Strike a Pose
- 2016
- 1h 23m
IMDb RATING
7.2/10
1.8K
YOUR RATING
What does it take to express yourself? The surprising and moving story of Madonna's most famous troupe of dancers.What does it take to express yourself? The surprising and moving story of Madonna's most famous troupe of dancers.What does it take to express yourself? The surprising and moving story of Madonna's most famous troupe of dancers.
- Awards
- 3 wins & 5 nominations total
Kevin Alexander Stea
- Self
- (as Kevin Stea)
Oliver Crumes Jr.
- Self
- (as Oliver Crumes III)
Gabriel Trupin
- Self
- (archive footage)
Andreas Pliatsikas
- Self
- (uncredited)
Featured reviews
Lots of crying. Documentary-makers love it. Almost everybody in the movie gets to cry. Coming out of the closet and AIDS, AIDS, AIDS. No, it is not "powerful." It is stagey and manipulative. The individual stories are familiar. The only difference is Madonna.
Like the gay Waiting for Godot. Everybody talks about Madonna, but she's not there.
"We were like a family" is the motif. I doubt that the dancers were really that naive. They were Madonna's employees. Did they really think that they were going to be pals with her once the tour was over?
There is a shot of a mother watching a video of her dead son. There is a discussion of Bell's palsy.
There is an awkward reunion dinner apparently staged for this film. It's as if the dancers know what is expected. Lots of hugging and more crying. Declarations of undying love and friendship. A cringe-inducing replay of truth or dare. Everyone aware of the cameras. It seems self- conscious.
What do you do with your life if it peaks when you're 22? To be cast out of MDNA paradise. There are vague images of the dancers in what may be their present careers. One of them is a waiter, but it is implied that they are still in dance. No specifics are given. The idea is to leave on an upbeat note.
Like the gay Waiting for Godot. Everybody talks about Madonna, but she's not there.
"We were like a family" is the motif. I doubt that the dancers were really that naive. They were Madonna's employees. Did they really think that they were going to be pals with her once the tour was over?
There is a shot of a mother watching a video of her dead son. There is a discussion of Bell's palsy.
There is an awkward reunion dinner apparently staged for this film. It's as if the dancers know what is expected. Lots of hugging and more crying. Declarations of undying love and friendship. A cringe-inducing replay of truth or dare. Everyone aware of the cameras. It seems self- conscious.
What do you do with your life if it peaks when you're 22? To be cast out of MDNA paradise. There are vague images of the dancers in what may be their present careers. One of them is a waiter, but it is implied that they are still in dance. No specifics are given. The idea is to leave on an upbeat note.
A doc that reunites the male dancers from Madonna's 'Blonde Ambition' tour where they reflect on their lives & aspirations 25 years on. A great premise let down by shoddy story construction, this account still delights just by the sheer will & perseverance of the dancers' willingness to continue trying to lead good lives in light of the bad choices that have befallen them.
10ski2004
It was really interesting to follow up on their lives. They have had so many struggles through the years trying to find their way in life. Although the guys don't hold resentment, I must say that this makes me dislike Madonna even more than I already did. In my opinion, she took hold of "kids" who thought they were family and when she was done with them, she was done...She's a very cold person.
This doc is a bit lazy (it does not go into much detail on the cultural relevance of Madonna at her peak of 1989 - 1991) but will appeal to those of us who were in our teens to mid-20s at that time. From the BA tour to the release of TOD, Madonna was the center of the universe. Her PR at the time said she was giving the dancers an opportunity and it was up to them to exploit it after the tour. (This was never mentioned in the film but is my recollection.) Sadly, none have achieved what would be considered success in the material sense: most seem to live hand to mouth. If they had more maturity and some good guidance at the time, they may have developed careers of note - perhaps even judging DWTS and choreographing big names but mostly spiraled down and those that sued Madge? Well, let's just say she holds a grudge. This doc is a little sad, yet their impact at the time on some was significant. Ultimately, this will appeal more to those of us born in the 60s - mid-70s and does not have wide appeal. Yes, Madonna exploited them but in her world view she also gave them an opportunity.
This documentary is truly moving and teaches many lessons. As not having witnessed the HIV epidemic (born 1993), this docu gave me a harsh but eye opening impression what it would have been. But most of all the Irony of the tour and the emotion that it gets out of them, when they talk about it years later. This is pain, this life. Amazing.
Did you know
- ConnectionsEdited into Express yourself: Danser dans l'ombre de la Queen of Pop (2016)
- How long is Strike a Pose?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
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- Also known as
- Zauzmi pozu
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $102,610
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 16:9 HD
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