IMDb RATING
6.3/10
970
YOUR RATING
Sarah's cooking for a new catering business and Jason downstairs complains about the noise. However, Jason needs a date for his brother's wedding as his sisters have found him a future wife ... Read allSarah's cooking for a new catering business and Jason downstairs complains about the noise. However, Jason needs a date for his brother's wedding as his sisters have found him a future wife and Sarah needs to promote business. Solution?Sarah's cooking for a new catering business and Jason downstairs complains about the noise. However, Jason needs a date for his brother's wedding as his sisters have found him a future wife and Sarah needs to promote business. Solution?
Gregory Nalbandian
- Construction Worker
- (uncredited)
Harrison Seeley
- Party Guest
- (uncredited)
Featured reviews
First - let me say that this WAS a cute movie, but could have been SO MUCH MORE.
The title is a little misleading. The only thing about the 'sisters of the groom' is that they play matchmakers. The more prominent sisters are Sarah and Molly.
The story is more about the brother of the groom and his need for a date(because of his matchmaking sisters); there is a small storyline for one sister that just seems forced in - for really no reason. And why show what is going on in her life but not in the other sister's?
Like I said - it was cute (and it is ALWAYS nice to see Greg Evigan!!).
THis Pixl rom com is similar to the usual Hallmark rom com but different in a few ways. Weddings and caterings are familiar themes. The difference is there seem to be several parallel romances that confuse a little. The cast is quite attractive and watchable. Malese Jow of Vampire Diaries and Savannah Jayde look like they could be sisters. Good casting choice.
OK for one watch.
OK for one watch.
7.6 stars.
I must start by acknowledging that this film offers a profoundly moving story, and thus, I recommend it. However, viewers may need to persevere through the initial hour, as it can be somewhat perplexing at times.
Parts of the script are marred by glaring errors. Firstly, we encounter a wealthy executive who resides in the same apartment complex as the main female character, yet his affluent status contradicts his supposed lifestyle. Additionally, the female protagonist's occupation is ambiguous, veering from part-time catering to globe-trotting and food critique, leading to confusion regarding the film's premise. Furthermore, inconsistencies abound, with the lead male's brother (who has an upcoming wedding) initially portrayed as older only to be revealed as the younger sibling minutes later, contributing to a disjointed narrative. I was becoming uneasy with the writing at this point, even though the story was satisfying and somewhat entertaining.
Despite these shortcomings, the supporting characters, particularly the lead female's sister, add depth and charisma to the storyline, warranting more screen time. While the music, acting, and cinematography showcase proficiency, the erratic scenes and perplexing moments detract from the overall experience. Moreover, the introduction of what seems to be unfamiliar characters midway through the film disrupts coherence, leaving audiences bewildered about their relevance. But we soon find out they only appear unfamiliar due to a lack of foundation and logical character development.
In essence, for the first half of the movie, while it boasts commendable elements, its faltering script and narrative missteps undermine its potential for a truly engaging viewing experience. In my opinion, there are too many players on the field, or in more generic terminology, too many kids in the sandbox. There is not enough runtime to include this many characters and three smaller plots that are stealing time from the main story. I say, stick with the female lead's sister and her ex-boyfriend storyline and focus a few extra minutes on them, and delete the other sibling stories altogether and this movie becomes more than moderately satisfying.
However, the final 30 minutes of the film deliver an emotional punch, evoking tears and heartfelt moments that tie everything together, culminating in a satisfying conclusion.
I must start by acknowledging that this film offers a profoundly moving story, and thus, I recommend it. However, viewers may need to persevere through the initial hour, as it can be somewhat perplexing at times.
Parts of the script are marred by glaring errors. Firstly, we encounter a wealthy executive who resides in the same apartment complex as the main female character, yet his affluent status contradicts his supposed lifestyle. Additionally, the female protagonist's occupation is ambiguous, veering from part-time catering to globe-trotting and food critique, leading to confusion regarding the film's premise. Furthermore, inconsistencies abound, with the lead male's brother (who has an upcoming wedding) initially portrayed as older only to be revealed as the younger sibling minutes later, contributing to a disjointed narrative. I was becoming uneasy with the writing at this point, even though the story was satisfying and somewhat entertaining.
Despite these shortcomings, the supporting characters, particularly the lead female's sister, add depth and charisma to the storyline, warranting more screen time. While the music, acting, and cinematography showcase proficiency, the erratic scenes and perplexing moments detract from the overall experience. Moreover, the introduction of what seems to be unfamiliar characters midway through the film disrupts coherence, leaving audiences bewildered about their relevance. But we soon find out they only appear unfamiliar due to a lack of foundation and logical character development.
In essence, for the first half of the movie, while it boasts commendable elements, its faltering script and narrative missteps undermine its potential for a truly engaging viewing experience. In my opinion, there are too many players on the field, or in more generic terminology, too many kids in the sandbox. There is not enough runtime to include this many characters and three smaller plots that are stealing time from the main story. I say, stick with the female lead's sister and her ex-boyfriend storyline and focus a few extra minutes on them, and delete the other sibling stories altogether and this movie becomes more than moderately satisfying.
However, the final 30 minutes of the film deliver an emotional punch, evoking tears and heartfelt moments that tie everything together, culminating in a satisfying conclusion.
The central story of Sarah and Jason is cute, and well done to the extent there was room for it. Trouble is there is a lot else going on from Jason and his dad, to Molly and her ex along with the couple arguing over adopting a baby. Along with all the story threads, there are a lot characters to keep track of. The movie jumps around a lot with a lot of very short scenes.
Sarah is easy going and likeable. The rival story thread with Cassie annoyed me since she seemed more intent on being mean to Sarah than in winning Jason. The sisters unintentionally enabled her plotting. If you like mean girls, Cassie is up your alley.
Jeremy Sumpter and Melise have chemistry. The story settles down a little in the second half. It develops some believable tension between Sarah and Jason.
Sarah is easy going and likeable. The rival story thread with Cassie annoyed me since she seemed more intent on being mean to Sarah than in winning Jason. The sisters unintentionally enabled her plotting. If you like mean girls, Cassie is up your alley.
Jeremy Sumpter and Melise have chemistry. The story settles down a little in the second half. It develops some believable tension between Sarah and Jason.
A nice, cozy ROM-COM classic that checks all the boxes when it comes to the Hallmark movie expectations, although the background music was a real mood killer for me since it was super loud, intense and not fitting the scenes AT ALL...
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- TriviaTime difference between Bulgaria and California is 10 hours.
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By what name was Cherche fiancée pour une semaine (2017) officially released in Canada in English?
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