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5.5/10
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An oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge. Two Pigeons is a dark come... Read allAn oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge. Two Pigeons is a dark comedy with a sinister streak.An oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge. Two Pigeons is a dark comedy with a sinister streak.
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Intriguing and unusual take on a home invasion story ! Really draws you in and the actors are very believable ! Pretty disgusting in parts when you see what the interloper gets up too but all very entertaining! Always amazes me seeing the serial 1/10 reviewers on here that are clearly clueless ! This is well thought out and very good !
A psychological art house revenge karmic comedy mystery gross out metaphorical film?? Interesting and clever with good performances all round. A little repetitive possibly, could have lost a few minutes of creeping around to improve pacing, though a minor quibble. Absurdist situation that the director somehow allows the viewer to buy into. Will not be to everyones taste and may cause a gag reflex in some people at times but highly recommended for something a bit different.
I don't usually dig "horror/comedies"; they usually veer more towards comedy, while the scary elements are often half baked or underrepresented. This movie, however, is the new metric by which I rate how successful the movies in the genre are. Two Pigeons starts off like any urban comedy, but casually veers into such nasty and disturbing territory, it was almost like watching two or three movies, mashed into one.
The actors are talented and believable, and I found myself really growing attached to their stories. With such a small cast, it was imperative that they all had obvious chemistry, and worked well as an ensemble. I did not find a single weak link. Everyone put their absolute all into this movie, and it was literally like watching the daily lives of people you somehow know and like. It was entirely believable, and this only made the movie that much more entertaining.
Everything else about this movie was top notch, from the cinematography to the soundtrack, but the true star of the movie was the Spanish actor who played the "guest". He was so weird, shockingly skinny, and delightfully disturbing. You couldn't help but watch in disgust at some of the stuff he was getting away with. It was horrible, but hilarious. I gagged a few times.
Overall, this movie has a great premise, yet the film does not overstay its welcome. It's less than an hour and thirty minutes, and things get right into the action fairly quickly. It's a quick, yet entertaining watch, that will not be easily forgotten. A gem of a film that should be seen by anyone that appreciates concise and well executed stories.
The actors are talented and believable, and I found myself really growing attached to their stories. With such a small cast, it was imperative that they all had obvious chemistry, and worked well as an ensemble. I did not find a single weak link. Everyone put their absolute all into this movie, and it was literally like watching the daily lives of people you somehow know and like. It was entirely believable, and this only made the movie that much more entertaining.
Everything else about this movie was top notch, from the cinematography to the soundtrack, but the true star of the movie was the Spanish actor who played the "guest". He was so weird, shockingly skinny, and delightfully disturbing. You couldn't help but watch in disgust at some of the stuff he was getting away with. It was horrible, but hilarious. I gagged a few times.
Overall, this movie has a great premise, yet the film does not overstay its welcome. It's less than an hour and thirty minutes, and things get right into the action fairly quickly. It's a quick, yet entertaining watch, that will not be easily forgotten. A gem of a film that should be seen by anyone that appreciates concise and well executed stories.
A man hiding in other person apartment for few days to take revenge for lost his wife and unborn baby..
He using his toothbrush and shaving razor and personal items..
And make separate with his girlfriend too..
The movie looks funny and some humour..
Estate agent Hussein (Mim Shaikh) shares a small London apartment with his girlfriend Mel (Mandeep Dhillon), but, unbeknownst to the young couple, the flat is also home to a strange Spaniard called Orlan (Javier Botet), who conceals himself about the place, emerging whenever the coast is clear to carry out a series of unsavoury acts designed to ruin Hussein's life.
A stranger hiding unnoticed in a home isn't exactly a new idea (for similarly themed films, see Hider In The House, and to some extent, A Crack In The Floor, both of which star Gary Busey). Despite this, the film still manages to hold quite a few surprises, delivering plenty of twisted humour and a keen sense of the absurd. Director Dominic Bridges' slowburn approach is effective, Orlan's activities starting out as relatively innocuous, but, as the film progresses, taken to more and more extreme levels. Shaikh and Dhillon do well as the the clueless victims, but is Botet who is the film's strongest suit, his extremely slight frame and long gangly limbs making him a memorably disturbing character.
Unfortunately, as good as the build up is, the finalé proves frustratingly tame: rather than opt for the truly disturbing ending the film deserves, Bridges delivers a finish that is both rushed and ultimately unsatisfying, Orlan's final punishment for Hussein not nearly as nasty as one might expect.
***EDIT*** Having just finished watching Spanish thriller Sleep Tight (2011), I now realise that Freehold's basic premise is even more derivative than I thought. I'm tempted to deduct a point for lack of originality, but will leave my rating at a 7 for the time being.***
A stranger hiding unnoticed in a home isn't exactly a new idea (for similarly themed films, see Hider In The House, and to some extent, A Crack In The Floor, both of which star Gary Busey). Despite this, the film still manages to hold quite a few surprises, delivering plenty of twisted humour and a keen sense of the absurd. Director Dominic Bridges' slowburn approach is effective, Orlan's activities starting out as relatively innocuous, but, as the film progresses, taken to more and more extreme levels. Shaikh and Dhillon do well as the the clueless victims, but is Botet who is the film's strongest suit, his extremely slight frame and long gangly limbs making him a memorably disturbing character.
Unfortunately, as good as the build up is, the finalé proves frustratingly tame: rather than opt for the truly disturbing ending the film deserves, Bridges delivers a finish that is both rushed and ultimately unsatisfying, Orlan's final punishment for Hussein not nearly as nasty as one might expect.
***EDIT*** Having just finished watching Spanish thriller Sleep Tight (2011), I now realise that Freehold's basic premise is even more derivative than I thought. I'm tempted to deduct a point for lack of originality, but will leave my rating at a 7 for the time being.***
Did you know
- Crazy creditsDuring the end credits the character Hussein performs a spoken word piece about his shady business practices.
- How long is Two Pigeons?Powered by Alexa
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- Runtime1 hour 20 minutes
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- 2.39:1
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