In the 1970s and '80s, National Lampoon's success and influence creates a new media empire overseen in part by the brilliant and troubled Douglas Kenney.In the 1970s and '80s, National Lampoon's success and influence creates a new media empire overseen in part by the brilliant and troubled Douglas Kenney.In the 1970s and '80s, National Lampoon's success and influence creates a new media empire overseen in part by the brilliant and troubled Douglas Kenney.
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- 2 nominations total
- Harvard Jester
- (as Ben Campbell)
- Time-Life Publisher
- (as Mitch Hurwitz)
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The format is well played with Will Forte as the young Doug and Martin Mull as kind of older, alternate universe Doug, if Kenney had lived, narrating the film. The rest of the cast is well known, playing unknown actors and writers. It took me a second to recognize Natasha Lyonne (American Pie) as Anne Beatts, Thomas Lennon (Reno 911) as Micheal O'Donoghue, and Joel McHale (Community) as Chevy Chase. All of them are covered in 70s hairstyles and McHale does a really good job of mimicking Chase's speech patterns and even his trademark pratfalls.
The film excels in showing how Kenney rose from a malcontent to a Harvard grad to a fledgling magazine editor to movie writer. Forte is especially compelling and funny as Kenney. He doesn't quite have the acting range to pull off the downward spiral of the person, but he does an excellent job with the jokes and the other aspects of Kenney's life. Where the film fails is trying to shoehorn too many characters into its 100 minute run time. There is even a humorous scene of older Kenney (Mull) explaining to a bunch of supporting characters that there wasn't enough screen time for all of them so they get ignored. But the film goes to great pains to cram in other famous people such as Gilda Radner, Christopher Guess (Seth Green), Bill Murray, and John Belushi. The actors playing Murray and Belushi came off as actors lampooning (no pun intended) the famous comedians. Belushi was such a huge personality, I doubt anyone could portray him properly in such a short cameo.
Another special mention goes out to Emmy Rossum. She is a stunning screen presence and even though her appearance is short, as Kenney's last girlfriend, she lights up the screen. She is a gorgeous actress as well.
There is also a fun nod to Animal House with Mark Metcalf (Neidermeyer) portraying a publisher.
The movie moves fast through the various periods of Kenney's life, but I think he would have enjoyed it. He comes off as funny, yet troubled, a brilliant comedian, but an emotionally stinted adult. A Futile and Stupid Gesture is anything but. The only thing I would have added, is maybe some post interviews with the actual people portrayed in the movie who knew Kenney, even if they were archival for some (Belushi and Ramis). Still, this was a well-done film.
Clever story telling that takes a while to get the right mood, but once it hits the American Hustle-style montage pace with the '70s period look it just rolls along. Plenty of decent laughs, but with good introspection by the lead actor. I didn't know much about this guy, and his stuff was just before my time, but I found the story really engaging, and of course there's the satisfaction of spotting a host of comedy stars at the start of their screen careers. Biggest laugh was Chevy Chase trying to pour a drink at the parents' new mansion.
The meta narrative is amusing, with a pointed reference to the source of the movie's title, but it also pulls a clever trick in setting up a shock ending for anyone who doesn't know this man's life. Only complaint is that there's no killer line. Maybe: "All you had to say was don't call me Shirley".
The performances are good all round, and the direction, editing and cheerful music keep it bubbling all the way through.
Overall: Nice surprise, big recommend.
A comedy biopic about writer Doug Kenney, who was the main contributor to the success of National Lampoon in the 1970s and 80s. The film stars Will Forte as Kenney, and it was directed by David Wain (who also helmed 'WET HOT AMERICAN SUMMER', and several episodes of the TV series based on it). It costars Domhnall Gleeson, Martin Mull, Emmy Rossum, Matt Walsh, Joel McHale, and many others (in cameos as famous comedians). The movie was scripted by John Aboud and Michael Colton, and it's based on the book (of the same name) by Josh Karp. The film was released by Netflix through it's streaming site, and it's gotten mixed to positive reviews from critics. I found it to be both educational and funny, but it's also a little too dark and unbalanced.
The film is narrated by Doug Kenney, supposedly in modern day (Mull). He tells his life story, starting when he was in his twenties (Forte); when he and his best friend Henry Beard (Gleeson) decided to create the magazine National Lampoon. It of course became a huge success, and blockbuster movies followed (like 'ANIMAL HOUSE' and 'CADDYSHACK'). Kenney could never be content, or happy, still though.
I knew nothing about Doug Kenney previous to seeing this movie, but I love his work. So I was absolutely fascinated by this film, and I of course found it to be very educational. I also loved seeing all of these other actors portraying other famous actors (like Chevy Chase, Bill Murray and John Belushi). I also just really enjoyed seeing how these classic comedy films, and that famous comedy magazine, came to life. Forte is great in the lead too, and the supporting cast is all more than adequate. The film, as funny and interesting as it often is, is still really dark and depressing though. It left me with mixed feelings about how I really felt about it as a whole. It's also got a strong TV feel to it, which kind of cheapens what should have been a theatrical film feel (the story deserved a theatrical presentation at least).
Worth watching though.
Did you know
- TriviaJoel McHale portrays Chevy Chase in this project. The two costarred in Community (2009). A number of episodes centered on McHale's character fearing he would become like Chase's one day. When McHale called Chase and told him that he would be playing him in the film, Chase gave his blessing and shared with him stories about Doug Kenney.
- GoofsWhen the names of National Lampoon staff omitted from the movie are flashed on the screen, renowned cartoonist and NatLamp editor Shary Flenniken's name is misspelled (as "Sherry").
- Quotes
Tom Snyder: Mr. Kenney, it's a fine line between being clever and offensive, isn't it?
Douglas Kenney: Look, if I could just say something in defense of National Lampoon for one moment...
Tom Snyder: Please.
Douglas Kenney: We come from a tradition of truth-tellers. A long time ago, there was someone else society found offensive. They thought that what he did was radical - dangerous. They persecuted him... and eventually killed him. Of course, I'm referring to Dracula.
- Crazy creditsAfter the end credits have rolled, Martin Mull is shown singing the song "Time of My Life" with members of the cast.
- ConnectionsFeatures Y a-t-il un pilote dans l'avion ? (1980)
- SoundtracksChapel of Dreams
Written by Billy Myles
Performed by The Dubs
Courtesy of Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
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- A Futile and Stupid Gesture
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- $30,000,000 (estimated)
- Runtime1 hour 41 minutes
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- 1.90 : 1