Sun Dogs

'SUN DOGS': Four Stars (Out of Five)

An indie comedy-drama about a young man that's obsessed with becoming a military hero, who thinks that he finds a new way to save lives, with the help of a young woman that he meets. The film was directed by actress turned first time director Jennifer Morrison, and it was scripted by Anthony Tambakis and Raoul McFarland (a first time screenwriter). It stars Michael Angarano, Melissa Benoist, Allison Janney, Ed O'Neill and Xzibit. The movie was featured at multiple prestigious film festivals, before being released by Netflix through it's streaming site. I found it to be pretty moving and effective.

Ned Chipley (Angarano) is obsessed with joining the military and becoming a hero. He's mentally unstable though, and this disqualifies him from entering the service (unbeknownst to him). The enlisting officer, Master Sgt. Jenkins (Xzibit), doesn't have the heart to tell him this, so he instead asks Ned to watch out for terrorists in the civilian world (as a secret operative). Ned of course takes this assignment very seriously, and he finds help from a young woman he meets named Tally (Benoist).

The movie is ultimately very sweet and inspiring, after a pretty rough and depressing opening third act though. I think it tackles mental illness with a pretty respectful and heartfelt approach, and Angarano is perfect in the lead. What's most impressive about the film though, I think, is Morrison's beautiful direction (it's so well done for a first time director). I really look forward to seeing what she does next.

One of those movies that makes you smile. Give it a go.

I'm not sure if it's fair to call Sun Dogs a drama, comedy, or a love story. It's all three woven together in a cohesive and heartfelt manner.

As soon as you think it's going to go in one direction, it lightly changes course. It's totally unpredictable but in a refreshing way. If you enjoy whimsical yet moving films, "be vigilant", and give this one a watch.

I have always admired Jennifer Morrison as an actress. I liked her a lot in namely House and Once Upon a Time. To be honest, I doubted her as a director. This is her feature debut, and for a debut i gonna say, incredible work.

The directing here is incredible for an indie film and directorial debut. The writing though, not so much.

Sun Dogs tells the story of Ned Chipley, a man full of heroism and patriotism. He really hates terrorists, as he always repeats, and wants to be a marine to serve the United States.

We're also introduced to a girl named Tally. Her and Ned embarks a journey to catch a terrorist named Osama Bin Laden.

The film was pretty good at introducing characters. Ned, Tally and Sergeant Kendrick, they all got well introductions. But when the film starts focusing on only Ned and Tally, it becomes draggy.

Unfortunately, Sun Dogs fails to make the story of Ned and Tally to become interesting enough. It does pick up near the end, but the end scenes just felt rather irrelevant to the movie.

Apparently the writer of Sun Dogs has no history at all. Sun Dogs is the only credit of her according to IMDB. If this is the first thing she's ever written, then it's not that bad of a script.

Sun Dogs is saved by the great direction of Jennifer Morrison and the passable performances of Ned and Tally. Once you remember this is only an indie film, it becomes better.

A very sweet film made with much affection and that continuously transmits good feelings in a genuine and spontaneous way, well only for this it deserves to be seen, films like this, small, independent and made with the heart should be rewarded with at least one vision on your part. Of course it is not a perfect film, in fact it has several problems regarding the rhythm a bit 'too slow, not that this is wrong but it proves inadequate with the type of story and especially with the kind of approach that the director chooses to give, for this reason the film has some difficulties to involve the spectator; It also focuses too much on certain topics that should only be in passing and ends up not knowing how to get out of it and in this way it deepens too little other that could have meant a leap in quality for the film, instead they are quickly considered in the final part which looks a little hasty and less exciting than it could have been, which prevents the film from releasing its great potential. It could have been better but, despite these problems, the film still manages to enter the heart of the viewer for at least an hour and a half thanks mainly to real and credible characters, well interpreted and linked to each other by such honest and human relationships to be pillar and strong point of the whole film. Noteworthy is also the technical sector to say the least dignified given the small size of the product, in which stands out the hot photography very well taken care of.