Uncut Gems

The pacing here is impressive. I felt like I was running through this entire movie and felt similarly about Good Time, another effort by the Safdie brothers. I still followed the story, though, and I think making a story more or less easy to follow is a hard line for writers to walk. Uncut Gems is frantic but coherent, and it walks this line perfectly.

It follows a really sleazy jeweler, masterfully played by Adam Sandler, as he upsets other people. I was shocked that Sandler was capable of this. I really couldn't take my eyes off of him.

The camera work, lighting, music, and other elements all work in service of the frantic plot. This is the most anxious thriller I've ever seen; in one word, it is FAST.

All reviews here are correct. The good ones and the bad ones. This movie is a mess and you can like it or hate. My wife hated it, I liked it very much.

Wow, what a ride. This wasn't the unbearable anxiety-fest that some are claiming, but it sure does invoke a lot of uneasiness throughout. The Safdie Brothers take you on a mesmerizing journey in the life of a gambling-addicted man in the Diamond District. Hopefully this puts to bed the idea that Adam Sandler isn't a good actor. He displays his incredible versatility and gives the performance of his career. I really loved the synth score used throughout and it greatly heightens the intensity at key moments. Uncut Gems is a shocking and stressful tour de force that is worthy of the praise heaped upon it.

Personally, I find the more a film affects my feelings and emotions, the better(no matter the emotion). From Tobe Hooper's "Texas Chainsaw Massacre", to "Free Solo", or even "August Osage County"; films aren't simply bad because they make you uncomfortable. One could argue; the more uncomfortable, the more effective. This is the case with Josh and Benny Safdie's "Uncut Gems".

Adam Sandler's comedies are hit and miss for me. Some are genuinely funny, some are not, but "Uncut Gems" just edged-out P. T. Anderson's "Punch Drunk Love" as my favorite film from this seemingly unrecognized serious actor. The Academy's omission of any nomination (especially for Sandler) is inexcusable. The film currently parks-itself behind "Parasite" as the second best film I have seen from 2019(36 films through an 84-film watchlist).

Sandler plays Howard Ratner, a Jewish Jewell Dealer mired in a world of debt, gambling, gangsters, and real-life Superstars. The casting is exceptional! Every single character makes the film more believable, and it needs them, because the world that Howard Ratner lives-in is so chaotic, that it may have plausibly crumbled-to-pieces without them. Sandler pulls-off the monumental task of creating audience empathy, for a character who is morally bankrupt. We want this guy to find his way out of this relentless hurricane.

The film never lets-off the gas. One might criticize the monotony and predictability of it all, if it weren't for some interesting family and gambling dynamics thrown into the mix. The film seems to be literally dropped into the climax of Ratner's life. There is so much that led to this crescendo, but still, the film manages to completely flesh-out it's characters. By the time it's all over, the viewer feels like they've been pulverized into diamond ash.

The ending is thought-provoking enough to make you ask questions, and the artistic value is nearly flawless. This is as uncomfortable as I've been watching a film in many years, and for that reason alone, it is a success.

9/10 for me.

You Might Like this if you liked: Pi, Charlie Countryman, Mississippi Grind, Sorcerer, or Leaving Las Vegas.

Breaking out with 2017 effort Good Time, directing duo Benny and Josh Safdie quickly became one of the most talked about up and coming filmmaking prospects in Hollywood, with their Robert Pattinson starring thriller showcasing a knack the brothers had for crafting a frenetic thriller filled with abundant energy and visuals, that if refined further, could create something truly special.

Fast forward to the now and that promise has indeed come to fruition with Uncut Gems, one of the most insanely tense and energetic offerings to come our way in the last few years, as the brothers employment of the perhaps never better Adam Sandler as Jewish New York based jeweler Howard Ratner takes us on a unique and inspired ride through the Big Apple's diamond district, in what is an unpredictable and gripping affair that is deserving of the hype it has generated.

It's hard to put into words just how sweat inducing and hold your breath like Uncut Gems is to the uninitiated, as scenes such as Ratner yelling at a basketball game or fixing a broken automatic door don't sound like the staples of thrilling movie viewing but under the guidance of the Safdie brothers and delivered by Sandler, these such scenarios all combine to ensure that this dialogue heavy offering refuses to let us catch a break across its two hour plus runtime.

Built around some brilliantly realised sound design, often creating the feeling that we are listen to two or three conversations at once but never confused as to what we are hearing, some breakneck editing courtesy of Ronald Bronstein and Benny Safdie, in your face cinematography by famed D.O.P Darius Khondji and one of the previous year's best musical scores by Daniel Lopatin, Uncut Gems is the full package that has been conjured up by the clear and singular vision of its talented creators.

All this magic behind the scenes would've mattered for little had the Safdie siblings not been able to get the right people involved to enact out their vision in front of the camera but alongside side players like Lakeith Stanfield, Idina Menzel, NBA legend Kevin Garnett (playing himself!) newcomer Julia Fox, the Safdie brothers struck gold when they secured Sandler as Howard, a role it feels as though he was born to play.

Ratner is one of the most fascinating cinematic creations of recent memories, a not very likable self-serving businessman who is at all times placing himself first above all others including friends, family and mistress, he feels both entirely different to the persona Sandler has developed over decades in Hollywood but also one that perfectly suits his loud-mouth and quick talking repertoire, that see's the often misunderstood and lazy comedian/actor finally stretching his ability to what has now become universally praised results.

In almost every scene of this expletive-laden exercise, Sandler is utterly convincing throughout the Safdie brothers exercise, managing in the process too get us to root for Howard as his life threatens to de-rail around building financial debts and the recent possession of a potentially magical rock filled with Ethiopian gems.

It's unlikely we will ever see Sandler again find a role that fits him so perfectly, with it a shame the Academy Award members overlooked his impressive turn in the Best Acting category at the 2020 Oscars, a field he well and truly deserved to be a part of.

Final Say -

While there's certain plot developments and occurrences that might not stand up to intense scrutiny, Uncut Gems is a undeniable energy rush of a feature film, that is both a thrilling exercise in extended tension building and a stunning showcase for the rarely seen ability of Sandler, who has never been better than he is here.

4 ½ Furby necklaces out of 5