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Slender Man

  • 2018
  • 12
  • 1h 33m
IMDb RATING
3.3/10
41K
YOUR RATING
Slender Man (2018)
In a small town in Massachusetts, a group of friends perform a ritual in an attempt to debunk the lore of Slender Man. When one of them goes mysteriously missing, they begin to suspect that she is, in fact, his latest victim.
Play trailer2:20
14 Videos
99+ Photos
Psychological HorrorSupernatural HorrorTeen HorrorHorrorMysteryThriller

In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goe... Read allIn a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goes missing.In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't actually exist - until one of them mysteriously goes missing.

  • Director
    • Sylvain White
  • Writers
    • David Birke
    • Eric Knudsen
  • Stars
    • Joey King
    • Julia Goldani Telles
    • Jaz Sinclair
  • See production info at IMDbPro
  • IMDb RATING
    3.3/10
    41K
    YOUR RATING
    • Director
      • Sylvain White
    • Writers
      • David Birke
      • Eric Knudsen
    • Stars
      • Joey King
      • Julia Goldani Telles
      • Jaz Sinclair
    • 802User reviews
    • 145Critic reviews
    • 30Metascore
  • See production info at IMDbPro
    • Awards
      • 3 nominations total

    Videos14

    Official Trailer #2
    Trailer 2:20
    Official Trailer #2
    Official Trailer
    Trailer 2:40
    Official Trailer
    Official Trailer
    Trailer 2:40
    Official Trailer
    The Three Bells
    Clip 0:53
    The Three Bells
    The Three Bells
    Clip 0:52
    The Three Bells
    Slender Man: The 3 Bells
    Clip 0:52
    Slender Man: The 3 Bells
    Slender Man: Dark Path (Vignette)
    Featurette 1:22
    Slender Man: Dark Path (Vignette)

    Photos260

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    Top cast34

    Edit
    Joey King
    Joey King
    • Wren
    Julia Goldani Telles
    Julia Goldani Telles
    • Hallie
    Jaz Sinclair
    Jaz Sinclair
    • Chloe
    Annalise Basso
    Annalise Basso
    • Katie
    Alex Fitzalan
    Alex Fitzalan
    • Tom
    Taylor Richardson
    Taylor Richardson
    • Lizzie
    Javier Botet
    Javier Botet
    • Slender Man
    Jessica Blank
    Jessica Blank
    • Hallie's Mother
    Michael Reilly Burke
    Michael Reilly Burke
    • Hallie's Dad
    Kevin Chapman
    Kevin Chapman
    • Mr. Jensen
    Miguel Nascimento
    • Kyle
    Eddie Frateschi
    • Biology Teacher
    Oscar Wahlberg
    Oscar Wahlberg
    • Boy with Glasses
    • (as Oscar Robert Wahlberg)
    Danny Beaton
    Danny Beaton
    • Burley Kid
    • (as Daniel Beaton)
    Marc Carver
    Marc Carver
    • Doctor
    Kris Sidberry
    Kris Sidberry
    • Librarian
    Angela Hope Smith
    • Nurse
    Damon D'Amico Jr.
    • Student
    • Director
      • Sylvain White
    • Writers
      • David Birke
      • Eric Knudsen
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews802

    3.341.2K
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    10

    Featured reviews

    1nikkibutch

    Horrible, absolutely horrible

    The acting was poor, the plot was poor, even the damn lighting was poor, I couldn't even see what was happening! This was the worst movie I'd ever watched and found it to be the most confusing, stupid plot ever! Slenderman was and still is well known and if this movie had done the job well and right, it would have been a bloody blockbuster. But it was terrible and disappointing :( Plus Joey king can't act for absolute crap....Don't waste your money or time with this one! I learnt the hard way <3
    1nashwahnassar

    Don't waste your time!!

    This movie was horrible . Longest hr & half of my life. It kept dragging and relied on not so scary jump scares. I was impressed with how much the trailer made the movie look scary and good but of course it was the wonders of cutting room floor editing. Plus most scenes in the trailer aren't in the movie!!!!
    5lovetthosethingsyallcallmovies

    reviews are too harsh

    From the moment you see the trailer you know what type of movie it's going to be. It's not supposed to be a deep drama that leaves you thinking about life.

    This movie does its job just fine for the genre it is! Like many others, like countdown, truth or dare, where the cast might have been a tad stronger they are all similar; it's an entity where ultimately they can't defeat.

