Pink

Just seen PINK the movie and I would like admit that nothing has moved me so much as this movie did. Superb Acting by Tapsee Pannu She is probably the best we got in bollywood, Amitabh Bacchan did a very intense and powerful character and uplifted the role in his own charisma, His acting skills shows the reason why he is the biggest bollywood star ever. Director precisely enlights the deep rooted problems and harassments faced by women specially in metros and the immaturity of the society who blindly judge a woman's character by the way she dresses, talk or work. We badly needs these kind of movies to awake the generic thoughts of people who thinks that they can Objectify women and Misuse the power against them. I recommend all of you to watch this great movie. It's a Thought Provoking and a giant leap in movies what we usually watch in bollywood.

When I read the reviews I thought this movie would be interesting like a typical whodunit- crosses-courtroom drama. When the credits rolled I walked away impressed.

Pink is a tour de force. It's a simmering mixture of morality, drama, mystery and debate whose intensity never slips. I can't recall one Bollywood movie in recent memory which has such taut seriousness that never flags. Pink has no light moments. And it is utterly brilliant.

Part of its brilliance lie in Pink's on-the-money portrayal of biases and confusion surrounding independent, headstrong women in modern Indian society. Shoojit Sarkar brings to light darker biases that most modern Indians - men and women - carry but won't admit to.

The narrative is his secret sauce in ensuring that none of the morality or gravitas ever slip into preachy frivolosity. It's an impactful movie on a serious issue that deserves praise for not trivializing the issues it tackles.

Amitabh Bacchhan is brilliant as always and so are the girls and all supporting actors in the way they bring believability and emotion to their non stereotypical roles.

A great watch - you'd definitely not end disappointed.

Often times, those who are nominated to positions of power and influence, bear a false sense of privilege that is misused and goes unchecked. In a city that is known exactly for a large number of such men, women tend to become the victims of misogyny and indignity. 'Pink' is a reflection of this deeply flawed society that even in today's times, instinctively falls back on stereotyping that is baseless. Director Aniruddha Roy Chowdhury's social drama truly becomes a thriller of sorts in its second half when the trial exposes not just the victims and perpetrators but also the society which plays a huge role in determining who the guilty are.

When a casual night out after a rock concert ends up with a bottle smashed into the face of a minister's nephew, the girls who were simply defending themselves from physical molesters have drawn curtains on a wild party life. Constantly in a state of nervous silence and anxious worry, their daily routines soon get affected by threats from the men who seek vengeance for the grave injury to their beloved friend. Minal Arora (Tapsee Pannu), in an impulsive act of rage and self-defense, smashed a bottle onto Rajveer Singh (Angad Bedi) who crossed the lines of decency when they were at a party. Unfortunately for Minal and her friends, Falak (Kirti Kulhari) and Andrea (Andrea Tariang), Rajveer happens to be the nephew of a powerful South Delhi politician. A series of harassment attempts affect their landlord, their workplace and even their casual coffee outings. Thus, even the FIR complaint against the harassment by Rajveer and his accomplices falls on deaf ears at the Police station and soon enough, a counter complaint gets Minal arrested for attempted murder.

These proceedings are keenly observed by one of the neighbors where the girls live and seeing the injustice, offers to take their case even though he had retired as a renowned lawyer due to his mental illness. Deepak Sehgal (Amitabh Bachchan) maybe old and weak but he knows the law better than most and with his more measured approach, he combats Prashant Mehra (Piyush Mishra), the prosecutor whose loud and boisterous accusations reflect the society's flawed mentality and baseless stereotyping. Mehra represents the bigotry of the orthodox Indian society that downplays the role of women and their rightful positions while questioning every action with a perverse and sick assumption. His loud and overpowering arguments are the embarrassing reality of the way many men think of women even in these times in an evolving society. In stark contrast, Deepak Sehgal tries to evaluate how low the society has fallen to mistreat and misjudge 3 innocent women who were victims of the power-hungry perpetrators. Can he help deliver unbiased justice to the girls while challenging the irregularities of society's stigma and prejudices? Pink hits the value system hard and the director keeps the viewer engaged with twists and revelations that keep the verdict hanging till the very end.

Tapsee Pannu and Kirti Kulhari deliver riveting performances as they struggle through their altered realities. Tapsee mumbles her responses as a witness in the box but she portrays her shaken self quite convincingly. Falak is targeted by Mehra's accusations of prostitution and eventually, deviates from the planned defensive lines. Kirti's performance here is gut wrenching and her plight is understandable. Prashant Mehra's aggressive prosecution allows Piyush Mishra to thrive on his excellent dialogue delivery. He matches up to Amitabh Bachchan's commanding presence with his performance, thus charging the scene up for audiences to enjoy. As an aging Deepak Sehgal, Bachchan's portrayal of an acclaimed lawyer is powerful not only with his sheer presence and calculated dialogue delivery, but also the conviction with which he fervently supports the girls. The closing statement by Amitabh Bachchan is among his finest performances in recent times that also highlights the film's underlying theme. It's effect is moving and necessary to shake up the hypocrisy in a flawed society. However, while Mr. Sehgal's decision to fight for the girls comes as celebratory news in the plot line, there's hardly any communication among them in preparation for each hearing. That's precisely where we would've had a better understanding of why they behaved as they did in court. It still provides for riveting courtroom drama but for the kind of overall realism depicted by Chowdhury, this seems like a fundamental interaction that's almost omitted.

