A Swingers Weekend

I'm thinking the 4 good reviews here must have been buddies with the producer because this is really bad. Bad acting, bad story and (sigh) so typically and embarrassingly Canadian. That should say it all. There are no redeeming features here and absolutely nothing to be gained by watching it.

It is interesting that this film has the word swinger in it, but this film is a gross representation of actual swinging culture.

That is a shame, because the film tries to be a comedy and really succeeds in that in the first act. But the situations and actions of the characters in this film do not seem to reflect anything relatable when it comes to swinging. This is odd because some of the actual situations that happen in the swinger lifestyle are much more hilarious than any of the events that happen in the movie. This film may not have been made for people familiar with the swinger lifestyle, and that is ok. But if the swinging bits could be taken out of the story without changing much, maybe you should not have it in there. The film could have done without it.

The films 3rd act has a few moments of heart that really shows you that grown adults with marital experience had some input in the screenplay. But the film cant seem to help throwing you a curve ball that makes you question what genre this film even belongs in.

The ending was horrible, and most of the characters did not have much of a resolution that the viewers could get behind.

Don't waste your time with this one.

It is a nice cottage, I agree with the other reviewer there. Other than that I see very little to recommend. Bad acting, see-through stories, lame characters, just looks and seems cheap.

Swingers Weekend (2017), directed by Jon E. Cohen, is a surprisingly sharp and layered indie comedy-drama about a group of friends testing the waters of open relationships. On the surface, it's a lighthearted romp with plenty of awkward moments and tension-filled misunderstandings, but beneath that lies a compelling exploration of trust, communication, and emotional vulnerability.

The premise is straightforward yet ripe with potential: Dan (Randal Edwards) and Lisa (Erin Karpluk), a couple looking to spice up their marriage, invite two other couples to a luxurious lake house for a weekend of swinging. What starts as a playful experiment quickly spirals into a chaotic mix of jealousy, deceit, and unexpected revelations, making this movie as much about personal growth as it is about the tantalizing allure of the forbidden.

One of the film's strengths is its well-rounded characters, who feel authentic and relatable despite their unusual circumstances. Each couple comes with their own baggage, insecurities, and motivations, and the script does a good job of peeling back these layers as the weekend progresses. Randal Edwards and Erin Karpluk shine as the hosts trying to keep their own issues under wraps while playing the part of confident swingers. Michael Xavier and Erin Agostino bring depth to the seemingly perfect second couple, while Jonas Chernick and Mia Kirshner deliver some of the movie's most poignant moments as the mismatched third pair struggling to find common ground.

While Swingers Weekend gets a lot right, one area where it falls short is its handling of sensuality. Given the premise, audiences might expect a more provocative visual presentation, especially considering how jaw-droppingly attractive the female cast is. Erin Karpluk, Erin Agostino, and Mia Kirshner are all stunning, and their performances exude charisma and sex appeal. However, the film shies away from fully embracing its erotic potential, opting for a more restrained approach. The ladies remain largely clothed throughout the film, which feels like a missed opportunity to align the visuals with the story's daring subject matter. For a film delving into the world of swinging, this lack of boldness detracts slightly from its authenticity and might leave some viewers wanting more.

On a thematic level, the movie serves as a cautionary tale about jumping into the swinging lifestyle without proper preparation. The tension between the couples highlights the pitfalls of mismatched expectations, poor communication, and unresolved personal issues. The dynamic between Dan and Lisa, in particular, underscores the dangers of pushing boundaries without fully understanding the emotional consequences. By the end of the weekend, it's clear that swinging isn't a "quick fix" for relationship problems, and the film does a commendable job of illustrating this without being preachy.

The cinematography is another standout aspect of Swingers Weekend. The picturesque lake house setting adds a touch of serenity that contrasts beautifully with the storm of emotions brewing inside. The crisp visuals and thoughtful framing help elevate the film beyond a typical low-budget indie, creating an immersive atmosphere that feels both intimate and polished.

One of the film's greatest achievements is its ability to balance humor with emotional depth. There are plenty of laugh-out-loud moments, many of which stem from the characters' awkward attempts to navigate their unconventional situation. Yet the comedy never undermines the film's more serious moments, which resonate deeply thanks to the strong performances and well-crafted dialogue.

In conclusion, Swingers Weekend is a smart, entertaining indie that deftly explores the complexities of relationships and intimacy. It's a movie that knows how to keep audiences engaged with its mix of humor, drama, and just the right amount of discomfort. While it may not fully deliver on the visual sensuality some might expect, it more than makes up for it with its thoughtful storytelling and engaging characters.

However, let this film be a warning: if you're going to dip your toes into the swinging lifestyle, do so with caution and clear communication-and maybe avoid couples who are too eager to play host.

Three couples have their own swinger's weekend, a first for all of them. A good premise, but it deteriorates quickly. We have defined characters, but the movie does not work as a comedy, as an erotic movie, as a romantic movie or as any other genre. It's a lot of dialogue between four angry, repressed people and one couple that shouldn't be stuck with them. There is nothing to see here. I agree, the rave reviews seem very bogus.