    It has its cliches, sure and it works. The movie didn't really lied to you where you have to give it a 1 or 2 because you feel cheated. It's stripped bare and delivers on what it promises. Does not deserve the 3.9. I've seen way worse...just today.
    1mburkett-48847

    We left the theater

    This movie is absolute crap. do not waste your money on this movie. Being into creepy pastas I wanted to check this out. Saying, oh it looked cool. So we sat down and just watched it. Seconds in, it was terrible acting. And even further into the movie, I didnt understand what was going on, even though my eyes were glued to the screen the whole time. The jumpscares are terrible and not even scary. all I wanted to do was leave since the first girl dissapeared. Do not waste money on this. I repeat, do not!
    3Brandon_Walker_Robinson

    More is less

    Much like the Blair Witch, Slender Man has always been scarier as an idea within the lore built around it than as a literal and physical presence of it. We laud what the Creepypasta community has done to up the ante with the character originally created by Victor Surge (properly credited at the end of the film as an early billing), and there have been positively freaky spins on the subject matter such as the YouTube project Marble Hornets, yet there have also been negative effects attributed to the character in the attempted murder in Wisconsin by prepubescent female friends. The tormenting figment of our minds is spooky enough to carry throughout 90 minutes of film with flashes here and there. Apparently Sylvain White (director) and David Birke (screenwriter) didn't get the memo.

    I won't pretend like I could have written or made a better film, but I don't know if the right plot was chosen here. This is a story where SM is already embedded in the national consciousness and skeptical friends decide to attempt to summon him, only to bear the burden of his haunting, kidnapping and/or killing. I personally would have liked to see this have gone in one of three different directions: (1) have a tone more like The Ring where the demonic evil is not known as a figure but simply as a watched video with a curse (they even mention "virus" that would be a lot like the Ringu series and get into the anatomy of it), with no alias or concrete image in association to it; (2) let it play out more like a psychological horror, even if it means recapturing elements inspired by the stabbing incident four years ago; (3) found footage fashion, but Marble Hornets already did that, so I'll annex that recommendation immediately. There would be larger opportunities to provide a certain cloud of mystery and intrigue to explore something further, rather than simply to have too tangible of a grasp on the subject matter. Idea #2 might glorify and inspire that notion a little more than we need though, and since idea #1 would tie more closely to the film's actual events I'd say that #1 would be my personal go-to. In fact, when the girls watch the video it actually reminded me of The Ring to begin with, and that was a good thing; too bad they did not continue much down that path.

    Characters also never really had any kind of realistic dialogue. The opening conversation between two schoolmates just has you thinking: "This feels like they're reading a script." That's never a good thing. Like many horror movies, characters have trouble elaborating what they see and feel with each other, and it comes at an unnerving level here. Only one character ever tries to really cope with what's going on in a verbal manner, but she simply doesn't push enough to bring the others to her side and it feels like a lost cause. I'll admit that she tries, but she doesn't articulate herself well enough and from the outside looking in just comes off as sounding irrational. Well-written horror movies have characters who can actually think and speak rationally, yet still have trouble being able to overcome their villainous adversities.

    The way it was shot was another concern of mine. This film is dark, and by that I mean it is dimly lit to a fault. I know they probably opted for more natural lighting at times, but even then there are no carefully-constructed shots to contrast silhouetted characters with some sort of lighter background from a light or a dusk evening sky. Even many interiors seem like people forget to pay their electricity bills as they only light up the bare minimum amount. Forget tone, this was just a slighted level of realism that probably could have resolved a lot of the characters' dumb moments if they just turned on a couple of more lights at times. They're also always going out on their lonesome after sunset, which tends to be a recipe for disaster. White chose to let sound play a major role in the film, but often did not establish a shot for us to sense our place in the scene. Everything looked too same-ish to lack the feeling of impact moments take place as they should. I think the choice of shots got better as the film went on, but at that point it was too little too late.

    There were three scenes in the middle of the film that are almost back-to-back-to-back that probably provide the best overall tension. All three scenes have great buildup, but unfortunately only one executes strongly and the other two flatten out rather quickly. This mostly has to do with the fact that they try too hard to show more, and the effect is lessened as a result. That, or like many horror films it is just poorly edited (sorry to stray off-topic, but speaking of poorly edited... in the beginning of the film there is a "One week later" moment that shows up in the bottom right corner of the screen and it fades away the moment it comes on that you might actually miss it). The scene that pulls off its moments well works because of SM really only appearing soft in the background if that, and a lot of mentally-jarring moments for the character that make the sequence feel nightmarish. If more scary moments in the film were like this or if there were less attempts at scaring the audience in general, it would have heightened these moments much more and become extremely effective. Alas, it was not meant to be and we are resorted to cheap thrills. What makes matters worse is that I think some moments would have been great without inserting eerie music alongside them, and I don't want to call them jump-scares because to be honest there aren't too many here (most times they are intentionally telegraphed as they creep into the frame, but the ones that are there could have served better without the score).

