Au nom du père

As I like both Mads and Lars Mikkelsen, I am eager to see as many works with their participation as possible. I also know Danish and have lived in Denmark, but as for this series, I had my doubts prior to watching - being Agnostic and not really fond of long oppressive scenes and events - but then, from the 1st episode, I was captivated and it lasted through the end of Season 1 and mostly in the Season 2 as well (death of a certain character decreased my emotional support, and the pace decreased somehow).

Anyway, Lars Mikkelsen gives his so far best performance here, Ann Eleonora Jørgensen is at least as good as in Forbrydelsen... And all the others, mostly unknown to me, were well up to the task as well, rounding up a bunch of issues one could face in a half-closed community governed by higher power. Still, many topics addressed and human, general, and as Lutherans can start a family and the Danish society is modern to have female clerics as well, the overall picture is more balanced and versatile, surely more interesting than that of in a nonnery or monastery.

For performances - 10, for script - 8 points from me. Another success of the Danish TV world. Please proceed!

I am normally quite fussy about what I watch and I didn't have high hopes of this one, since there have so many Scandi noir knocks offs just done by the numbers. But this is different. A fine cast, great script even in translation and high production values impressed me. Melodramatic yes, but in a way that draws you in and creates empathy for even the least likable characters. Anyone who has been involved in any kind of organisation will recognise the dynamics at play here. This is not a simplistic heart tugger but plays out the human condition with real heart and nuance. I was so pleased to note that another series exists but don't know when channel 4 will get it...

At first I wasn't that invested in this show mainly because I'm not either Christian or religious at all. A few chapters in and suddenly I was intrigued. The series of course evolves around themes as faith and God but it is so much more than only God and religion. The show's about people, family, love, hate, despair, pain, human suffering and everything you could image about being a complex human being. I fell in love with many of the characters but not before despising them and resenting their actions first. The cast is so amazing that they with credibility portray their roles in a way that you really believe them and believe in them. It shows the many nuances of a being alive and it deals with the many struggles of being a human being in a way I've never seen before in a tv series. This show, Herrens Veje ( the lords's way or road -in Danish) has touched me nearly in a religious way (and I'm an atheist!) with its tone and it's dealings with the many facets of life -whether you are a believer in God or not. The subtle yet deep portrayal of the human mind and the struggles of being alive dealing with death, depression, hate, forgiveness, love, is simply amazing. It's provocative. It hurts you, moves you. It's warm and loving. It's showing how to love. How to hate. And shows how to forgive and move on in times of despair and loneliness. A very unique series, one of a kind. A God's sent to my television set.

(My first review on IMDb. This series deserves more than the 1 whiny review of the first episode mostly about the supposedly bad colour balance.)

I recently watched Season 1 - all there is so far, as of early 2018. Based on the voting for other series on IMDb, this should be mid 8s or higher. It's easily as good as writer Adam Price's earlier creation Borgen - which has justifiably raving reviews on here and is one of my all-time favourite series.

Thank you to him and everyone involved. This is an intelligent, profound, gripping series, addressing the most important things in life in a serious way, yet joy is never too far away. It's not essentially bleak or noirish.

Lars Mikkelsen is amazing as the troubled priest-patriarch Johannes. He's given space here to show what he can do, and he's astoundingly good. This will hopefully silence those who thought his brother Mads a better actor. The rest of Johannes' family are outstanding performances too. One son, a priest, goes to a war zone with the Danish army, and his life is forever changed. The other son, exuberant and somewhat ethically-challenged, goes travelling to the Himalayas with a friend, and his life is forever changed. Ann Eleonora Jørgensen as Johannes' long-suffering wife is also excellent.

I can't wait until the next season! I can't think of anything negative to say about it at all. It's about family, Danish traditions, religion (without being particularly pro- or anti-religion), one's values in life, kindness, happiness, betrayal, angst, personal transformations, one's calling in life, love etc. I read a very good Adam Price interview where he says the show was aimed to get people talking about religion, not to present any particular point of view. It's a fascinating look at religion, from many perspectives. Also there's a hallucinogenic drug party, a same-sex love affair, haunting visions, near-death experiences; can't go wrong.

Extremely gripping, emotional, funny, touching. In short: WATCH IT!!

In the allegedly new yet oddly 1980-ish landscape of the old Dickensian format of the Series that is offered by the new era of streaming media; In an age where we are offered nothing new really than the old ballads of cartoon creatures battling for power - This exceptional story stands out a beacon, carried by a miraculous script and an otherworldly performance by lead actor Lars Mikkelsen. This series offers something new, something totally unheard of in its genre: Its arena is not the traditional opera stage with its designed caricatures preforming allegorical roles of intrigues serving to produce the drama. On the contrary, this is the drama of the opposing forces that resides within each individual character; the true stage of the battle of good against evil suitable for a religious topic like Herrens veje, but more importantly this should represent the challenge given us in any depiction of true human Endeavour: To represent the human drama as a drama within. Fear, shame, guilt, jealousy, love, these are not persons - They are aspects of each individual persons life.