A traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what... Read allA traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what could be his death trip or his awakening.A traumatized veteran unafraid of violence tracks down missing girls for a living. When a job spins out of control, Joe's nightmares overtake him as a conspiracy is uncovered leading to what could be his death trip or his awakening.
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- Nominated for 1 BAFTA Award
- 24 wins & 78 nominations total
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Featured reviews
'You Were Never Really Here' compelled me to watch it from the start. The fact that people were describing it as an unconventional thriller interested me, there are not many of those these days (speaking as a fan of thrillers), and then you have an extremely talented actor in Joaquin Phoenix in the lead role. The positive word of mouth and cool advertising added further to the promise.
Seeing it, 'You Were Never Really Here' came over as very good and very impressive. Can totally understand why it is divisive here and it is not surprising that some were alienated by it and not used to a thriller being done differently. It's hardly the first or only divisive film from 2018 so far, 'A Quiet Place' and 'Hereditary' were very different horrors that were critically acclaimed but polarising with audiences, personally loved both, especially 'A Quiet Place'. For me, that it was unconventional was a large part of why 'You Were Never Really Here' worked as well as it did. It is not quite a masterpiece and it just falls short of being one of my very favourite films of the year (though it is still towards the top).
It is not perfect. 'You Were Never Really Here' does have moments where the story could have done with more clarity, the vagueness did cause a little confusion at times.
Would have liked much more development to the supporting characters, while the protagonist is splendidly drawn the rest are sketchy.
However, there is so much to like about 'You Were Never Really Here'. The production values are extremely stylish with some very creative shots and film techniques, the rescue is particularly gritty and purposefully grainy in a security camera way. The minimal dialogue was a good choice, it let the atmosphere fully sear and the uncompromising brutality and unsettlement ensures plenty of deliberately slow-burning tension which helps make the story absorbing.
Lynne Ramsay directs cleverly, with a keen eye for visual style, letting the atmosphere speak for itself and never letting the deliberate pacing to become dull or self-indulgent. That's personal opinion, just to make that clear to anybody who will vehemently disagree. 'You Were Never Really Here' is successful in avoiding clichés and having the action scenes brief, not frequent and mostly off-screen provided to be a bold and good move. Joaquin Phoenix is excellent in the lead role, the intensity dripping off him at every turn. The rest of the cast do well but not to the same level of Phoenix, but only because he is something else.
Altogether, very good but so many great things. With better fleshed out characters and more clarity in some of the plotting, it would have been even better. 8/10 Bethany Cox
Seeing it, 'You Were Never Really Here' came over as very good and very impressive. Can totally understand why it is divisive here and it is not surprising that some were alienated by it and not used to a thriller being done differently. It's hardly the first or only divisive film from 2018 so far, 'A Quiet Place' and 'Hereditary' were very different horrors that were critically acclaimed but polarising with audiences, personally loved both, especially 'A Quiet Place'. For me, that it was unconventional was a large part of why 'You Were Never Really Here' worked as well as it did. It is not quite a masterpiece and it just falls short of being one of my very favourite films of the year (though it is still towards the top).
It is not perfect. 'You Were Never Really Here' does have moments where the story could have done with more clarity, the vagueness did cause a little confusion at times.
Would have liked much more development to the supporting characters, while the protagonist is splendidly drawn the rest are sketchy.
However, there is so much to like about 'You Were Never Really Here'. The production values are extremely stylish with some very creative shots and film techniques, the rescue is particularly gritty and purposefully grainy in a security camera way. The minimal dialogue was a good choice, it let the atmosphere fully sear and the uncompromising brutality and unsettlement ensures plenty of deliberately slow-burning tension which helps make the story absorbing.
Lynne Ramsay directs cleverly, with a keen eye for visual style, letting the atmosphere speak for itself and never letting the deliberate pacing to become dull or self-indulgent. That's personal opinion, just to make that clear to anybody who will vehemently disagree. 'You Were Never Really Here' is successful in avoiding clichés and having the action scenes brief, not frequent and mostly off-screen provided to be a bold and good move. Joaquin Phoenix is excellent in the lead role, the intensity dripping off him at every turn. The rest of the cast do well but not to the same level of Phoenix, but only because he is something else.
