    Richard Barner
    Richard Barner
    • Pilot
    • (as Rich Barner)
    Mona Malec
    Mona Malec
    • Cop # 1
    • (as Mona Lisa Malec)
    • Director
      • Jason Cabell
    • Writer
      • Jason Cabell
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews147

    5.411.1K
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    Featured reviews

    5danieledwards-87201

    Tried, tired and tested failed narrative on "The War on Drugs" movie...

    Tried, tired and tested failed narrative on "The War on Drugs" movie. The failure to see the thing you're setting out to "have a war on" as being the thing that makes it worse, while you're apparent goal is prevention...

    The biggest problem being, your mentality that presented a problem that justified a war is one of delusion. That problem won't go away until you see and accept that delusion for what it truly is and so you'll keep on perpetuating that problem until you do, as it's one if your creation by demanding society needs to be edited as though society can't make their minds up themselves but needs a Big Brother to whip them into submission!

    It's one which has it's epicentre, upon control. That control is to target society in a mechanism to supply and police, creating a perpetual game of cat and mouse, where as a problem you're fuling by your war, you can justify the advancement of control. Just like Terrorism...

    When you're behind this system, such a chase is a very desirable one. So you inflict it and keep a society docile to this reality. To keep a society bamboozled by this game, is equally desirable. By this method, they will either conform or be policed! They're either agaisnt the Terrorism or a Terrorist Sympathiser. Everything becomes polarised by a reality we are trying to beat into submission as though those behind this system know better and can present their argument within the makeup of many movies as they do.

    George Orwell would be proud of this inverted concept we can see depicted via this movie. This is done well, maybe this movie can help present this. It all depends on the perception of those watching the movie as it isn't forced this wa, it takes an analytical view on what the movie is actually presenting. It's this which may leave some inevitably numb as though some lack of direction or concept was lost on the movie, while it inevitably does point within a certain direction it desires you to believe without giving you any clarity or pushing really hard on what that direction is without analysis. It uses a light touch to push that same old narrative as though you'll collectively perceive that desired perception via the prior political conditioning of society and so it needs no heavy introduction.

    While leaving the idea that the good guys won? Or is it actually the Devil himself? Whom keeps up the supply to justify the policing?

    It's within this lose candid method the movie is put together some may find lacking of narrative. As the movie is edited together in a way to present a string of events without much deep underlying context within some respect, where the point of the movie, beginning to end maybe lost upon them due to the movie not delivering because it demands them to think for themselves, while also being a morality tale that those whom watch the movie may not necessarily agree with. They may not see the Duality of the characters. There's not much development of many characters, this is very weak and so you can't really feel them from their point of view.

    This being why you could feel more negatively towards this movie. You can't feel an individual side you're compelled to support and so the outcome may leave some feeling uncomfortable or nonplussed, but it also can leave one believing the War on Drugs is a good one, we just need to do more if they accept the movie at face value and where it inevitably takes us. It's the pushing of this failed narrative as though it's one which is justified, which makes the movie for me disappointing.

    It really doesn't test the acting of all those involved whom have almost certainly been in better movies than this. It's almost as if many of the actors took part within this film under a contractual obligation to be within another movie they would much rather be apart of, while going along with this movie to continue the push upon this same old political narrative, that we may as well be hearing the echo chamber of "build that wall" as the movie ended, while we didn't actually hear them. It's this theme throughout the movie that we can feel a desire to be swayed in our thinking without actually hearing that message, its desired that we contrive to think and feel a certain way that I suspect many people just don't want to buy into nor accept anymore.

    It would be far less compelling to create a movie about the mass of "Cocaine In America" as delivered by the "CIA" and not the cut outs within the drugs trade as it may otherwise appear, much as cut outs within the Terrorist trade. That would give the game away. It would mean they couldn't get away with doing what undoubtedly is done by the use of both the War on Drugs or Terrorism and this movie had a chance to deliver this to an audience but failed to deliver by the way it was presented, leaving blanks for speculation where some may not speculate at all but just think and feel the movie stinks...

