IMDb RATING
5.2/10
3.8K
YOUR RATING
A unique, intimate portrayal of a girl grieving for the loss of her best friend, which just so happens to take place on the day the world ends.A unique, intimate portrayal of a girl grieving for the loss of her best friend, which just so happens to take place on the day the world ends.A unique, intimate portrayal of a girl grieving for the loss of her best friend, which just so happens to take place on the day the world ends.
- Awards
- 2 wins total
Matthew Browne
- Billy
- (as Matthew Thomas Brown)
Jenna Marie Johnson
- Layla
- (as Jenna Johnson)
David Calvitto
- Priest
- (voice)
Madison Perry Hernandez
- Gwen
- (as Madison Stratford)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Visually very beautiful though a little depressing. Nice sound on scenes and nice songs on mixtapes. Should have better ending.
The good: the lead is breathtakingly beautiful. Good actress too. The cinematographiy is very clever and eyecatching.
The bad: a "thriller" this ain't. It could be bottled and sold as a sleep aid. I literally fell asleep halfway through.
This movie may have been billed as Drama/Horror but essentially it's neither. Although the premise of the film is a girl battling thru the end of the world in which monsters have come thru from another dimension, its really just all a bunch of metaphorical hooey that the writer/director was using to express his personal grief issues. Thus the only person who truly understands this movie is its creator, the rest of us can only take our best guess as to what it all means. My interpretation is that the star represents the director, coping with some marital and grief issues and the monsters are the occasional terror and anxiety they felt in their isolation. The premise of some magical sound hidden in the various mixtapes feels like a thin veil put on the film so it could be categorized. If you want a monster horror flic, this isnt for you but if you have a personal relationship with grief, loss, or regret, then you may find some understanding in the film, but dont look for any big answers.
Dead ultra-hipster gives clues to her sleepy and ditsy model friend to thwart an alien invasion.
I've been excited to see "Starfish" since I saw the trailer a month or two ago - my expectations were wrong, but not in a bad way.
"Starfish" is a worthy entry in the indie sci-fi genre, it reminded me of the works by Zal Batmanglij & Britt Marling, and also Von Triers "Melancholia". Visually it's quite impressive actually, very simple, but carefully executed. Cinematography is rich and creative, editing's crafty and done with a sure hand, there's a subtle amount of decent cgi & color grading is on point. The visual atmosphere is accompanied by a fitting, raw original score.
The story is narrow, questions won't be answered & that's alright. Be warned and don't come looking for substance and logic in "Starfish". While there's not a lot of action (close to none) & the pacing is slow, even draggy at moments, it's the atmosphere and emotional side of the story that should hold your attention, it did hold mine, to some extent. Feel for the character, watch in silence and you might just get mesmerised by the simplest things - there were a few, short movie magic moments. Personally, I liked the drama part more than the sci-fi part, there are thoughts put in this film, however metaphoric. The main character, by the way, is acted out well, props for that.
A lot of people say that "Starfish" is unique - I disagree, it's been done before, different styles, maybe less style. There's no doubt that this is a style-over-substance kind of movie & I happen to love them. Oh and I would hardly call this a horror movie, it's a sci-fi drama. Who do I recommend this to? Art-house lovers, low-budget indie sci-fi fans & for those who like style-over-substance slow-burners. Those were my honest thoughts on this inside-out-indie avantgarde flick. My rating: 6/10.
"Starfish" is a worthy entry in the indie sci-fi genre, it reminded me of the works by Zal Batmanglij & Britt Marling, and also Von Triers "Melancholia". Visually it's quite impressive actually, very simple, but carefully executed. Cinematography is rich and creative, editing's crafty and done with a sure hand, there's a subtle amount of decent cgi & color grading is on point. The visual atmosphere is accompanied by a fitting, raw original score.
The story is narrow, questions won't be answered & that's alright. Be warned and don't come looking for substance and logic in "Starfish". While there's not a lot of action (close to none) & the pacing is slow, even draggy at moments, it's the atmosphere and emotional side of the story that should hold your attention, it did hold mine, to some extent. Feel for the character, watch in silence and you might just get mesmerised by the simplest things - there were a few, short movie magic moments. Personally, I liked the drama part more than the sci-fi part, there are thoughts put in this film, however metaphoric. The main character, by the way, is acted out well, props for that.
A lot of people say that "Starfish" is unique - I disagree, it's been done before, different styles, maybe less style. There's no doubt that this is a style-over-substance kind of movie & I happen to love them. Oh and I would hardly call this a horror movie, it's a sci-fi drama. Who do I recommend this to? Art-house lovers, low-budget indie sci-fi fans & for those who like style-over-substance slow-burners. Those were my honest thoughts on this inside-out-indie avantgarde flick. My rating: 6/10.
Did you know
- TriviaThe movie, which is dedicated to A.T. White's deceased friend and which begins with a "based on a true story" title card, is an allegory for grief. The monsters unleashed in town mirror the loss in Aubrey's life. Her reaction to them follows the 5 stages of grief. First, she ignores everything and goes through denial ("I wonder if the world still exists if I choose to ignore it"). This abruptly switches to anger (punching the wall until her hand is bloody), then bargaining ("okay Grace, you get one chance...we'll try it your way"), followed by depression (the despondent conversation in the library where she says she's incapable of happiness), and culminating in acceptance (finally seeing Edward's face in her visions; symbolically drowning the man she cheated with; writing out the "Forgive + Forget" message; letting go and floating upwards).
- GoofsThe two way radio never needs recharging and also does not require pressing a push to talk button to talk back.
- Crazy creditsOne of the rare films besides Se7en and Kiss Me Deadly where the end credits roll from top to bottom rather than the traditional bottom to top.
- ConnectionsReferences Orange mécanique (1971)
- SoundtracksThese Few Presidents
Performed by WHY?
- How long is Starfish?Powered by Alexa
Details
Box office
- Gross US & Canada
- $15,849
- Gross worldwide
- $15,849
- Runtime1 hour 41 minutes
- Color
- Aspect ratio
- 2.35 : 1
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