Gemini

Jill LeBeau (Lola Kirke) handles everything for movie star Heather Anderson (Zoë Kravitz) as her assistant. Heather feels unsafe and borrows Jill's gun. One day, Jill finds Heather killed with the gun beside her. Police detective Edward Ahn (John Cho) investigates and Jill becomes the prime suspect.

Lola Kirke is a little flat. The premise requires high-tension and dire paranoia. The suspects aren't laid out too well. Other than the paparazzi and the fan, I don't know who are the other characters. It does have a nice style with the noirish L.A. landscape. It's also problematic to not have the full forensic understanding of the crime scene. Ahn lays down selected evidences but it doesn't seem like a full picture. I just figured it'd be a good time to ask for a lawyer. I do really like the twist but the tension is almost drained out of the situation pretty quickly. This seems to be driving on a certain level and never gets on a higher gear.

Always down for a neo-noir, and I won't lie, the poster and the cast definitely got me. Gemini has an obvious David Lynch influence and maintains its dreamlike, ominous vibe for about two thirds of the movie, which is when -- rather sadly -- it turns into an absolute and utter trainwreck. Maybe a few more weeks in the development room would have birthed a more satisfying (believable? creative? original?) ending, but I guess there's no point lamenting that. I won't tell you not to watch it, but I also won't tell you to watch it.

Begins hopeful, with the prospects of being a fresh movie, fresh idea and script. But as stated by other reviews the quality and the 'pace' of the story quickly decline. It feels like they tried to give off some kind of Mullholland Drive vibe, but halfway decided to open the 'box of lame'.

Felt promising, but turned out to be not as good initially anticipated. Worth the watch though (if you have a spare hour and a half).

Starts off pretty cool but the ending was unsatisfying. the score wasn't bad at all, pretty soothing

Gemini starts strong. The set-up, if you will, is well done. Tension slowly builds and the event, the "heinous crime," happens as expected. The assistant/friend of the celebrity is under suspicion, as expected. There are some tense moments when questions are asked, and the assistant takes off to find her own answers. After this point, nothing that happens comes as a surprise, or adds to the film. In the end, it's not clear what the movie is trying to say. If it is saying the things that one thinks it is, then it's way too subtle. The events present an opportunity for the assistant to take charge, to have the upper hand, but she doesn't seem to? Not clear. At some point we're to think that the celebrity is a bit evil, manipulating everyone around her, but then again, maybe not. Back and forth, the film left us with a "meh, not sure what that was trying to say." There were also some scenes that did not really serve a purpose, or the same purpose could have been fulfilled in a better way (the meeting with Jaime, for example, or the coffee scene with the detective and Stan).