    So we have this respinning to push - ironically as this ideology is more dangerous than any drug - the same old narrative of the failed War on Drugs used to target, threaten and police society as much as a War on Terrorism. The Intelligence Apparatus would love to combine the two I'm sure. It fell short of successful delivering the what it otherwise actually may have originally set out to deliver. It's as though it may have been designed to deliver this message, but some influential people forced the hand of some one to edit out parts of the movie they don't want in it. While readjusting the movie back around an acceptable political narrative other than the original message that may have otherwise been desired by the creation of this movie...

    It leaves a stale taste and that maybe designed to be directed towards fuling the continuation of this War on Drugs or it maybe this way for me because I believe the Devil has pulled the wool over the eyes of many and remained Triumphant at the end of the movie...

    It's worth a watch for sure but it won't be something I'd rush to watch again unless it receives an extended edition, with parts that had previously been cut out from this movie reintroduced that hasn't been edited via the censorship office - Ministry of Truth - as acceptable via dictionaries dictated via the principles of Newspeak.
    6parryglenn

    It's fine, but not complelling

    I enjoyed this, but it's not amazing. One of those films that fills the time. Good enough story. Well acted and produced but it's not amazing. It's kind of by the numbers as even I could predict a lot of it and I'm not great at that - I never know who the murderer is on Death in Paradise. However, this film has Cage and Fishburne and is all the better for them. They keep things ticking along nicely. Drug running across Americas with expected murders and police alongside the bosses and general corruption. I liked that they updated the price of the drugs as they moved through the supply chain. Good with a beer or on a quiet afternoon. You'll need some snacks too.
    5Eightiesboy

    Bearable, just about

    Caught this whilst browsing through Netflix.

    I can never resist a Nic Cage flick.

    Watchable, but pretty dire. The only interesting thing about it, is seeing how cocaine gets to the west from source and to be honest, that was a total mish-mash of clips and scenes and you don't really learn much from it.

    The ending will leave you totally underwhelmed.

    Love Nic Cage though!
    6mjsreg

    Quite good

    This movie may not win any awards, but it is a solidly put together.

    The story is interesting and different from the usual kind of 'narco' or 'cartel' type movie.

    The acting by all of the cast is superb, with strong believable characters, and the production is good.

    This isn't a kind of action everyone goes nuts kind of film - which is a good thing for this story.

    Worth watching.
    7SimonSaysSmallScreen

    A GOOD Cage film!

    This is far better than you might expect from an under-the-radar Nicolas Cage film. The dialogue is very good and delivered honestly by a very competent cast. The story is believable (except for the bit about flying and skydiving, where they could have used a consultant). The editing made it concise and effective. There is a raw, unadorned feeling to the whole production. The arc finished the tale off in a very satisfying way without giving me time to check my watch. This is a successful film and one to be proud of. And, it shows that with good quality material, Cage is a very likable, convincing actor. I'm happy to see him in a film like this, for a change.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Nicolas Cage and Laurence Fishburne were in Rusty James (1983) and Cotton Club (1984) directed by Francis Ford Coppola.
    • Goofs
      Nicolas Cage's name is misspelled as "Nicholas Cage" in the credits.
    • Quotes

      The Cook: You have gambled. You have lost. It's over.

    • Connections
      Referenced in Diminishing Returns Diminisodes: Sol's Lists #3: Nicolas Cage Films, Ranked (2020)
    • Soundtracks
      Amor Del Sol
      Written by Kenny Moron (as Kenny Ray Morón) & Genesis Delgado (as Genesis Delgado-Salinas)

      Courtesy of APM Music

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    FAQ

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    Details

    Edit
    • Release date
      • May 6, 2020 (France)
    • Countries of origin
      • Colombia
      • United States
    • Official site
      • Patriot Pictures (United States)
    • Languages
      • English
      • Spanish
    • Also known as
      • La Traque du diable
    • Filming locations
      • Albuquerque, New Mexico, USA(Filming locations)
    • Production companies
      • Patriot Pictures
      • Redbox Entertainment
      • Saturn Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross worldwide
      • $111,218
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 40 minutes
    • Color
      • Color
    • Aspect ratio
      • 2.39:1

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