Altogether, very good but so many great things. With better fleshed out characters and more clarity in some of the plotting, it would have been even better. 8/10 Bethany Cox
I think Joaquin Phoenix has only gotten better over the years. I mean his Oscar for Joker was no accident and I thought it was well deserved. To me he's one of those actors that once he's played a part, I could imagine no one else in the role...Freddie Quell in PT Anderson's "The Master" was just brilliant and I don't think anyone could have matched PS Hoffman in that film the same way. In this film he's the hero, but not like we're used to seeing heroes portrayed in most played-out vengeance movies with bodies that took 12 months prior to filming to sculpt, or Special Forces Navy SEaL backgrounds. Instead his background represents trauma, pain and regret, which has been the subject of films many times before, but the lack of flashiness works in this movie because I think it makes his role more believable and realistic. Which when you add the acting, I don't think anyone could have played it better than Phoenix.
Probably the strangest movie I've seen in a while... It's hard to describe the feeling you get when you finish this film. The best way I can say is; there could have been more. It kind of ends on a bittersweet note, and it will piss off some, that is for sure. Overall though, it does a good job of showing how a traumatized man views the world. One word that sums up this movie would be PTSD. The film essentially is a PTSD fest. Throughout it's 1h30 runtime you aren't sure if what you're seeing is actually happening for real.
Joe (Joaquin Phoenix) is troubled living in New York City caring for his elderly mother and asphyxiating himself for comfort from a troubling past. He is hired to recover State Senator Albert Votto's runaway young daughter Nina from an underaged girls brothel. He buys a hammer and smashes his way through his crusade. He saves Nina but are confronted by murderous corrupt cops. It's the tip of a dangerous conspiracy leading all the way to the governor's mansion.
The first thirty minutes is a bit rough. It's an artsy meandering slow disjointed slice of life into Joe. I get it but it could be clearer. It does give a feel for the guy. It would be great to have a more complete flashback to his military or policing days instead of short flashes of everything. Once he gets hammering, the movie goes like a freight train with Joaquin driving hard. He delivers a great performance as usual. There is a shock ending which I don't like. Indies like to punctuate the end of their movies with a gunshot. It's a bit cheap and feels amateurish. Overall, there are some great work with a few flaws.
The first thirty minutes is a bit rough. It's an artsy meandering slow disjointed slice of life into Joe. I get it but it could be clearer. It does give a feel for the guy. It would be great to have a more complete flashback to his military or policing days instead of short flashes of everything. Once he gets hammering, the movie goes like a freight train with Joaquin driving hard. He delivers a great performance as usual. There is a shock ending which I don't like. Indies like to punctuate the end of their movies with a gunshot. It's a bit cheap and feels amateurish. Overall, there are some great work with a few flaws.
I'm a huge fan of art films. This film is definitely inspired by taxi driver and that's one of the reasons why it caught my attention as I love that movie, but this film is a huge let down. It's not good. The acting is 10/10, the cinematography and camerawork is 10/10, but the plot is horrible and boring. Take blade runner 2049's slow (but awesome) pacing and slow it down, throw in an uninteresting predictable repetitive recycled plot we've seen a billion times which could have been told within 20 minutes, give the main character psychological traumatic issues and show us random crap that's going on in his mind, and you have this movie. It brings nothing new to the table and is done in a way that simply bores you. I love dramas, I know this movie is one, an art drama film, but there Wonder, no suspense, no clever conversations, no anything really. I felt like I was watching a long video demonstrating Joaquin Phoenix's phenomenal acting.
In a nutshell this film is a drama with your typical basic story line with phenomenal acting that you will forget within a couple of days. I can only recommend it if love movies with beautiful cinematography and are a huge fan of Joaquin Phoenix, but if you're looking for an original unforgettable drama, a crime revenge film, or whatever else you were expecting, I recommend staying away from this.
In a nutshell this film is a drama with your typical basic story line with phenomenal acting that you will forget within a couple of days. I can only recommend it if love movies with beautiful cinematography and are a huge fan of Joaquin Phoenix, but if you're looking for an original unforgettable drama, a crime revenge film, or whatever else you were expecting, I recommend staying away from this.
Did you know
- TriviaAccording to the director Lynne Ramsay, the scene where Joaquin Phoenix's character lies down on the floor next to the agent and begins singing was improvised by Phoenix.
- GoofsScott gives the security code as 4392, but the first number we see Joe punching is on the upper right of the keypad.
- Crazy creditsThe indistinct conversation from the diner continues through the end credits, even when the music changes.
- ConnectionsFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Nunca estarás a salvo
- Filming locations
- Astoria, Queens, New York City, New York, USA(Elevated subway platform)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $2,500,000 (estimated)
- Gross US & Canada
- $2,528,078
- Opening weekend US & Canada
- $132,829
- Apr 8, 2018
- Gross worldwide
- $9,360,514
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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