The campers and counselors of Camp Firewood meet ten years after their last day at camp.The campers and counselors of Camp Firewood meet ten years after their last day at camp.The campers and counselors of Camp Firewood meet ten years after their last day at camp.
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Showalter is a genius, a genius! Just thigh slapping, tear-jerking laughs throughout that won't stop.
My only complaint, and it's a biggie: Janeane Garofalo's HORRID cosmetic surgery. She looks as if she is a face-transplant survivor, you've seen them, they get some cadaver's face onto their own, and it just hangs there perpetually suspended and creepy. Well, that's what Garofalo's face looks like. It was so distracting, in every scene she's in I could do nothing but gape at her awful poor face. I don't think she was capable of making any expression except stunned apathy- if that is an emotion, that's hers. Her mouth is like Mr. Toads in a perpetual frown. In the very last episode, she manages to grin!! How did that happen? She must have gotten some special anti-toxin injection, as it was the sole instant in the entire series where I saw her face other than deadpan.
My only complaint, and it's a biggie: Janeane Garofalo's HORRID cosmetic surgery. She looks as if she is a face-transplant survivor, you've seen them, they get some cadaver's face onto their own, and it just hangs there perpetually suspended and creepy. Well, that's what Garofalo's face looks like. It was so distracting, in every scene she's in I could do nothing but gape at her awful poor face. I don't think she was capable of making any expression except stunned apathy- if that is an emotion, that's hers. Her mouth is like Mr. Toads in a perpetual frown. In the very last episode, she manages to grin!! How did that happen? She must have gotten some special anti-toxin injection, as it was the sole instant in the entire series where I saw her face other than deadpan.
Wow. Despite the great reviews, I found "First Day At Camp" to be beyond boring. In addition to being so distracting that everyone was clearly 20 years older, there was just nothing there.
I love that this movie said screw it and after starting with the cutesy satire of "where are they now" schtick early on, it is unashamed to just go off the rails. Disparate story lines that somehow connect together, ridiculous "cameos" and story lines, and just good fun all around.
One of the more pleasant surprises that I have had watching a TV show in a long time
I love that this movie said screw it and after starting with the cutesy satire of "where are they now" schtick early on, it is unashamed to just go off the rails. Disparate story lines that somehow connect together, ridiculous "cameos" and story lines, and just good fun all around.
One of the more pleasant surprises that I have had watching a TV show in a long time
Although not a masterpiece, the original movie from 2001 is a charming and entertaining one. It was funny. The sequels have been disappointing, with every installment progressively worse.
Everything about Wet Hot American Summer: Ten Years Later screams "first draft". It's like they were spit balling in the writer's room saying "wouldn't it be funny if" and it never progressed beyond that step. I have witnessed that firsthand on comedy projects I have worked on where the writers are howling with laughter and slapping each other on the back, just to have everything fall flat when you shoot it and hand it over to the poor editor who is the one who has got to try and save it.
Perhaps one problem is that the core croup come out of sketch comedy via The State. There is no narrative flow to Wet Hot American Summer: Ten Years Later. It's easier to mask that in a 90 minute movie, like the original, but when you stretch it for 8 episodes (or rather 16 episodes, since both Netflix shows have the same structure) it becomes quite tedious.
One show also made by people from The State that manage to pull this off beautifully is Reno 9/11 (one of my favorite shows). But the structure of that show (essentially a COPS parody) lends itself perfectly to the sketch format, it doesn't have the need for the same narrative flow that Wet Hot American Summer: Ten Years Later aspires to.
But the cardinal sin with Wet Hot American Summer: Ten Years Later is that it unlike the original movie, isn't very funny. Most ideas are half baked, and the actors are going through the motions. It didn't help that every time someone shouted "Walla-walla-hoo!" I wanted to kick their teeth in.
Perhaps the original movie was lightning in a bottle.
Everything about Wet Hot American Summer: Ten Years Later screams "first draft". It's like they were spit balling in the writer's room saying "wouldn't it be funny if" and it never progressed beyond that step. I have witnessed that firsthand on comedy projects I have worked on where the writers are howling with laughter and slapping each other on the back, just to have everything fall flat when you shoot it and hand it over to the poor editor who is the one who has got to try and save it.
Perhaps one problem is that the core croup come out of sketch comedy via The State. There is no narrative flow to Wet Hot American Summer: Ten Years Later. It's easier to mask that in a 90 minute movie, like the original, but when you stretch it for 8 episodes (or rather 16 episodes, since both Netflix shows have the same structure) it becomes quite tedious.
One show also made by people from The State that manage to pull this off beautifully is Reno 9/11 (one of my favorite shows). But the structure of that show (essentially a COPS parody) lends itself perfectly to the sketch format, it doesn't have the need for the same narrative flow that Wet Hot American Summer: Ten Years Later aspires to.
But the cardinal sin with Wet Hot American Summer: Ten Years Later is that it unlike the original movie, isn't very funny. Most ideas are half baked, and the actors are going through the motions. It didn't help that every time someone shouted "Walla-walla-hoo!" I wanted to kick their teeth in.
Perhaps the original movie was lightning in a bottle.
Probably the best part of this flick was wondering who was going to show up for a cameo. Unfortunately I think they are beating a dead horse. Paul Rudd was not his usual funny self but Christopher Meloni plays one of the best crazy guys with THE best crazy face ever. The whole premise of the movie was of course, very stoopid.
Did you know
- TriviaBecause of scheduling conflicts, David Hyde Pierce (Professor Henry Neumann) was only able to appear in one scene of one episode of this installment, and in that scene, Neumann is only shown on a screen. Neumann is ostensibly calling from his office at N.A.S.A.'s Cape Canaveral, Florida, but in the background of the office, there is a bookcase holding multiple Emmys. In an August 2017 interview with Vulture.com, David Wain explained, "David Hyde Pierce was directing a play in New York during the whole shoot, so there was just literally no chance he could come. He had no time, so we thought, as we'd done in other ways in the past, let's lean into that even more. So, we decided to literally shoot it on Skype in his apartment and make it clear that we're doing that." The Emmys on the bookcase are Pierce's own from his years on Frasier (1993).
- ConnectionsFeatured in WatchMojo: Top 10 Must See Trailers of June 2017 (2017)
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- Release date
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- Language
- Also known as
- 哈啦夏令營:十年後
- Production company
- See more company credits at IMDbPro
- Runtime
- 27m
- Color
- Aspect ratio
- 1.85 : 1
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