90's

Mid90s is Jonah Hill's love-letter and confronting examination of a decade we now look back upon with incomparable admiration and respect. It's got everything: skateboards, VCRs, Super Nintendo, Sony PlayStation, Ren and Stimpy t-shirts and gangsta-culture. It's a time-capsule movie that truly doesn't feel like it was made in 2018 at all: its setting and characters are that convincing in making us Belgrave we're back in the 90s. Sure it's not all sunshine-and-bunnies in the story: the main character suffers physical abuse from his older brother and his mother isn't the most accepting person on the planet, but the movie's exploration of camaraderie, sex and drugs and rock and roll, VidCam filmmaking, skateboards and no longer feeling like an outsider makes Mid90s quite the visual and story-based treat.

This film is a short and ridiculously sweet nostalgia trip for anyone wanting something simple, relatable and honest.

Where "Jonah Hill" places his characters, the way they speak, his direction. All of this speaks to me, cus a lot of us lived through moments like this. The love on display, carrys through any contrivances that you expect from a film like this.

Just incredible mixed feelings after watching: sadness for time passing by, melancholia for those ages and of course, joy for being part of them...Well done Jonah!

Aside from a couple minor issues I had with this film, I loved it. It just felt incredibly real. I didn't feel like I was watching actors. I felt like I was watching the lives of these kids unfold, and that those lives would just continue unfolding even when the camera wasn't rolling.

This movie was the 90's skate scene to a T. The music, a mix of punk, indie and hip hop, the clothes, baggy pants and 2XL tees, drugs, underage drinking, and of course street skating. If you were there, you know, if not you can experience a time that will never come back. Skating is not the outlaw thing you do to escape your sh!tty life anymore, it's city built skateparks and X games. That's why this film hits hard. Everyone who was around then had their crew and every crew had the jokester, the pro, the poor kid and the hanger-on who wasn't really good but a nice dude so you kept him. That's what Stevie is in this film and that's why you feel for him. Jonah Hill has made an authentic time capsule into the mid 90's that feels real and not forced.