A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.
- Won 3 Primetime Emmys
- 4 wins & 12 nominations total
Featured reviews
I think this was hard to do considering the other amazing movie version with Christopher Walken and John Travolta. On the other hand, Harvey Firestein is so cute as the mom, he kind of steals the show. I have no idea how he has such cleavage, but it is quite impressive. And Martin Short is adorable but just not Walken, you know. Jennifer Hudson is A-Freaking-mazing, of course. And Ariana Grande, well I had never heard her sing before today(because I'm apparently not that cool) but she did a great job.Costumes were pretty nice, and Rosie O'Donnell is actually bearable. I thought it was worth the watch. Yes there were some technical issues, however its live and therefore forgivable. Hardcore fans probably will notice the technical precision in which the dancers do their thing, the change in costumes on many of the originals etc. But the new costumes are really well done and, while different, are just as well done as the original. I had very few dislikes. Harvey was a little stiff, but he is not a young man. Ariana at the end was wearing heels that were way too high for the period, and it made her look a little kinky. Still love the shout out to Essex Community College. I graduated from Baltimore City Community College myself. Yeah! MobTown!!
Awful audio, cheesy product placement, constant cutting to "The audience", camera crew seemed drunk. Dov Cameron was pretty awful.
So much talent show so little of it. Kristin Chenowith, who I was really looking forward to, seemed weak in the Baltimore Crabs number. And sadly I don't think it was because of her performance as much as the audio/camera issues. Ariana Grande played her character quietly, as would be expected of Penny, however she was too quiet for a live show.
It felt like they hadn't done a run through together and there were no sound checks.
Best thing to do is skip watching the entire thing and just look for clips of Jennifer Hudson's performance.
NBC enough already. None of your live shows were worth the money you spent on them
So much talent show so little of it. Kristin Chenowith, who I was really looking forward to, seemed weak in the Baltimore Crabs number. And sadly I don't think it was because of her performance as much as the audio/camera issues. Ariana Grande played her character quietly, as would be expected of Penny, however she was too quiet for a live show.
It felt like they hadn't done a run through together and there were no sound checks.
Best thing to do is skip watching the entire thing and just look for clips of Jennifer Hudson's performance.
NBC enough already. None of your live shows were worth the money you spent on them
7/10 is a pretty generous rating for Hairspray Live. There were definitely some mistakes, however it was mostly enjoyable.
Good casting choices: Maddie Baillio, Harvey Fierstein, Jennifer Hudson, Kristin Chenoweth, Ephraim Sykes, Derek Hough, Andrea Martin, Martin Short, and Shahadi Wright Joseph
While Baillio's vocals are outstanding, her dancing and acting are mediocre. Fierstein is unbeatable. Hudson overdoes "I Know Where I've Been" a tad (the rewrites in the song are unnecessary) however her vocals are incredible. Chenoweth has some issues with overdoing things too, but she's legendary. Sykes is wonderful as is Joseph. Short and Martin are both hilarious. Hough's vocals keep up with his dancing.
Bad casting choices: Ariana Grande, Dove Cameron, and Garrett Clayton
Grande is simply horrible in the role of Penny. She is an awful actress and her vocals are weak. If she's going to keep singing, she should stick to her pop music and move away from musical theatre. Cameron overdoes Amber. While Amber is supposed to be irritating, Cameron made her unbearable in a bad way. Her voice is much too nasal and it makes one want to mute the TV whenever she speaks. Her vocals aren't very good either. She should stick to Disney. Although Clayton has the Link Larkin look, he wasn't the best choice for this role. I think NBC tried too hard to cast actors a younger audience would be familiar with rather than trying to please the older audience, who are more likely to watch this anyway.
The camera angles and sound were poorly done. It almost seemed like there had been little to no rehearsal for the cameramen.
If you're looking for a musical and you're not too particular, this is perfect for you. If you're an "expert" in theatre and prefer a more professional production, go see this show onstage or find a better way to spend your time.
Good casting choices: Maddie Baillio, Harvey Fierstein, Jennifer Hudson, Kristin Chenoweth, Ephraim Sykes, Derek Hough, Andrea Martin, Martin Short, and Shahadi Wright Joseph
While Baillio's vocals are outstanding, her dancing and acting are mediocre. Fierstein is unbeatable. Hudson overdoes "I Know Where I've Been" a tad (the rewrites in the song are unnecessary) however her vocals are incredible. Chenoweth has some issues with overdoing things too, but she's legendary. Sykes is wonderful as is Joseph. Short and Martin are both hilarious. Hough's vocals keep up with his dancing.
Bad casting choices: Ariana Grande, Dove Cameron, and Garrett Clayton
Grande is simply horrible in the role of Penny. She is an awful actress and her vocals are weak. If she's going to keep singing, she should stick to her pop music and move away from musical theatre. Cameron overdoes Amber. While Amber is supposed to be irritating, Cameron made her unbearable in a bad way. Her voice is much too nasal and it makes one want to mute the TV whenever she speaks. Her vocals aren't very good either. She should stick to Disney. Although Clayton has the Link Larkin look, he wasn't the best choice for this role. I think NBC tried too hard to cast actors a younger audience would be familiar with rather than trying to please the older audience, who are more likely to watch this anyway.
The camera angles and sound were poorly done. It almost seemed like there had been little to no rehearsal for the cameramen.
If you're looking for a musical and you're not too particular, this is perfect for you. If you're an "expert" in theatre and prefer a more professional production, go see this show onstage or find a better way to spend your time.
The musicalized Hairspray has decent but derivative songs. The best of those songs are at the beginning, but even the lesser ones are enjoyable enough.
The performers are a mixed bag. Some are excellent, like Kristin Chenoweth, and Jennifer Hudson, but the lead is only serviceable as a singer, something thrown into sharp relief early on when she sings alongside the far better Dove Cameron and Ariana Grande.
Still, it's all fun and spritely, and while there seem to be some technical hiccoughs, particularly in regards to lighting, the overall effect is quite good.
Hairspray is not as memorable or original as the movie it came from, but it's got plenty of good moments. If you like musicals, this is worth a look.
The performers are a mixed bag. Some are excellent, like Kristin Chenoweth, and Jennifer Hudson, but the lead is only serviceable as a singer, something thrown into sharp relief early on when she sings alongside the far better Dove Cameron and Ariana Grande.
Still, it's all fun and spritely, and while there seem to be some technical hiccoughs, particularly in regards to lighting, the overall effect is quite good.
Hairspray is not as memorable or original as the movie it came from, but it's got plenty of good moments. If you like musicals, this is worth a look.
It's not as strong as 2007's Hairspray. And can Rosie O'Donnell please stop acting. But Hairspray Live! is a vibrant and entertaining adaptation with colourful costumes, fun songs and good performances.
I LOVED 'Mamma, I'm A Big Girl Now'!
I LOVED 'Mamma, I'm A Big Girl Now'!
Did you know
- TriviaAriana Grande was offered four solo songs to be written just for her, similar to what was done for Carly Rae Jepsen in Grease Live (2016), but turned down the offer because she wanted to stay true to the role.
- GoofsWhen Tracie comes home to watch the Corny Collins show, she smacks the television and says "Philco" while the TV is actually a Muntz brand.
- ConnectionsFeatured in Good Morning Britain: Episode dated 8 December 2016 (2016)
- SoundtracksGood Morning Baltimore
Music by Marc Shaiman
Lyrics Marc Shaiman and Scott Wittman
Performed by Maddie Baillio
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