    Before those three scenes that I mentioned (and outside of watching the main video), the story really had trouble grabbing me; past those three scenes (outside of a great 'mentally disturbing images' sequence and one of the visual shots near the end of the film), the story really begins to whimper out. It tries to work in two other characters to an extent and does not deliver on carrying out their arcs throughout (add in one of the main characters as well), parent involvement is set to a bare minimum and they are useless when present (in fact, there's a weird bit where someone thinks they are at the wrong address because they didn't see any cars in the driveway... ever hear of a garage??), there is little to no conveyed emotion for the loss of people near and dear to the main characters to feel their motivation as a great driving force, nobody ever listens to anybody in the film except when it's a detriment to their cause, and for some strange reason the girls all know the passwords to each others' laptops (just a small nitpick on my end). Worst of all, Slender Man was only slightly imposing and just not very scary, and he appears far too often. When I watch the Marble Hornets series on YouTube and he rarely appears in a quick couple of frames, I get the most unsettling chill in my body. When I play Slender and am traveling the forest as the stomps begin happening, the tension ramps up and gets me in the right mood to freak me out when something actually happens, no matter how scary. As a constant, Joey King was the only onscreen redeeming quality of this abhorrent mess.

    They should have gone with "less is more," and they instead went for the reverse tactic. That did not work for Blair Witch (2016), and it's no surprise that it didn't work here as well. This wasn't even in the "so bad it's good" camp unfortunately, and I am someone who will be curious to watch this regardless of any ratings. I do ask that you try and heed my warning when I say there is not much you are going to get from this movie. It wasn't scary, gripping, fun, exciting, or anything like that. Just a morose form of cinematic poppycock that probably came out five years later than it should have, and with the wrong story to boot. I just feel like they missed the mark on what makes Slender Man spooky, or they tried too heavily to rely on his spookiness to tell the story that they did.

    Oh, and the first trailer ending shots of the girl in the dress is not in the film. I don't even know who that girl is suppose to be, because she is not in the film either heh. Sorry to spoil you there (more of an anti-spoiler).

    'Slender Man' Star Joey King Wants to Scare You

    'Slender Man' Star Joey King Wants to Scare You

    Joey King talks about the terrifying tale of Slender Man, sisterhood, and her most underrated role in our latest edition of "Who, What, When?"
    Learn more about Joey
    Joey King
    1:54

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The tall doctor at the hospital, the one Hallie saw in the very dark corridor is the 6' 8½" tall actor Javier Botet, who also portrayed the Slender Man.
    • Goofs
      In the woods, when the three girls blindfold themselves, Chloe's blindfold changes from wide to very thin, and then back to wide, thus varying the portion of her face covered by the blindfold.
    • Quotes

      Wren: He gets in your head like a virus.

      Chloe: What kind of virus?

      Wren: Like a computer virus that infects your hard drive, but instead of your hard drive, it's your brain!

    • Connections
      Featured in Half in the Bag: 2017 Movie Catch-up: Part 1 (2018)
    • Soundtracks
      A Day as a Cat
      Written by Lavinia Anna De Santoli

      Performed by Cat Claws

      Courtesy of 411 Music Group and Preludio (42 Records)

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    FAQ19

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    Details

    Edit
    • Release date
      • August 9, 2018 (France)
    • Country of origin
      • United States
    • Official sites
      • Official Facebook
      • Official Instagram
    • Language
      • English
    • Also known as
      • Слендермен
    • Filming locations
      • New England Studios, Devens, Massachusetts, USA
    • Production companies
      • Screen Gems
      • Mythology Entertainment
      • Madhouse Entertainment
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $10,000,000 (estimated)
    • Gross US & Canada
      • $30,569,484
    • Opening weekend US & Canada
      • $11,371,866
      • Aug 12, 2018
    • Gross worldwide
      • $51,738,549
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 33m(93 min)
    • Color
      • Color
    • Aspect ratio
      • 2.39 : 1

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