Director Aniruddha Roy Chowdhury keeps the accusations louder than the defense and with good reason. The hypocrisy and outdated mentality resonate through the general population and in some cases, out of guilt of being a part of it. Pink is a very important film for today's times and as an influence for the future generations. It depicts the darker reality that we live with but choose to ignore it as it may not affect us directly. It demands a change in the way we think of women, a basic change in mentality that is needed to raise society as a whole and treat each other with respect and draw strict lines when it comes to individuality.

• 8.955 on a scale of 1-10.

Aniruddha Roy Chowdhury's 'Pink' is a gripping Courtroom-Drama, that's Bold & Brave. It tackles the sensitive & thought-provoking issue of gender-equality & the difference between one's approval & one's disapproval. The message of this well-made film, is, without doubt, even stronger than the film itself.

'Pink' Synopsis: After a rock-concert, Three independent women (Taapsee Pannu, Kirti Kulhari & Andrea Tariang) are harassed by three men. Soon after, the women are targeted, arrested & subjected for something they never did. Things take a turn when an aged lawyer (Amitabh Bachchan) decides to defend the 3 women in court.

'Pink' is about fighting for whats right & how A "NO" is clearly A "NO". India is a country that's been dealing with the horrors against women, as this society, by and large, is chauvinistic & men-driven. 'Pink' is about gender-equality & how its not remotely fine, to harass any girl, just because she decided to hang out with you after a few drinks. Its about keeping that enormous "I'm a man, I can do anything" bull-crap away & dealing with a situation with a sense of reality & chivalry. 'Pink' is a dramatic look at three brave women, who with the help a righteous lawyer, storm against the men who wronged them & are not held responsible for doing something so wrong & repulsive.

'Pink' works, because the narrative is straight to the point. And mind you, the incident, that the film is based upon, isn't shown to us till the end credits roll. And yet, 'Pink' holds you. The first-hour builds, as the proceedings get darker & more on-your-face, but its the second-hour, when the drama shifts to the courtroom, is when things are pulled out & argued upon. Although the second-hour does drag for a bit, the drama never shifts to anything else & stays to the point, at all times.

Ritesh Shah's Screenplay is well-done. Shah tackles a really thought-provoking, relevant topic & presents it, as it should be. A special mention for the sharply Written Monologue towards the film's concluding moments, where Amitabh powerfully says "A NO is A NO". Aniruddha Roy Chowdhury's Direction is excellent. He's handled this dramatic film, with precision. And its a joy to know that the prolific Shoojit Sircar, has produced this film! Cinematography & Editing are super. Art & Costume Design are perfect. Music by Various Artists, is in sync with the film's mood.

Performance-Wise: Amitabh Bachchan shines, in a role, that's undoubtedly the strongest here. His delivery in the final monologue, particularly, is note-worthy. But its The Ladies who steal 'Pink'. Taapsee Pannu, Kirti Kulhari & Andrea Tariang are exceptional. Taapsee is excellent as the women who protected herself & keeps the fire alive to fight back. Also, she looks gorgeous. Kirti is a revelation. She's terrific & her angry breakdown in the courtroom, is heart-wrenching. Andrea gets a smaller role & even lesser lines to speak comparatively, but is simply flawless as a woman, who refuses to be a victim. Of the supporting cast, Piyush Mishra hams it up as the lawyer defending the baddies, while Dhritiman Chatterjee is first-rate as the Judge. Angad Bedi is okay, but Vijay Verma crawls your skin & is absolutely unforgettable as the chauvinist, remorseless young-blood. Mamta Shankar, As Amitabh's wife, is decent in a cameo. Rest lend very good support.

On the whole, 'Pink' is a well-made film, with a strong message. Do Watch.

More than half of the seats empty in the theater at an afternoon show of "Pink" gives us the message whats exactly wrong with Bollywood. Replacing the movie with Dabangg or other such worthless crap, shows would be house-full. Pink is a masterpiece and lives up to it's expectations. Powerful and world-class performances given by Amitabh Bachchan sir (once again) and Piyush Mishra makes this movie a gem. This is one of the career best performance by Big B. He runs the whole show. Tapsee's acting could have been so much better; but still, it was a job well done.

The movie deals with what we read daily in our newspapers. MOLESTATION. This movie depicts the corrupt system and shows it in a brutally honest way (personal experience).

I'd say go for this movie, you'll surely love it. Fans of Amitabh will get =a bombastic surprise! ;)