Monstre sacré

I had heard lots of positive reviews of this drama, and of course the timeliness of the narrative is obvious to all. A celebrity who had been at his peak in the 1970's is accused of sexual assault by multiple victims, leading to press and prosecution. The plot seems fairly straightforward in terms of what it does, and for sure the "ripped from the tabloids" content made me think it would be soapy, dramatic, and perhaps be hammed up for the sake of being cathartic. Instead the drama tends to avoid this totally and goes for a tone/content which I liked, even if I think it didn't totally work all the time.

This tone is one of creepy observation of the whole thing. In some ways it works because it seems to avoid cliché and expectation, leaving the viewer to go with it in a way perhaps they would not have done had it been so obviously one way or the other. It had its limits for me, simply because it was so very reminiscent of the Channel 4 show Utopia. This is for good reason since they share director, DOP, and composer at least; but the use of this package worked so well in the sci-fi that it made me feel it unsuited here. Perhaps to those coming to it for the first time there would be no such reservation due to the lack of association. It does work though, and the atmosphere it produces allows the performances to (ironically) feel more natural within a stylized presentation. Coltrane is great, but Walters is by far the standout in her gradual doubt on her way to clarity. Riseborough is also very strong. The younger versions of the cast are also very good, matching the "main" performances very well.

Overall it is an effective drama which is well balanced, allowing the viewer room to think. I wasn't totally sold on the style, but for sure it works.

"National Treasure" is about a famous and much loved British comic actor, one half of a double act, a Morecambe or a Wise, a Cannon or a Ball perhaps, who is accused of the rape of an underage girl. It handles a deeply contentious subject very sensitively and it allays any fears in the first episode that it might be exploitative or in poor taste. It's beautifully acted; Robbie Coltrane is the accused man, the 'National Treasure' of the title, (this may be the best thing he's done since the TV series "Cracker"), but the real 'national treasure' here, of course, is Julie Walters, recipient of more BAFTA's than most of us have had hot dinners. As Coltrane's long-suffering wife she is simply magnificent. As a comic actress Walters can sometimes go off at the deep end but she underplays superbly here. Her grief and her rage are tangible and I fully expect her to pick up another BAFTA, and perhaps an Emmy, for her collection. This is a drama I approached with caution; now I am very glad I approached it at all.

Doing a re-watch of visionary Marc Munden's filmography & "National Treasure" is still one of the most technically impressive shows Channel 4's ever made in its entire history; genuinely insane how high the production values look for a series which would've been nowhere near as expensive as it appears on screen. Boasts truly exceptional filmmaking & acts as an astonishing achievement for all the cast & crew involved.

Writer & creator Jack Thorne turns out some of his strongest scripts & the direction (coupled with Ole Bratt Birkeland's stunning cinematography) elevates them even further. Each & every episode's edited to perfection, scored beautifully by Cristobal Tapia De Veer & the performances are outstanding - especially from Julie Walters, who truly shines here. Aged like fine wine.

Seriously, does anyone do topical stuff better than Marc Munden? Can't think of one single superior alternative. Time after time, he tackles potentially controversial subject matter in such an audacious & unflinching way, without being exploitative / triggering. Strikes a phenomenal balance & remains respectful whilst doing justice to the horror of the subject matter featured. Remarkable.

Has Comedian and National Treasure Paul Cobley, done the unspeakable, is he a sex offender?

A story that was surely inspired by the shocking case of Jimmy Saville, this makes you contemplate whether or not someone that is nationally loved, could be guilty of that worse possible crimes.

I really did enjoy this, it's a thought provoking, well made and supremely well acted series. It does perhaps play out, and even conclude the way too expect it to, but the journey itself is worth going on, it's the impact not just on the accused and accusers, but those directly associated also.

It's very well made and presented, good production values, it looks quite arty.

The acting is the key strength, Coltrane and Walters shine through, as do the entire cast, Andrea Riseborough, Tim McInnerny and Susan Lynch all impressed.

Worth seeing, 7/10.

Watching Andrea Riseborough's character in this film is the real treasure. Fantastic job from years gone past. It's hard to tell who(m) this story is based on but it doesn't matter. The seediness, manipulation and deceit is true enough. This is a very dark film that is not for everyone. The method of slowly unraveling or diving into the depths of sick and/or greedy or self-absorbed humans is disturbing and will stay with you. I felt there were a few holes. Some stuff purposely left to your imagination, but some unresolved. It was well made, and again, worth watching Riseborough's performance as a younger actor.